Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

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  1. Moviemeter alternative top 100's icon

    Moviemeter alternative top 100

    Favs/dislikes: 7:0. The alternative top 100. This list is compiled from the personal top 10 lists of the MovieMeter users. A number one position is good for 10 points, for a number ten ranking in a personal top 10 get 1 point for a movie this list.
  2. Movies Referenced on Gilmore Girls's icon

    Movies Referenced on Gilmore Girls

    Favs/dislikes: 7:1.
  3. Movies You Should Watch During Your Teenage Years's icon

    Movies You Should Watch During Your Teenage Years

    Favs/dislikes: 7:0. This is a list of films that deal with life as an adolescent.
  4. Musta Peili - horror film filmography's icon

    Musta Peili - horror film filmography

    Favs/dislikes: 7:0. Full (appr.) 800 title filmography from the classic Finnish horror film book. Mentioned to cover the most important titles from 1906 to 1985. The title order is original to the book, hence some year jumps. Still missing the titles that dont't have their own chapter, I'll be adding them next. Missing titles (not found from IMDb): - L'Homme qui rit (France, 1909)
  5. My 100 Favorite Movies of All-Time's icon

    My 100 Favorite Movies of All-Time

    Favs/dislikes: 7:2.
  6. My Childhood's icon

    My Childhood

    Favs/dislikes: 7:4. ow the nostalgia!!
  7. My Personal Top 100 (2014 ed.)'s icon

    My Personal Top 100 (2014 ed.)

    Favs/dislikes: 7:1. This is an already slightly dated list, but I'm in the process of creating a bigger top 1000 (!) which I'll add to ICM when it's completed. This is a generally accurate placeholder though.
  8. Mystery/Thriller sublist from 501 Must See Movies's icon

    Mystery/Thriller sublist from 501 Must See Movies

    Favs/dislikes: 7:0. The official 501 Must See Movies is compiled from a list of about 50 movies from 10 genres. These lists use the second edition which contains between 50 and 60 movies in each genre and breaks them out into their own lists for easier completion.
  9. Nederlands Film Festival - Gouden Film's icon

    Nederlands Film Festival - Gouden Film

    Favs/dislikes: 7:0. The Golden Film (Dutch: Gouden Film) is a film award recognizing domestic box office achievements in the Netherlands. It is awarded for the first 100,000 visitors of a Dutch film production (before 2003, for the first 75,000 visitors).
  10. Nederlands Film Festival - Platina Film's icon

    Nederlands Film Festival - Platina Film

    Favs/dislikes: 7:0. The Platinum Film (Dutch: Platina Film) is a film award recognising domestic box office achievements in the Netherlands. It is awarded for the first 400,000 visitors of a Dutch film production (before 2003, for the first 200,000 visitors).
  11. New Budapest 12 (2000)'s icon

    New Budapest 12 (2000)

    Favs/dislikes: 7:0. "Budapest 12" refers to two lists of the top 12 Hungarian films as voted by Hungarian critics. This is the 2000 list. In 1968, members of FIPRESCI (International Federation of Film Critics) voted for the top 12 Hungarian films of the last 20 years, which they called the "Budapest 12." In 2000, members of the Hungarian Film and Television Artists Association and the National Association of Hungarian Journalists (film and television department) voted for the top 12 Hungarian films of all time, which they called the "New Budapest 12."
  12. New Yorker Films's icon

    New Yorker Films

    Favs/dislikes: 7:1. "For over forty-five years, New Yorker Films has been America's leading source for the films that matter on the cutting edge of world cinema."
  13. Night of the Living Dead: A Family Tree's icon

