Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

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  1. Saturday Night Live's icon

    Saturday Night Live

    Favs/dislikes: 0:0.
  2. 962 Noir Films from They Shoot Pictures, Don't They? (including TSPDT's 250 Quintessential Noir Films)'s icon

    962 Noir Films from They Shoot Pictures, Don't They? (including TSPDT's 250 Quintessential Noir Films)

    Favs/dislikes: 78:2. The TSPDT 250 Quintessential Noir Films list contains 241 films that all contain three key ingredients. 1) They were all produced in the United States; 2) They were all shot in black-and-white; 3) They were all produced between 1940 to 1959. The nine films that have been included that exclude at least one of these key ingredients are two non-American-produced noir (The Third Man and Mr. Arkadin), four color noir films (Leave Her to Heaven, Niagara, Party Girl and Slightly Scarlet), and three films from the early 1960s (Cape Fear, Underworld, U.S.A. and The Naked Kiss). Other titles included in the list are noir precursors, modern noir, non-American noir, and additional films between 1940-1964 that have noir elements. Section changes will be listed in this complete list (so the reader will know where in the list modern noir films begin/end, etc.). Films 1 - 250 (The Accused through The Wrong Man) are TSPDT's 250 Quintessential Noir Films. Films 251 - 358 (The 13th Letter through A Woman's Secret) are "More American Noir Films and/or Films with Noir Elements from 1940 to 1964" Category A: films often cited as film noir. These films weren't far away from being included on the 250 Quintessential listing, and most of them contain many - if not all - of the classic noir ingredients. Films 359 - 513 (5 Against the House through Women's Prison) are "More American Noir Films and/or Films with Noir Elements from 1940 to 1964" Category B: films quite often cited as film noir, but not to the same degree as those listed in Category A. It must be considered that in most cases these films contain strong film noir elements. Films 514 - 750 (The Thirteenth Hour through A Woman's Vengeance) are "More American Noir Films and/or Films with Noir Elements from 1940 to 1964" Category C: films not often cited as film noir. These films include certain film noir characteristics, even though - in many cases - they belong in other clear-cut genres, e.g. Westerns. However, it should also be acknowledged that many of these films are without doubt 'fully-blown' noirs (of the very neglected variety). Films 751 - 825 (Another Man's Poison through Wicked as They Come) are British-produced noir (1940-1964). Films 826 - 837 (Bob le flambeur through The Wages of Fear) are French-produced noir (1940-1964). Films 838 - 843 (Ossessione through Stolen Identity) are classified as "other" non-American noir produced between 1940-1964: 1 Italian, 3 Japanese, 1 Mexican, and 1 Austrian, respectively. Films 844 - 871 (The Beast of the City through You Only Live Once) are "Noir-Precursors": films that shaped the look of noir before the style came into its own during the 1940s. All are American-produced except The Green Cockatoo (UK), La Bête Humaine, Pépé le Moko, and Quai des brumes (France), and M (Germany). Films 872 - 962 (Angel's Flight through The Salton Sea) are "Neo-Noir / Modern Noir" films made after the 'golden age' of film noir up to 2002. They are grouped them by decade, and all are American-produced, except for: French-produced: Le Samouraï, Le deuxième souffle, Le cercle rouge, Série noire, La femme Nikita, Léon, and Mulholland Dr. German-produced: Der amerikanische Freund UK-produced: The Big Sleep (1978), Get Carter (1971), and Mona Lisa
  3. Drive-In Delirium's icon

    Drive-In Delirium

    Favs/dislikes: 35:1. Created from the Drive-In Delirium series of film trailer DVD compilations released by Umbrella Entertainment in Australia. From the respectable to the reprehensible, this is the list with something for everyone: women in prison, the undead, blaxploitation, martial arts, nature run amok, stalk & slash, vigilante revenge, espionage, counterculture, giallo, Eurozombies, Eurowesterns, SF/fantasy, creature features, video nasties and just a hint of sex. An exploitation goldmine.
  4. Fandor Canada's icon

