Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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ScreenRant: 10 Underrated Horror Movies from the 2000s
Favs/dislikes: 3:0. The 2000s is an underrated year for horror cinema, and these 10 movies prove it's worth a short trip to the past for some worthwhile scares. -
Sergio Corbucci's Westerns
Favs/dislikes: 3:0. -
Series - MGM's Crime Does Not Pay
Favs/dislikes: 3:0. Serie med shorts -
Setsuko Hara filmography
Favs/dislikes: 3:0. All movies with Setsuko Hara. -
Seventeen's 55 Best Teen Movies You Can't Grow Up Without Watching
Favs/dislikes: 3:0. By Noelle Devoe, Tamara Fuentes And Jasmine Gomez Feb 8, 2021 Some days, all you want to do after you finish your homework is throw on a pair of comfy AF sweatpants and binge some iconic movies. Of course, there are all kinds of movie genres, but it's always fun to watch a flick that you can REALLY relate to. Because let's face it, there's really nothing better than a good teen movie. These teen movies cover everything from dealing with those awkward moments when you’re around your crush to figuring out how you’re going to deal with the college application process. So grab some popcorn and get ready to relate to all of these characters as you go down this list. These are the best teen movies that you definitely have to watch. -
Shameless Films
Favs/dislikes: 3:0. Movies released by UK label Shameless: Shameless Films is a highly visible, pulp-inspired, exploitation brand of discovery offering up carefully curated films that will delight horror and exploitation fans. -
shark movies
Favs/dislikes: 3:0. they are the shark-related movies. -
Shelley Winters Filmography
Favs/dislikes: 3:0. -
Sherilyn Fenn Filmography
Favs/dislikes: 3:0. Movies and TV Series starring Sherilyn Fenn. -
Shudder's The 101 Scariest Horror Movie Moments of All Time
Favs/dislikes: 3:0. A Shudder Original Series. Master filmmakers and genre experts celebrate and dissect the most terrifying moments of the greatest horror films ever made, exploring how these scenes were created and why they burned themselves into the brains of audiences around the world. List is ranked. -
Sight and Sound - The Best Films of 2023
Favs/dislikes: 3:0. -
Sight & Sound 1992 Directors' Top Ten Poll
Favs/dislikes: 3:0. Directors result from this ten yearly poll -
Sight & Sound 2022 Critic's Poll
Favs/dislikes: 3:0. -
Sight & Sound 2022 Poll - Top Films of the 21st Century
Favs/dislikes: 3:0. From the combined list of critics and directors 19-24 (19 votes) 25-27 (18 votes) 28-30 (16 votes) 31-33 (15 votes) 34-35 (14 votes) 36-37 (13 votes) 38-42 (12 votes) 43-49 (11 votes) 50-63 (10 votes) 64-68 (9 votes) 69-83 (8 votes) 84-96 (7 votes) 97-118 (6 votes) 119-150 (5 votes) 151-197 (4 votes) -
Sight & Sound Presents the New Hollywood
Favs/dislikes: 3:0. Part of a new series launched by Sight & Sound magazine, providing an in-depth exploration of the new Hollywood movement. Volume 1: 1967-1975 Volume 2: 1975-1980 -
Six Feet Under
Favs/dislikes: 3:0. Six Feet Under is an American drama television series created and produced by Alan Ball. It premiered on the premium cable network HBO in the United States on June 3, 2001 and ended on August 21, 2005, spanning five seasons and 63 episodes. -
Skandies Best Picture
Favs/dislikes: 3:0. Films that made the top 20 of the annual Skandies poll of select film critics/enthusiasts. This list covers 1996 (the first year a top 20 list was published) to 2013. -
Slant Magazine's 100 Greatest Music Videos of All Time (2003)
Favs/dislikes: 3:0. Two videos without an IMDb page are not included: 47. Kenna: Hell Bent 93. OutKast: B.O.B. -
Slant Magazine's The 100 Best Sci-Fi Movies of All Time
Favs/dislikes: 3:0. "These films are fearless in breaking down boundaries and thrusting us into worlds beyond our own", according to the Slant Magazine editors who curated this list in August 2019. -
Slant's The 100 Best Films of the 1980s