    Night of the Living Dead: A Family Tree

    Favs/dislikes: 7:0. No horror film has inspired as many direct, indirect, and unofficial sequels as Night of the Living Dead. This list is of every film somehow related to NOTLD, including films deceptively re-titled to suggest some association. Using the six titles of Romero's 'official' series as the bones of the list, the list is organized so that sequels or spin-offs of a title from Romero's series come directly after that title. Remakes, etc., appear at the bottom of the list. A breakdown of what's what: 1. Romero's NOTLD 2-6. Dan O'Bannon's "Return of" spin-off series. 7. Unofficial remake of NOTLD co-starring Judith O'Dea, told from Barbra's POV. 8. Romero's "Dawn" 9-24. The Italian "Zombie/Zombi" spin-offs and unrelated Italian/French/Spanish films re-titled to be "Zombie" sequels: - 10-15 were all released as "Zombie/Zombi 3" at some point, 16-18 as "4", 19-20 as "5", 21 as "6", 22-23 as "7", and 24 as "8". 25. Roy Frumke's feature-length, on-set making-of for Romero's "Dawn". 26-27. Romero's "Day" and it's direct, unofficial sequel. 28-30. The final three entries in the official Romero series. 31-32. NOTLD producer John Russo's re-cut of Romero's original with new footage and score, and its sequel. 33. Tom Savini's NOTLD remake. 34. Zack Snyder's "Dawn" remake. 35-36. Steven Miner's "Day" remake, and its sequel. 37-38. Unofficial remake of NOTLD by Jeff Broadstreet, and its sequel. 39. Unofficial remake of NOTLD using the original audio and newly created animated sequences. 40. Unofficial, unrelated UK remake of NOTLD. 41. Unofficial, animated remake of NOTLD utilizing some actors from Savini's remake. 42. Unrelated film written & directed by Bill Hinzman, cast member from Romero's NOTLD.
  14. Nightmares in Red, White and Blue: The Evolution of the American Horror Film's icon

    Nightmares in Red, White and Blue: The Evolution of the American Horror Film

    Favs/dislikes: 7:0. All the films featured in the 2009 documentary "Nightmares in Red, White and Blue: The Evolution of the American Horror Film". This list was compiled directly from the end credits of the film.
  15. Non-English films's icon

    Non-English films

    Favs/dislikes: 7:3.
  16. Nordic Council Film Prize's icon

    Nordic Council Film Prize

    Favs/dislikes: 7:0. The winners of the Nordic Council Film Prize, which is an annual film prize administered by the Nordic Council. The first award was handed out in 2002 to celebrate the Nordic Council's 50th anniversary. Since 2005 the prize has been annual. One winner is chosen from submissions from the five Nordic countries. According to the Nordic Council, the prize is given for "the creation of an artistically original film that is rooted in Nordic cultural circles".
  17. NOSEX nobrow canon's icon

    NOSEX nobrow canon

    Favs/dislikes: 7:1. a personal canon* that recognizes the beauty in both "high and low" features: classics, art house films, genre pictures, trash films, and lesbian vampire movies. focuses on europrean genre cinema and slow cinema. a list that exemplifies the aesthetic and taste of NOSEX.TUMBLR.COM *list is growing & developing
  18. Oddball favorites's icon

    Oddball favorites

    Favs/dislikes: 7:1. A personal list of lesser-known movies I've seen and liked over the past fifty years. Order: Foreign language, UK/Ireland, Canada, Australia/NZ, US.
  19. Okayplayer's New Classics (1983-2008)'s icon

    Okayplayer's New Classics (1983-2008)

    Favs/dislikes: 7:0. Voted on by the members of Okayplayer.com, "PTP's New Classics" represents a response to Entertainment Weekly's list of the same name. Voters were instructed to make a list representing their individual choices for the films they found most memorable from the years 1983 to 2008, with an emphasis on personal classics encouraged. These lists were then compiled and tallied to form a master list of 200 films... the New Classics.
  20. Onderhond's Top 200 Hong Kong/China/Taiwan's icon