    Fandor Canada

    Favs/dislikes: 1:0.
  5. iCM Forum's Favourite Films of the 1930 Complete List's icon

    iCM Forum's Favourite Films of the 1930 Complete List

    Favs/dislikes: 4:0.
  6. Mighty's Pain's icon

    Mighty's Pain

    Favs/dislikes: 1:0.
  7. 1001 Movies You Must See Before You Die's icon

    1001 Movies You Must See Before You Die

    Favs/dislikes: 1:0.
  8. iCM Forum's Favourite War Movies Complete List's icon

    iCM Forum's Favourite War Movies Complete List

    Favs/dislikes: 8:0.
  9. In the Mood for Film's icon

    In the Mood for Film

    Favs/dislikes: 11:0. Personal list of movies balancing critical acclaim and entertainment. This list is in ongoing development and gets updated.
  10. Incest's icon

    Incest

    Favs/dislikes: 1:0. >5.5/10 >50 votes https://www.imdb.com/search/keyword/?keywords=brother-sister-incest&ref_=kw_nxt&sort=num_votes,desc&mode=simple&page=6&user_rating=5.5%2C >6/10 >50 votes https://www.imdb.com/search/keyword/?keywords=incest&ref_=kw_ref_rt_usr&sort=moviemeter,asc&mode=detail&page=1&user_rating=6.0%2C
  11. Official Feature Films Running Under 80 min's icon

    Official Feature Films Running Under 80 min

    Favs/dislikes: 27:0. Updated around May 2013
  12. All the 80's Movies I've Seen's icon

    All the 80's Movies I've Seen

    Favs/dislikes: 0:0.
  13. Doctor Who's icon

    Doctor Who

    Favs/dislikes: 25:5. All things Doctor.
  14. Best Writing Nominees - Academy Awards's icon

    Best Writing Nominees - Academy Awards

    Favs/dislikes: 12:0.
  15. Dennis Grunes: A short chronology of world cinema's icon

    Dennis Grunes: A short chronology of world cinema

    Favs/dislikes: 52:0. Films listed in Grunes' 2010 book by that title. His selections have a decidedly leftist sociopolitical slant. Notes: 1. For some reason IMDb won't let me add "Diavolo in corpo" (1986), but I managed to add it via ICM at the end. 2. For "September 11" (2002) Grunes specifies the final segment by Shohei Imamura. 3: Not found on IMDb: "Here and perhaps elsewhere" (Houna wa noubbama hunak, 2003) by Lamia Joreiga; "Passages" (2005) by Jon Jost.
  16. Ultimate Movie Rankings Top Domestic Ticket Sellers of All Time's icon

    Ultimate Movie Rankings Top Domestic Ticket Sellers of All Time

    Favs/dislikes: 1:0. Based on tickets sold, this is an inflation-adjusted list of highest grossing films in the US of all time. Contains all films at $220 million or higher. Updated to include all 2022 releases.
  17. ICM Forum - Official One Film from Each iCM List Challenge 2022's icon

    ICM Forum - Official One Film from Each iCM List Challenge 2022

    Favs/dislikes: 0:0.
  18. Nighthawk News Great Films's icon

    Nighthawk News Great Films

    Favs/dislikes: 2:1. What it says.
  19. TraverseTown Favorite Films of All-Time 2024's icon

    TraverseTown Favorite Films of All-Time 2024

    Favs/dislikes: 0:0.
  20. Films on at least 10 official lists's icon

    Films on at least 10 official lists

    Favs/dislikes: 13:0. Following an idea suggested by wowwee123 and Peacefull Anarchy, this is a list of every film on at least 10 official lists. For the other Lists see https://www.icheckmovies.com/lists/?tags=user:tim2460
  21. Quentin Tarantino’s Cinema Speculation's icon

