This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
ПРЕПОРЪЧИТЕЛНИ ФИЛМИ за подготовка за всички профили в бакалавърска степен - ФЕИ (в НАТФИЗ); България;
MUST-SEE FILMS for Bacherlor's in Film Studies at the National Academy For Theatre and Film Arts, Bulgaria
Imaginations is a multilingual, open-access journal of international visual cultural studies. The idea for this special issue originates in the realization that there has not been a follow-up of Mbye Cham’s Ex-Isles: Essays on Caribbean Cinema (1992), published more than two decades ago. The essays and interviews included in Caribbean Cinema Now highlight that the small amount of widely available Caribbean film scholarship is not due to a lack of material. The combination of the diverse analyses and filmmaker commentaries further emphasizes the benefits of cross-Caribbean exchange between producers, other participants in the regional industries, as well as among critics, whether in the region itself or in its so-called diaspora.
01-03: Towards a new caribbean cinema? Interview with jamaican filmmaker Storm Saulter;
04-32: The island image and global links in Puerto Rican cinema of the 21st century;
33-37: Beyond fascination and horror: towards a relational aesthetic of Caribbean cinema;
Cinema in Jamaica - The Legacy of The Harder They Come:
38-44: Hollywood's first films "on location",
45-49: Hollywood stereotypes,
50-60: The Legacy of The Harder They Come;
61-63: Christian Lara "the Father of French Antilles cinema": Reconciling vision and execution;
64-65: A Parradox in Caribbean Cinema? Interview with minimal movie filmmaker Pim de la Parra, pragmatic dreamer of Suriname;
66-68: The Caribbean, On screen: A conversation with Frances-Anne Solomon.
for further reading, check the source.
It is always a challenge to produce a definitive list of “must- see” movies, because value judgments are, by definition, extremely subjective. However, the 100 handpicked films in this section have delighted, moved or educated audiences of all ages, all over the world. Over the last nine decades, these films have changed our perceptions of cinema, and most have left an indelible mark on film history.
Basically as it's name say's, my personal favourite 100 movies. I can't decide enough to put them in order, maybe i will edit it at a later date though ;-)
N.B. Would also like to add that the films '9' and 'IT' were in my original 100 but the site would not let me include them for some strange reason...
I'd also like to point out this list took around 7 or 8 attempts of searching 100 movies 1 by 1 and adding them for it not to save afterwards, very annoying and time consuming, this will be my only list until a new way of making them is added, sort it out ICM ?!? :-/
Some of the best, and most obvious, advice to give anyone trying to get into cinema is to just be patient, and pay attention at all times. It is axiomatic for sure, but this advice is even more prevalent when considering slow, meandering cinema. It can be tempting to wander off and lose focus, but remaining diligent is what is going to provide the best understanding and enjoyment of the content over anything else.
The history of slow cinema runs the gauntlet of auteur legends such as Carl Theodor Dreyer, Ingmar Bergman, Chantal Akerman, Yasujiro Ozu, and Michelangelo Antonioni. Since the infamous boos and jeers directed towards the groundbreaking L’Avventura at Cannes, slow film has always seemed to have an uphill struggle to find a proper home. Now many filmmakers are applauded for such “relentless” pacing.
In fact, from an academic and historical point-of-view, slow film is entirely antithetical to classical style filmmaking. Old (and new) films are dominated by successive cutting, varying of shots/angles, and utilizing the Kuleshov effect to its fullest for easier plotting. Usually classic Hollywood films did this so the editor could cover up any mistakes or discrepancies.
Now it seems as if newer, mainstream films are vying for audience attention with as much visual stimuli as possible. However, many slow films like to have the mise-en-scène at such a minimum to where it seems as if nothing is happening. Some directors have a preference for keeping the camera at a long or medium-long shot to maintain verisimilitude, letting the scene play out in sequence.
There are many fantastic slow films, but these 20 films are emblematic of what the style/technique has to offer.
After going through movie reviews from several news outlets (among them Rediff, India Today, Times of India, The Indian Express, NDTV, CNN-IBN, and Hindustan Times), every film of 2013 has been assigned an 'aggregate rating' (this rating is an average of all the star ratings given a film by the aforementioned news outlets). The 15 movies of 2013 with the highest aggregate rating are ranked below.
The official list of movies screened at FilmStationen. A volunteer driven underground cinema in Copenhagen. Trainsurfing Cinema since 2007.
Note that this list is not complete as we have presented a bunch of films, especially shorts, that doesn't have an imdb entry.
This critically acclaimed DVD contains 16 of the best classic and award winning British short films and delivers a snapshot of British cinema past and present.
(missing on the list: UK Images by Martin Parr)