    Onderhond's Top 200 Hong Kong/China/Taiwan

    Favs/dislikes: 7:0. 3 movies are missing in this list: #199. Lai Li Bu Bing [Unidentified] http://www.onderhond.com/features/movie-filler/unidentified-review-chu-tong #109 Yu Gou [Kingfisher] http://www.onderhond.com/blog/kingfisher-review-kuang-sheng #67 Fate http://www.onderhond.com/blog/fate-wai-man-yip
  21. Paste Magazine's 80 Best Movies of the 1980s's icon

    Paste Magazine's 80 Best Movies of the 1980s

    Favs/dislikes: 7:0. Welcome to Paste’s 80 Best Movies of the 1980s. This list takes into account what the critics and audiences of the time could not—the lasting ripple effects of iconic performances, influential direction and pop-culture sweet spots, as well as some simply overlooked gems. That said, a great performance or popular endearment isn’t necessarily enough. The films on this list must be good, solid examples of their respective genre (and in some cases, the template for said genre).
  22. Paste's 100 Best French Films of All Time's icon

    Paste's 100 Best French Films of All Time

    Favs/dislikes: 7:0. French language cinema covers vast swathes of history, geography and genre. The best French movies aren’t simply the product of a French person working strictly with a French team, they represent film as entelechy—a century of directors rooting around within the source code of this particular form of storytelling, pushing it into realms equally transcendent and horrifying. For its own sake. Because it is right to do so. If there is anything unifying the films in the following list—besides the French language—it might be that there exists a current of fundamental innovation throughout the many years surveyed. Auteurist visions care of Belgium, Greece, Poland, Denmark, Taiwan, Spain, Italy, the Netherlands and Senegal course through and inform the prelapsarian innards of French cinema, transforming the country into a hub for international film. This is foundational stuff. With the following we’re trying to provide a primer on French language film from an English-speaking perspective, exploring the schools of thought and exotic taxonomies that have defined what French filmmaking has been since George Méliès first set a moon cackling like a creep in 1902, and what it can be, skin-flaying, cannibalistic Grand Guignol nightmares and all. The Nouvelle Vague—both those of the Left Bank (Agnès Varda, her husband Jacques Demy, Alain Resnais and Chris Marker) and the Cahiers du cinéma crew (Jean-Luc Godard, François Truffaut and Claude Chabrol)—the erotic French thriller, the mind-bending (and bowel-emptying) horror of the New French Extremity, the colorful musical, the social farce, the sprawling crime film, the experimental vérité, the personal and unflinching documentaries: Even as so many films on this list have irrevocably altered our ideas of what filmmaking can mean, what it can do, so do they exist on the fringes, at the limits, willing to test the boundaries of taste, logic and (in the case of Chantal Akerman) time in order to question and then pull apart the systems and expectations that stagnate art and oppress artists.
  23. Paste's 100 Best Superhero Movies of All Time's icon

    Paste's 100 Best Superhero Movies of All Time

    Favs/dislikes: 7:2. Published in January 2017 (updated June 2023) Two things quickly become evident when putting together a list of the 100 Best Superhero Movies of All Time. First, this is the Golden Age for such films, a decade where technology, long-unrequited fandom and surging popular awareness have all combined to thrill moviegoers and make Hollywood billions of dollars. Second, it’s still fair to say that most superhero films are not that good. There’s no real contradiction at play here. The niche just lacks the pedigree of its fellow movie genres. Though superhero comic books may have started to make a dint in popular culture 75 years ago (give or take), technology only crossed over from hindrance to enabling force in the last 20 years or so. As a result, while curating a 100 Best Westerns of All Time or 100 Best Documentaries of All Time list requires the exclusion of arguably good films to select the best 100—for superhero movies? The pickings get slim after 40. In fact, the real challenge for this list was choosing amongst the dreck (some of it beloved dreck!) that would fill out the bottom half. It turns out it’s much easier to argue for or against a top 10 film’s exact placement (and frankly, compelling arguments could be made for almost any of our top 5 as deserving the #1 position), than weighing the relative “merits” of Masters of the Universe, Swamp Thing and Elektra. This also means the bottom half of this list will change swiftly compared to, say, The Best B-Movies of All Time. In fact, it’s a safe assumption if there are 15 superhero movies in the next three years, at least 14 of them will knock numbers 86-99 off this list. (Our #100 is a bit of a wild card.) Finally, some criteria. To be considered for this list, a film must possess at least two of the following three qualities: 1) It must involve costumed shenanigans, 2) It must involve a superpowered protagonist and/or 3) the protagonist must exist in a world where the supernatural/extraordinary is demonstrably present. These criteria are why meta-commentary films like Kick-Ass and Super are not on this list. And it’s also why some films with pulpy characters like Zorro, Tarzan and Conan are not, while others like The Phantom are. (Zane’s costume combined with the Skulls of Touganda do the trick.) Admittedly, the lines gets blurry. Also absent from this list is any consideration of foreign superhero films. That’s not because some are not worthy—especially given the movie quality issue mentioned at the top—it’s just an area we’d rather get better versed in before pouring into this list. Next year, perhaps. The three Matrix films were counted as a single entry in the source list.
  24. Paste's 100 Best Western Movies of All Time's icon

