Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

  1. 10 more official list on ICM's icon

    10 more official list on ICM

    Favs/dislikes: 0:0.
  2. 10 Most Complex Sci-fi Movies of All Time (Taste of Cinema)'s icon

    10 Most Complex Sci-fi Movies of All Time (Taste of Cinema)

    Favs/dislikes: 0:0. By its very nature, the sci-fi genre is relatively complex: the short stories, novels, TV series and films that comprise speculative fiction necessitate detailed expository passages to build its far-flung futures, reality-bending premises, and stories set in a galaxy far, far away. Whether the story is set on an alien world populated by creatures markedly different from human beings, in a future separated by centuries or eons from the present in which society, technology, science, and civilization itself have evolved into a nearly unrecognizable state, or center around time or space travel, sci-fi stories require complex set-ups to create a believable reality that’s very different from our own. Because of this, the sci-fi genre also allows for its stories to become quite complex. Time travel stories thrive on complexity while, depending on the story, other elements may be willfully obtuse to create an air of mystery or disorientation in the viewer–and some sci-fi stories are much more complex than others. Here are 10 sci-fi films that are purposely complex, either in order to replicate the extraordinary events occurring in the story, to mirror the effect an advanced technology that’s in use as part of the plot, or simply to keep the viewer in the dark about unknowable creatures and the nearly inexplicable that happens during the film.
  3. 10 Movies with The Best Uses of Point-of-View Shots's icon

    10 Movies with The Best Uses of Point-of-View Shots

    Favs/dislikes: 0:0. A point-of-view (POV) shot is one where the camera is positioned in such a way to give the audience the impression that they are viewing the scene as a character in the film. It creates the effect that the viewer is immersed in the action, as if he/she were directly taking part in the movie itself, as opposed to a deep-focus or master shot where the viewer is placed outside of events, passively observing like a “fly on the wall”. There are various types of POV available to the film-maker: the ‘subjective viewpoint’, for example, can be used to replicate the first-person narrative of a novel by showing the action through the eyes of the central character, whereas a more objective experience may be achieved by placing the camera cheek-to-cheek with another actor in the film to show what that character is able to see without implying that the viewer is actually taking part in their place. These kinds of shots are often followed immediately by a close-up of the character in order to show his/her reaction to what they (and the audience) have just seen — an editing combination known as “shot, reverse-shot”. A similar type of POV angle, regularly used in action movies, is where the camera is placed close to ground level alongside one of the wheels of a speeding car, adding excitement through a feeling of participation in the drama of a chase scene. POV shots have been used by directors since the dawn of cinema and they are a standard part of the film-maker’s toolkit. One of the earliest well-known uses of the technique is in Napoleon (Abel Gance,1927) when the camera was wrapped in protective padding and then violently punched around the set by a group of actors in order to recreate the ordeal of the central character being beaten up. Orson Welles originally planned in 1939 to film an entire version of Joseph Conrad’s Heart of Darkness (later transplanted to the Vietnam war and shot from regular angles by Francis Ford Coppola in Apocalypse Now) entirely as a first-person narrative from the protagonist’s perspective. He discarded the idea as impractical, however, and concentrated on Citizen Kane instead; although he did later revisit the technique in 1952 when he used POV in his 1952 adaptation of William Shakespeare’s play, Othello. Some directors, such as Alfred Hitchcock, are famous for using point-of-view cinematography in many of their works to build suspense or add to the sense of fear they are trying to instil in the audience. The technique is especially beloved of horror and thriller filmmakers who can use it to show the villain’s actions without revealing the identity of the culprit. Nowadays, POV photography is everywhere and has become totally ubiquitous as just about anybody can go out and buy a Go-Pro camera, strap it to their ski- or bike-helmet and start filming away; Facebook and YouTube are full of first-person accounts of thrill-seekers hurtling down black runs or bumping along single-track mountain trails. It is the more memorable cinematic examples, however, that shall be examined in the following list.
  4. 10 unseen imdb's icon

    10 unseen imdb

    Favs/dislikes: 0:0.
  5. 100 Best Animated Movies Ever Made's icon

    100 Best Animated Movies Ever Made

    Favs/dislikes: 0:0. Now a days Animated Movies become more popular,Because World Loves Animation. From Young to Old everybody likes it. Here is the World Top 100 Animated Movies Of All Time, According to this guy.
  6. 100 best black movies of the 21st century (according to rotten tomatoes)'s icon

    100 best black movies of the 21st century (according to rotten tomatoes)

    Favs/dislikes: 0:0.
  7. 100 Best Colombian films's icon

    100 Best Colombian films

    Favs/dislikes: 0:1. This a list about the best of colombina talent in movies
  8. 100 best movies from the eighties.'s icon

    100 best movies from the eighties.

