This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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This is my own personal list of films that, in my opinion, should have won the Academy Award for Best Picture. It is in no way an official list, and it reflects my opinion, and my opinion only. Enjoy!
These are the films that comprised the Son of Shock film package that was sold to television stations across the United States in 1958. This package contained 20 films from Universal and Columbia Pictures.
In my opinion, the best movies of all time. This list is based off of what I truly believe is greatest, and what personally means a lot to me. Keep in mind that there are still many movies I have yet to see.
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It is always a challenge to produce a definitive list of “must- see” movies, because value judgments are, by definition, extremely subjective. However, the 100 handpicked films in this section have delighted, moved or educated audiences of all ages, all over the world. Over the last nine decades, these films have changed our perceptions of cinema, and most have left an indelible mark on film history.
"With A History Of Violence, Tom Breihan picks the most important action movie of every year, starting with the genre’s birth and moving right up to whatever Vin Diesel’s doing this very minute."
Some of the best, and most obvious, advice to give anyone trying to get into cinema is to just be patient, and pay attention at all times. It is axiomatic for sure, but this advice is even more prevalent when considering slow, meandering cinema. It can be tempting to wander off and lose focus, but remaining diligent is what is going to provide the best understanding and enjoyment of the content over anything else.
The history of slow cinema runs the gauntlet of auteur legends such as Carl Theodor Dreyer, Ingmar Bergman, Chantal Akerman, Yasujiro Ozu, and Michelangelo Antonioni. Since the infamous boos and jeers directed towards the groundbreaking L’Avventura at Cannes, slow film has always seemed to have an uphill struggle to find a proper home. Now many filmmakers are applauded for such “relentless” pacing.
In fact, from an academic and historical point-of-view, slow film is entirely antithetical to classical style filmmaking. Old (and new) films are dominated by successive cutting, varying of shots/angles, and utilizing the Kuleshov effect to its fullest for easier plotting. Usually classic Hollywood films did this so the editor could cover up any mistakes or discrepancies.
Now it seems as if newer, mainstream films are vying for audience attention with as much visual stimuli as possible. However, many slow films like to have the mise-en-scène at such a minimum to where it seems as if nothing is happening. Some directors have a preference for keeping the camera at a long or medium-long shot to maintain verisimilitude, letting the scene play out in sequence.
There are many fantastic slow films, but these 20 films are emblematic of what the style/technique has to offer.
According to the source: "A note on the poll’s workings: over 100 North American colleagues ranked their favorites in two categories: 1) those that received theatrical runs and 2) those viewed this year but currently with no announced plans for U.S. theatrical distribution. For each ballot, a first-place choice was allotted 20 points, 19 for second, and so on."
These are the films in the second category. For the films in the first category, look [url=https://www.icheckmovies.com/lists/film+comments+best+films+of+2014/gershwin/]here[/url].
For whatever reason (most likely the fact that viewing is easier than reading), films don’t seem to get the same kind of cultural respect as books do. Which is a shame because excellent movies can be just as entertaining, mind-expanding, and life changing as good books. Scenes, characters, and quotes from the greatest movies stay with us long after we view them. Their ability to transport you to different times and exotic locations, to completely absorb you in the story, make movies one of the closest approximations of real magic we have in this world.
And for better and for worse, film has had a huge impact on masculinity in the 20th Century. Movies have produced archetypes of manliness that many men judge themselves against today. To view how male characters of cinema have been portrayed over the decades, is to see clearly the ways in which our perception of masculinity has changed and continues to change. Thus it seemed only proper that The Art of Manliness take a stab at creating a list of essential movies every man should see.
We didn’t want to make a list of movies that consisted solely of violence and gratuitous T and A that make up most guy movie lists. Nor did we want to create a list of just independent avant-garde movies that while culturally or cinematically significant, aren’t very entertaining. We wanted to create a well rounded list of films that have something to say about manliness. Some of the movies speak poignantly about what it means to be a man. Others give examples of true manliness in action. Some are lessons in how not to be a man. And others are simply entertaining movies that are just plain manly. But the common thread that runs through all of them is that they’re great movies that have stood the test of time.
Let us know in the comments which movies you loved, which ones you hated, and the movies you think every man should see before he dies. Without further ado, we present The Art of Manliness 100 Must See Movies for Men.
The Tenth Anniversary of AFI's 100 Greatest Movies List got us to thinking, especially when we noticed that of 400 films nominated for AFI's list, only 4.5 were directed by women. We thought it would be interesting and fun to see whether AWFJ members– a diverse group of strongly opinionated and outspoken professional women film journalists who care passionately about the movies and industry they cover– would develop a list substantially different AFI's. The result, presented in alphabetical order, is an eclectic, perhaps somewhat surprising, collection of titles. It's neither politically nor academically correct, and it's far from definitive.