Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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10 beste filmer 2013 - Filmpolitiet (P3)
Favs/dislikes: 0:0. -
10 beste filmer 2014 - Filmpolitiet (P3)
Favs/dislikes: 0:0. -
10 beste filmer 2015 - Filmpolitiet (P3)
Favs/dislikes: 0:0. -
10 beste filmer 2016 - Filmpolitiet (P3)
Favs/dislikes: 0:0. De beste filmene i 2016, i følge Filmpolitiet på NRK P3 -
10 beste filmer 2017 - Filmpolitiet (P3)
Favs/dislikes: 0:0. 10 beste filmer i 2017 i følge Filmpolitiet -
10 beste filmer 2021 - Filmpolitiet (P3)
Favs/dislikes: 0:0. 10 beste filmer i 2021 - i følge Filmpolitiet / P3 -
10 beste filmer i 2021 - aftenposten.no
Favs/dislikes: 0:0. 10 beste filmer fra 2021, kåret av aftenposten.no -
10 Brainstorming Techniques to Boost Your Writing Skills
Favs/dislikes: 0:0. -
10 Films for Sicily
Favs/dislikes: 0:0. -
10 Films of 2012
Favs/dislikes: 0:1. My personal favourite films of 2012. -
10 Great Films
Favs/dislikes: 0:0. Some of the best films you will ever see, hands down -
10 great natural history films
Favs/dislikes: 0:0. In 1910, audiences were mesmerised by the spectacle of a sepia- and cobalt-toned series of flowers bursting into bloom, their petals unfurling in what appeared to be real time. The Birth of a Flower (1910) by F. Percy Smith (1880-1945) was a watershed moment in the use of what we now know as timelapse, or ‘time magnification’ as this pioneer of British natural history filmmaking referred to it. Since then, filmmakers have deployed an array of techniques for bringing the natural world closer to human perception, from macro- and micro-cinematography through to illustrative animations and computer models. The camera has transported viewers to places they cannot go, from the deepest ocean floors to the sun-baking heat of the most arid deserts. Smith, however, filmed most of his material in the grandiose-sounding Southgate Studios – actually his own home, a terraced house in Enfield, north London. For him, of equal importance to the phenomena that fell beneath his lens was the technology used to fix it on film. Both aspects were the subjects of the trio of books he co-authored, Secrets of Nature (1939), Cine-Biology (1941) and See How They Grow (1952), which explain the motivation, methodology and science behind his cinematic probings of the natural world. Many of Smith’s films are included on the BFI’s Secrets of Nature DVD release from 2010. Now they have been repurposed by Stuart A. Staples and David Reeve for an immersive and hypnotic new work, Minute Bodies: The Intimate World of F. Percy Smith, featuring a suitably free-flowing and otherworldly original soundtrack by Tindersticks with Thomas Belhom and Christine Ott. This new film presents a hidden universe that is sensual, abstract and alien, yet strongly resonates with our own perceptions of the ecosystem around us. The release of Minute Bodies on Blu-ray and DVD prompts an opportunity to cast our eyes to some of the more revolutionary endeavours in the field of natural history filmmaking over the past century. -
10 Mejores películas que vi en mi vida
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10 more official list on ICM
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10 Most Complex Sci-fi Movies of All Time (Taste of Cinema)
Favs/dislikes: 0:0. By its very nature, the sci-fi genre is relatively complex: the short stories, novels, TV series and films that comprise speculative fiction necessitate detailed expository passages to build its far-flung futures, reality-bending premises, and stories set in a galaxy far, far away. Whether the story is set on an alien world populated by creatures markedly different from human beings, in a future separated by centuries or eons from the present in which society, technology, science, and civilization itself have evolved into a nearly unrecognizable state, or center around time or space travel, sci-fi stories require complex set-ups to create a believable reality that’s very different from our own. Because of this, the sci-fi genre also allows for its stories to become quite complex. Time travel stories thrive on complexity while, depending on the story, other elements may be willfully obtuse to create an air of mystery or disorientation in the viewer–and some sci-fi stories are much more complex than others. Here are 10 sci-fi films that are purposely complex, either in order to replicate the extraordinary events occurring in the story, to mirror the effect an advanced technology that’s in use as part of the plot, or simply to keep the viewer in the dark about unknowable creatures and the nearly inexplicable that happens during the film. -
