Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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John Ford Filmography
Favs/dislikes: 82:2. A list of available films directed by John Ford. -
Michael Haneke's Filmography
Favs/dislikes: 82:0. The feature films of Austrian director -
Sight and Sound 2012 - Directors list
Favs/dislikes: 82:0. The top films in the 2012 Sight and Sound Poll of 359 directors. Contains films with 2 or more votes. In order by number of votes. The following is a list of positions and the number of corresponding votes. 2-3 (42 votes), 7-8 (31 votes), 13-15 (25 votes), 19-20 (19 votes), 22-25 (17 votes), 26-29 (15 votes), 30-36 (14 votes), 37-43 (13 votes), 44-47 (12 votes), 48-58 (11 votes), 59-66 (10 votes), 67-74 (9 votes), 75-90 (8 votes), 91-105 (7 votes), 106-131 (6 votes), 132-173(5 votes), 174-223 (4 votes), 224-328(3 votes), 329-552(2 votes) [url=http://www.icheckmovies.com/lists/sight+and+sound+2012+-+critics+list/peacefulanarchy/]Sight and Sound 2012 - Critics list[/url] [url=http://www.icheckmovies.com/lists/sight+and+sound+2012+-+combined+list/]Sight and Sound 2012 - Combined List[/url] -
Internet Archive
Favs/dislikes: 81:0. Welcome to the Archive's Moving Images library of free movies, films, and videos. This library contains thousands of digital movies uploaded by Archive users which range from classic full-length films, to daily alternative news broadcasts, to cartoons and concerts. Many of these videos are available for free download. This list contains all the entries that are listed on imdb with links to the film. -
Marvel Cinematic Universe
Favs/dislikes: 80:2. A list of all feature films in the MCU. -
They Shoot Pictures, Don't They? (all editions)
Favs/dislikes: 80:0. Every film that has been in the TSPDT list since Oct 2002 (the earliest version of the list as far as I know). Films are ordered by last appearance, with films that last appeared in the same year sorted by their ranking that year. The additional entries for films with multiple titles are at the bottom. If you spot any mistakes, please let me know. 1-1000: In Jan 2024 1001-1012: Last in Apr 2023 1013-1097: Last in Jan 2022 1098-1109: Last in Jan 2021 1110-1123: Last in Jan 2020 1124-1135: Last in Jan 2019 1136-1155: Last in Jan 2018 1156-1174: Last in Feb 2017 1175-1208: Last in Feb 2016 1209-1224: Last in Feb 2015 1225-1262: Last in Feb 2014 1263-1274: Last in Feb 2013 1275-1353: Last in Jan 2012 1354-1377: Last in Jan 2011 1378-1396: Last in Jan 2010 1397-1431: Last in Dec 2008 1432-1479: Last in Dec 2007 1480-1545: Last in Dec 2006 1546-1565: Last in Mar 2006 1566-1590: Last in Aug 2005 1591-1620: Last in Feb 2005 1621-1623: Last in Nov 2004 1624-1624: Last in Aug 2004 1625-1639: Last in May 2004 1640-1643: Last in Mar 2004 1644-1692: Last in 2003 1693-1725: Last in Oct 2002 1726-1734: Multiple entries: - Fantômas - Die Nibelungen - Olympia - Scenes from Under Childhood -
AFI's 10 Top 10
Favs/dislikes: 79:0. AFI's 10 Top 10 honors the ten greatest American films in ten classic film genres. Released July 17, 2008. Categories are: Animation Fantasy Gangster Science Fiction Western Sports Mystery Romantic Comedy Courtroom Drama Epic -
962 Noir Films from They Shoot Pictures, Don't They? (including TSPDT's 250 Quintessential Noir Films)
Favs/dislikes: 78:2. The TSPDT 250 Quintessential Noir Films list contains 241 films that all contain three key ingredients. 1) They were all produced in the United States; 2) They were all shot in black-and-white; 3) They were all produced between 1940 to 1959. The nine films that have been included that exclude at least one of these key ingredients are two non-American-produced noir (The Third Man and Mr. Arkadin), four color noir films (Leave Her to Heaven, Niagara, Party Girl and Slightly Scarlet), and three films from the early 1960s (Cape Fear, Underworld, U.S.A. and The Naked Kiss). Other titles included in the list are noir precursors, modern noir, non-American noir, and additional films between 1940-1964 that have noir elements. Section changes will be listed in this complete list (so the reader will know where in the list modern noir films begin/end, etc.). Films 1 - 250 (The Accused through The