    Paste's 100 Best Western Movies of All Time

    Favs/dislikes: 7:0. List published in June 2016 Is the Western the most American of movie genres? You can make an argument for the Western film’s internationality on the names of the directors who have contributed to its iconography: You have your John Fords and your Anthony Manns, your Sam Peckinpahs and your Samuel Fullers, but over in Europe you also have filmmakers like Sergio Leone, Enzo G. Castellari and Sergio Corbucci, among many, many others, as authors of Western offshoots that influence filmmakers even today. (And of course there are those great entries in the Western canon that were lifted wholesale from Akira Kurosawa’s filmography.) Hell, let’s flash from the Western’s glory days to the last decade, where Kim Jee-woon and Takashi Miike have put their individual stamps on its tropes and motifs. For these reasons, there’s certainly an argument to made that the Western is truly “universal.” But no matter where Western movies are made, no matter what subgenre classifications they are individually accorded, and no matter who makes them, the films always engage with symbols, eras and images that are quintessentially “American.” The Western is the domain of the cowboy, the solitary hero. It’s a place where law and chaos are ever in conflict with one another and where the difference between survival and death usually comes down to who is faster on the draw. It’s a testament to the rich, awesome power of the Western as a narrative mode that filmmakers from around the planet have found stories worth telling within its purview, but even the Italian maestros simply added their own unique (and significant) flourishes to a cinematic tradition that is American in its DNA. Maybe it’s more accurate to say that they made the Western their own. Spaghetti Westerns are, after all, a cousin to American Westerns in terms of style, content, themes and morality. The Italian Westerns are literally gritty where American Westerns are polished and clean; they deal in ambiguity instead of black and white. The average Spaghetti Western hero looks like a total bastard next to the clean-cut heroes of American Westerns, who uphold all of the best and most commonly accepted standards of heroism as we know them. Who would you rather save the day for you? Will Kane, or the man with no name? There’s a divide separating the Westerns made by Europeans and those shot by Americans, but if you can sort these movies out by their varying approaches, you can’t keep them all from standing under one umbrella. (A better point of debate: Did the Spaghetti Western become a thing in 1958 or 1964?) Like the wide and sprawling landscapes that are so much a part of the Western’s character as a genre, the Western itself is a big, open canvas for storytelling of all stripes. With that in mind, we here at Paste set about collecting Westerns from all over the map and across the ages to assemble our picks for the 100 best Western films of all time. —Andy Crump
  25. Paste's A Century of Terror: The 100 Best Horror Movies of the Last 100 Years (2019)'s icon

    Paste's A Century of Terror: The 100 Best Horror Movies of the Last 100 Years (2019)

    Favs/dislikes: 7:0. Jim Vorel chooses the best horror film for each year of the past century, from 1920 to 2019, as well as running down the runners-up. 1-100 are the best films of each year, 101-858 are the honorable mentions.
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