    Quentin Tarantino’s Cinema Speculation

    Favs/dislikes: 3:0. Every film mentioned, regardless of context, in Quentin Tarantino’s book Cinema Speculation. Each entry is in order of mention in the book. An entry might be mentioned more than once but I am just sticking to their first mention. Chapter 1: entries #1-112 Chapter 2: entries #113-148 Chapter 3: entries #149-213 Chapter 4: entries #214-245 Chapter 5: entries #246-263 Chapter 6: entries #264-320 Chapter 7: entries #321-372 Chapter 8: entries #373-458 Chapter 9: entries #459-521 Chapter 10: entries #522-552 Chapter 11: entries #553-582 Chapter 12: entries #583-588 Chapter 13: entries #589-610 Chapter 14: entries #611-763 Chapter 15: entries #764-800 Chapter 16: entries #801-814 Chapter 17: entries #815-890 Chapter 18: entries #891-939 (final chapter) I did not include television show entries except the pilot episode of Starsky and Hutch, since that originally aired as a television movie of the week. Also, I am a little uncertain about the Abashiri Bangaichi film series Tarantino mentions in the chapter about Escape from Alcatraz. He says there are 14 entries but other sources say 17 and 18. I found 14 entries listed here on this site and added them all, but I believe there are more.
  22. iCM Forum's Favorite Thriller-Suspense Movies (all votes)'s icon

    iCM Forum's Favorite Thriller-Suspense Movies (all votes)

    Favs/dislikes: 15:0.
  23. 50 Years of American Cinema's icon

    50 Years of American Cinema

    Favs/dislikes: 3:1. Since its first publication in the early sixties and over various updates, "50 ans de cinéma américain" has become the Holy Book of most french cinephiles. Initially published by Jean-Pierre Coursodon and Yves Boisset (with Bertrand Tavernier writing some unsigned articles) as an opuscule called "20 ans de cinéma américain", the book has been totally restructured by Coursodon and Tavernier in the early seventies as "30 ans de cinéma américain", then in 1991 as "50 ans de cinéma américain" and finally updated - for the time being - in 1995. Due to its form and long sedimentation, division into many sections and the piling up of informations over the years, none list here can really do justice to this book. The highlight and largest section of the book is indisputably the "Dictionary of filmmakers" in which the authors virtually discuss the whole filmographies of more than 250 american directors (this part can't be materialized into a list). The present list focuses on the first part of the book, a timeline between 1939 and 1993 including the most important and noteworthy movies of each year ("works"). Please note that this section also includes other comments ("facts" and "talents") impossible to transpose here. The two authors bring up the unmissable masterpieces and commercial triumphs but also a lot of personal picks from overlooked directors or victims of the blacklist (residue of their early years as fervent publicists). They deliberately include some turkeys ("le coin du nanar") and obscurities ("à redécouvrir"), with a strong attention to short features (mainly cartoons). I hope this list, despite its flaws and restriction to american movies, could be of some utility to ICM users and bring to light which is my favorite book about movies (along with the "Dictionary of Films" from Jacques Lourcelles). The authors are currently working on a definitive edition of their book - presumably entitled "100 ans de cinéma américain" - that will considerably enlarge the scope, starting from 1914 and to likely reach 2014. Needless to say that most of the previously summoned french cinephiles are awaiting for this like men of God were devotedly expecting the Parousia back in the days. Missing : "Seven lively arts" (John Hubley, 1959) ???
  24. Female frontal nudity part 2's icon

    Female frontal nudity part 2

    Favs/dislikes: 1:0. >6/10 >100 votes 1-930 https://www.imdb.com/search/keyword/?keywords=topless-female-nudity&ref_=kw_ref_typ&mode=simple&page=1&user_rating=6.0%2C&sort=num_votes,desc&title_type=movie&num_votes=100%2C
  25. Library of Congress's National Film Registry's icon

    Library of Congress's National Film Registry

    Favs/dislikes: 161:2. The National Film Registry is the United States National Film Preservation Board's selection of films for preservation in the Library of Congress. The Board was established in 1988. Each year, 25 "culturally, historically, or aesthetically significant films" are preserved, to increase awareness for its preservation. To be eligible for inclusion, a film must be at least ten years old but it is not required to be feature-length, nor is it required to have been theatrically released. [url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/]Source[/url]
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