Favs/dislikes: 3:0. In 2019, Billboard teamed up with SiriusXM to determine the 500 best songs of the 1980s, with Olivia Newton-John’s 1981 pop hit “Physical” topping the list. It’s an apt choice for many reasons, foremost among them that the ‘80s, if mainstream American filmmaking from the era is any indication, might be called the decade of the body—of turning away from the more cerebral, auteurist cinema of the New Hollywood and toward star-driven genre vehicles, featuring the likes of Arnold Schwarzenegger, Tom Cruise, and Melanie Griffith, who in Brian De Palma’s delirious Body Double plays a porn star named—wait for it—Holly Body. Conventional historical accounts of the decade see this transformation through the lens of box office, as studio practices tended toward market saturation, and stardom became dependent on the potential to make viewers feel rather than think. But that narrative overlooks the plethora of small, seedy gems made by Hollywood filmmakers starring well-known actors still vying to challenge audiences with daring visions of the modern world. Such as William Friedkin’s Cruising, Michael Mann’s Thief, and Martin Scorsese’s After Hours, whose nocturnal animals discover new, and often unwanted, shades of themselves while moving through city streets. If the neon-lit cityscape is an essential image in ‘80s films for the way it expresses the allure and danger of living by night, it also points up how a fear of AIDS—and its association with city life—leapt into the collective consciousness. Maybe that’s partly why Ridley Scott’s Blade Runner seems to epitomize ‘80s aesthetics for many: The replicant, whose body often looks like an ideal and healthy human, is actually a machine. The city, though, need not be essential for the metaphor to work. In fact, author John Kenneth Muir argues that, in a film like John Carpenter’s The Thing, which is set in Antarctica, the necessity of a blood test to determine “what is really going on inside the human body” could be understood as a direct reference to the AIDS epidemic. If that potentially sounds like a grim diagnosis of the decade’s films, it actually points to the vitality of the decade’s cinematic artistry, as filmmakers from across the globe emerged to share their haunted visions of sex, music, and voyeurism. In France, Jean-Jacques Beineix, Leos Carax, and Luc Besson each helped create cinéma du look as a hybrid strain of popular and art cinema with a lush visual style. Meanwhile, aging master Robert Bresson was making his last (and arguably finest) film. In Canada, David Cronenberg showed us how exploding heads, penetrative home video, and wayward twin gynecologists could encapsulate various maladies of the times. And in Taiwan, Edward Yang and Hou Hsiao-hsien were at the forefront of New Taiwanese Cinema, diagnosing the twin poles of urbanization and globalization as they started to define contemporary life. The number of singular filmmakers who emerged in the decade is extensive. Auteurs such as Abbas Kiarostami and Souleymane Cissé created works that helped further introduce the realities of their respective countries to audiences around the globe, while, back in the U.S., Lizzie Borden and Donna Deitch were making their first feature films, each of which has endured as a classic of queer cinema. The decade’s films help us understand that, in order to see all titles of consequence, one needs to remain open to movies playing at the multiplex, the arthouse, and the grindhouse. The latter includes numerous slasher films, itself a subgenre enamored with the dangers and pleasures of the flesh. We must remember that, sometimes, wisdom comes from unlikely places, so consider this seemingly throwaway line from 1982’s The Slumber Party Massacre as words to live by: “It’s not the size of your mouth; it’s what’s in it that counts.” Clayton Dillard Published on April 23, 2020 By Staff -
Slant's The 100 Best LGBTQ Movies of All Time
Favs/dislikes: 3:0. Cinema isn’t the sole mechanism for making our presence known, but it can be among the most powerful. Published on June 18, 2020 This list includes all versions of Slant Magazine's LGBTQ movies. View the list history to find the previous versions. All lists are chronological. V1: "[url=https://www.slantmagazine.com/film/50-essential-lgbt-films/]50 Essential LGBT Films[/url]" June 27, 2013 (also the same as [url=https://www.icheckmovies.com/lists/slant+magazines+50+essential+lgbt+films/sandero/]SanderO's icm list[/url]) V2: "[url=https://web.archive.org/web/20160625005638/http://www.slantmagazine.com/features/article/the-greatest-lgbtq-films-of-all-time]The 