Wrong Man) are TSPDT's 250 Quintessential Noir Films. Films 251 - 358 (The 13th Letter through A Woman's Secret) are "More American Noir Films and/or Films with Noir Elements from 1940 to 1964" Category A: films often cited as film noir. These films weren't far away from being included on the 250 Quintessential listing, and most of them contain many - if not all - of the classic noir ingredients. Films 359 - 513 (5 Against the House through Women's Prison) are "More American Noir Films and/or Films with Noir Elements from 1940 to 1964" Category B: films quite often cited as film noir, but not to the same degree as those listed in Category A. It must be considered that in most cases these films contain strong film noir elements. Films 514 - 750 (The Thirteenth Hour through A Woman's Vengeance) are "More American Noir Films and/or Films with Noir Elements from 1940 to 1964" Category C: films not often cited as film noir. These films include certain film noir characteristics, even though - in many cases - they belong in other clear-cut genres, e.g. Westerns. However, it should also be acknowledged that many of these films are without doubt 'fully-blown' noirs (of the very neglected variety). Films 751 - 825 (Another Man's Poison through Wicked as They Come) are British-produced noir (1940-1964). Films 826 - 837 (Bob le flambeur through The Wages of Fear) are French-produced noir (1940-1964). Films 838 - 843 (Ossessione through Stolen Identity) are classified as "other" non-American noir produced between 1940-1964: 1 Italian, 3 Japanese, 1 Mexican, and 1 Austrian, respectively. Films 844 - 871 (The Beast of the City through You Only Live Once) are "Noir-Precursors": films that shaped the look of noir before the style came into its own during the 1940s. All are American-produced except The Green Cockatoo (UK), La Bête Humaine, Pépé le Moko, and Quai des brumes (France), and M (Germany). Films 872 - 962 (Angel's Flight through The Salton Sea) are "Neo-Noir / Modern Noir" films made after the 'golden age' of film noir up to 2002. They are grouped them by decade, and all are American-produced, except for: French-produced: Le Samouraï, Le deuxième souffle, Le cercle rouge, Série noire, La femme Nikita, Léon, and Mulholland Dr. German-produced: Der amerikanische Freund UK-produced: The Big Sleep (1978), Get Carter (1971), and Mona Lisa -
Brian De Palma filmography
Favs/dislikes: 78:1. A list of all feature films directed by Brian De Palma -
Golden Horse's 100 Greatest Chinese-Language Films
Favs/dislikes: 78:1. In a 2010 survey, the Taipei Golden Horse Film Festival asked 122 film professionals to vote for the 100 greatest Chinese-language films. Most of the voters were from Taiwan, but film professionals from Hong Kong and China and Chinese cinema experts from other countries participated as well. You can see the individual ballots on the [url=http://100.goldenhorse.org.tw/juries/]Golden Horse website[/url]. [url=http://100.goldenhorse.org.tw/]Source[/url] -
Jack Nicholson Filmography
Favs/dislikes: 77:0. Official Jack Nicholson List. -
James Cameron Filmography
Favs/dislikes: 77:1. A list of all feature films directed by James Cameron. This list excludes shorts and eps from TV series. -
Polski Instytut Sztuki Filmowej's 100 Years of Polish Film
Favs/dislikes: 77:2. The Polish Film Institute created this list for the 100th anniversary of Polish cinema. The films were selected by Polish critics Rafał Marszałek and Andrzej Bukowiecki using the following criteria: "their acknowledged artistic value, national and international awards granted, the influence exerted within a certain film trend, and finally the attendance records indicating the interest aroused among the cinema goers." [url=http://web.archive.org/web/20101119083114/http://100latpolskiegofilmu.pl/en/movies/]Source[/url] -
Time Travel Movies
Favs/dislikes: 77:1. List of movies that use time travel, time stopping, or time manipulation as a plot device -
National Board of Review Award - Best Film
Favs/dislikes: 76:2. The National Board of Review of Motion Pictures was founded in 1909 with the purpose of endorsing films of merit and champion the new. Every year since 1932 they have given an award to the film they deem the best of the year. [url=http://www.nationalboardofreview.org/award-years/2017/]Source[/url] -