    Favs/dislikes: 0:0. Chosen from all movies that had their Dutch premiere from 1980 until 1989.
  9. 100 best russian films by Afisha's icon

    100 best russian films by Afisha

    Favs/dislikes: 0:0.
  10. 100 Best TV Episodes of the 21st Century (The Ringer)'s icon

    100 Best TV Episodes of the 21st Century (The Ringer)

    Favs/dislikes: 0:0. limited to one per series =( 103-119 additional mentions
  11. 100 Bible Films's icon

    100 Bible Films

    Favs/dislikes: 0:0. 100 Bible Films - from the BFI book by Matt Page
  12. 100 Essential Icelandic Movies's icon

    100 Essential Icelandic Movies

    Favs/dislikes: 0:1. Are you planning a visit? Up your cultural game by watching this curated list of Iceland's most renowned cinema.
  13. 100 favorite animations's icon

    100 favorite animations

    Favs/dislikes: 0:0. 2023 ICM forum poll
  14. 100 Favorite Films's icon

    100 Favorite Films

    Favs/dislikes: 0:0.
  15. 100 favorite movies's icon

    100 favorite movies

    Favs/dislikes: 0:0.
  16. 100 Film Il Recidivo [2008]'s icon

    100 Film Il Recidivo [2008]

    Favs/dislikes: 0:0. I 100 film preferiti da Il Recidivo alle 19.00 del 25 gen 2008.
  17. 100 films's icon

    100 films

    Favs/dislikes: 0:3.
  18. 100 films, 100 jaar de Volkskrant's icon

    100 films, 100 jaar de Volkskrant

    Favs/dislikes: 0:0. De redactie van de Volkskrant blikt terug op de mooiste werken die in de honderd jaar sinds haar oprichting zijn gemaakt. Met als laatste in de reeks: 100 van de meest onvergetelijke en invloedrijke films.
  19. 100 films in 2012's icon

    100 films in 2012

    Favs/dislikes: 0:23. A personal list of me watching 100 films in 2012
  20. 100 Films That Changed My Life's icon

    100 Films That Changed My Life

    Favs/dislikes: 0:4.
  21. 100 From the 00's's icon

    100 From the 00's

    Favs/dislikes: 0:0. Ranked
  22. 100 Funniest Comedies's icon

    100 Funniest Comedies

    Favs/dislikes: 0:0. List is in progress.
  23. 100 Great Films with No Entry in Any ICM Official List (Removed Films)'s icon

    100 Great Films with No Entry in Any ICM Official List (Removed Films)

    Favs/dislikes: 0:0. Removed films from "100 Great Films with No Entry in Any ICM Official List" https://www.icheckmovies.com/lists/100+great+films+with+no+entry+in+any+icm+official+list/baalman/
  24. 100 Greatest English-Language Films - Dennis Grunes's icon

    100 Greatest English-Language Films - Dennis Grunes

    Favs/dislikes: 0:0. One of the greatest film critics of ever, if not the greatest, lists his 100 greatest English Language Films. "This list is chronological, although if there are multiple entries for a given year I have ranked those entries, beginning with my favorite among them. The list reflects my one hundred favorite English-language films, then—at a particular moment, that is, on a particular day. Again, one hundred is a finite, unforgiving number, and everything including the kitchen sink dramas from England can’t make it in. Here are the one hundred films, then, by year, through 2007." The final film is "Passages" by Jon Jost. Available on vimeo.
  25. 100 lat w kinie (History of a Polish Cinema)'s icon

    100 lat w kinie (History of a Polish Cinema)

    Favs/dislikes: 0:0. List of movies that mentioned in BFI documentary project about polish cinema
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