75 Greatest LGBT Films of All Time[/url]" June 21, 2016 V3: "[url=https://web.archive.org/web/20190608010804/https://www.slantmagazine.com/film/the-100-best-lgbtq-movies-of-all-time/]The 100 Best LGBTQ Movies of All Time[/url]" June 7, 2019 V4: "The 100 Best LGBTQ Movies of All Time" June 18, 2020 (current version) Original Intro: "You’ve sported a red equal sign on Facebook, watched Nancy Pelosi show Michele Bachmann her politically correct middle finger, and read some of those other lists that have compiled lesbian, gay, bisexual, and transgender (LGBT) films, hailing usual suspects like High Art and Brokeback Mountain as gay equivalents of Vertigo (oh, don’t Citizen Kane me; we’re talking regime upheaval here). Now, as you continue to celebrate the crushing of DOMA and Prop 8 (and toss some extra confetti for Pride Month while you’re at it), peruse Slant’s own list of LGBT movies you owe it to yourself to see. Curated by co-founder and film editor Ed Gonzalez, this 50-wide roster is a singular trove of queer-themed gems and classics, spanning the past eight decades and reflecting artists as diverse as Kenneth Anger, Derek Jarman, and Rainer Werner Fassbinder. You won’t find The Birdcage among our ranks, but you will find Paul Morrissey’s Trash, Ira Sach’s The Delta, David Lynch’s Mulholland Drive, and Céline Sciamma’s Tomboy. Consider the list a hat tip to what’s shaped up to be a banner LGBT year, particularly on screen, with lesbian romance Blue Is the Warmest Color taking top honors at Cannes, and Xavier Dolan releasing the masterful Laurence Anyways, which also made our cut. R. Kurt Osenlund" Second Intro: "Last week, in the aftermath of the attack on Orlando's Pulse nightclub, one call to action rose above the din: “Say their names.” New Yorkers chanted it steps from the Stonewall Inn. The mother of a child gunned down at Sandy Hook penned it in an open letter. The Orlando Sentinel printed the names. Anderson Cooper recited them. A gunman murdered 49 people and wounded 53 others in the wee hours of that awful Sunday, massacring LGBTQ people of color and their allies in the middle of Pride Month, and the commemoration of the dead demanded knowing who they were. “These,” as MSNBC's Lawrence O'Donnell urged his viewers, “are the names to remember.” In the midst of mourning, the titles herein seem to me more essential than ever, a globe-spanning, multigenerational testament to our existence in a world where our erasure is no abstraction. From Carl Theodor Dreyer's Michael to Todd Haynes's Carol, naming and seeing emerge, intertwined, as radical acts—acts of becoming (Sally Potter's Orlando) and acts of being (Shirley Clarke's Portrait of Jason), acts of speech (Marlon Riggs's Tongues Untied) and acts of show (Jennie Livingston's Paris Is Burning) that together reaffirm the revolutionary potential of the seventh art. “My name is Harvey Milk,” the San Francisco supervisor, memorialized in Rob Epstein's The Times of Harvey Milk, proclaimed in 1978, less than one year before his assassination. “And I'm here to recruit you!” The cinema isn't the sole mechanism for making our presence known, but it can, if the films listed below are any indication, be among the most powerful, projecting the complexities of the LGBTQ experience onto the culture's largest, brightest mirror. There's rage here, and also love; isolation, and communal spirit; fear, and the forthright resistance to it. These films are essential because we are essential: The work of ensuring that we aren't erased or forgotten continues apace, and the struggle stretches into a horizon that no screen, no matter its size, can quite capture. But this is surely a place to start. Matt Brennan" Third & Fourth intros are essentially the same. -
Slapstick Encyclopedia
Favs/dislikes: 3:0. This list features all the movies, that are to be found in their full length on the 'Slapstick Encyclopedia' DVD release. -
Sofia Coppola Filmography
Favs/dislikes: 3:0. -
Soundvenue's 25 Best Danish Movies of the 21st Century
Favs/dislikes: 3:0. Voted on by 115 people from the Danish film industry. -
Soundvenue's 50 Best Foreign Films of the 21st Century
Favs/dislikes: 3:0. As voted on by 115 people from the Danish film industry.
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