Time Magazine’s 100 All Time movies
Favs/dislikes: 76:0. "Critics Richard Corliss and Richard Schickel pick the 100 best movies since 1923—the beginning of TIME." update: "Richard Corliss Expands TIME’s List of Cinematic Greats with 20 new entries" -
101 Sci-fi Movies You Must See Before You Die
Favs/dislikes: 75:0. From the book by Steven Jay Schneider -
Academy Award Cartoons & Animated Shorts
Favs/dislikes: 75:1. Beginning in the 1931-1932 Oscars, the Academy of Motion Picture Arts and Sciences has honored outstanding achievements in animated short subjects. -
Andrei Tarkovsky filmography
Favs/dislikes: 75:0. Andrei Tarkovsky filmography as director. -
BFI's 100 Film Musicals
Favs/dislikes: 75:1. "From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating. 100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive." [url=http://shop.bfi.org.uk/books/bfi-screen-guides/100-film-musical-book.html#.Wg3fhGhSzIU]Source[/url] -
Current TV's 50 Documentaries to See Before You Die
Favs/dislikes: 74:1. Over the past two decades the documentary film has graduated into mainstream cinema, becoming a major box office draw and an important part of contemporary culture. To celebrate this new age of the cinematic documentary, Current TV has commissioned a brand-new series that explores the most powerful, memorable and moving documentary feature films to have hit our cinema screens in recent years. The shows will count down from fifty to one, eventually revealing what our panel of preeminent film critics, academics and industry insiders has chosen as the most entertaining, powerful and influential modern documentary. However, this is not your average list show. Renowned documentarian Morgan Spurlock will embark on a road trip to track down the filmmakers and characters behind some of the most remarkable moments in contemporary cinema. Along the way, he'll meet maverick directors and eccentric contributors, travel to iconic locations and explore the impact that the documentaries have made on both their subjects and society, all the while counting down to number one. The five, one-hour shows will take the viewer from the plains of Antarctica in March of the Penguins to the basketball courts of Chicago in Hoop Dreams; from early examples of the blockbuster doc like Roger and Me and The Thin Blue Line to more recent hits such as Catfish and Inside Job. The series will form part of a two-month season in which Current will air full-length presentations of many of the featured docs. -
Fangoria's 101 Best Horror Films You've Never Seen
Favs/dislikes: 73:1. -
Humphrey Bogart filmography
Favs/dislikes: 73:1. Humphrey DeForest Bogart (December 25, 1899 – January 14, 1957) was an American actor. He is widely regarded as a cultural icon. The American Film Institute ranked Bogart as the greatest male star in the history of American cinema. -
BFI's 100 Road Movies
Favs/dislikes: 72:0. From the earliest days of American cinema, the road movie has been synonymous with American culture and the image America has presented both to itself and the world. But the road movie is not uniquely American, and other national cinemas have offered their own take, adapting it to reflect their own sensibilities and geographies. Whatever its nationality, the road movie has presented a means by which to challenge and confront convention, remaining an ever-changing, fascinating metaphor for life. Beginning with an expansive essay tracing its historical development, "100 Road Movies" provides a comprehensive guide to the development of what is perhaps one of the most enduring, popular, and reflexive of sub-genres. -
CollegeHumor.com's Top 100 Comedy Movies of All Time
Favs/dislikes: 72:5. Forget what the American Film Institute or your film professors have to say. They’re just boring old people! We asked YOU, people reading CollegeHumor, to vote on your favorite comedies and we have compiled the definitive list of The 100 Best Comedies of All Time (according to people who actually watch comedies, and not the aforementioned old people).
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