10 Movies Inspired By Urban Legends
Favs/dislikes: 0:0. Horror flicks can easily be about anything that makes our skin crawl. From maniacs with masks and sharp objects to haunted houses populated by vengeful spirits, finding something frightening is as easy as knowing where to look. But when it comes to certain members of the genre, they need to look no farther than human superstition. Urban legends and campfire tales have been with us since the birth of language itself, so it makes sense that they would transition well from the campfire to the screen. Tales of curses, strange creatures, and boogeymen have populated the genre for decades. So let's look at ten flicks inspired by urban legends. -
10 Movies with The Best Uses of Point-of-View Shots
Favs/dislikes: 0:0. A point-of-view (POV) shot is one where the camera is positioned in such a way to give the audience the impression that they are viewing the scene as a character in the film. It creates the effect that the viewer is immersed in the action, as if he/she were directly taking part in the movie itself, as opposed to a deep-focus or master shot where the viewer is placed outside of events, passively observing like a “fly on the wall”. There are various types of POV available to the film-maker: the ‘subjective viewpoint’, for example, can be used to replicate the first-person narrative of a novel by showing the action through the eyes of the central character, whereas a more objective experience may be achieved by placing the camera cheek-to-cheek with another actor in the film to show what that character is able to see without implying that the viewer is actually taking part in their place. These kinds of shots are often followed immediately by a close-up of the character in order to show his/her reaction to what they (and the audience) have just seen — an editing combination known as “shot, reverse-shot”. A similar type of POV angle, regularly used in action movies, is where the camera is placed close to ground level alongside one of the wheels of a speeding car, adding excitement through a feeling of participation in the drama of a chase scene. POV shots have been used by directors since the dawn of cinema and they are a standard part of the film-maker’s toolkit. One of the earliest well-known uses of the technique is in Napoleon (Abel Gance,1927) when the camera was wrapped in protective padding and then violently punched around the set by a group of actors in order to recreate the ordeal of the central character being beaten up. Orson Welles originally planned in 1939 to film an entire version of Joseph Conrad’s Heart of Darkness (later transplanted to the Vietnam war and shot from regular angles by Francis Ford Coppola in Apocalypse Now) entirely as a first-person narrative from the protagonist’s perspective. He discarded the idea as impractical, however, and concentrated on Citizen Kane instead; although he did later revisit the technique in 1952 when he used POV in his 1952 adaptation of William Shakespeare’s play, Othello. Some directors, such as Alfred Hitchcock, are famous for using point-of-view cinematography in many of their works to build suspense or add to the sense of fear they are trying to instil in the audience. The technique is especially beloved of horror and thriller filmmakers who can use it to show the villain’s actions without revealing the identity of the culprit. Nowadays, POV photography is everywhere and has become totally ubiquitous as just about anybody can go out and buy a Go-Pro camera, strap it to their ski- or bike-helmet and start filming away; Facebook and YouTube are full of first-person accounts of thrill-seekers hurtling down black runs or bumping along single-track mountain trails. It is the more memorable cinematic examples, however, that shall be examined in the following list. -
10 unseen imdb
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100 Best Animated Movies Ever Made
Favs/dislikes: 0:0. Now a days Animated Movies become more popular,Because World Loves Animation. From Young to Old everybody likes it. Here is the World Top 100 Animated Movies Of All Time, According to this guy. -
100 best black movies of the 21st century (according to rotten tomatoes)
Favs/dislikes: 0:0. -
100 Best Colombian films
Favs/dislikes: 0:1. This a list about the best of colombina talent in movies -
100 best movies from the eighties.
Favs/dislikes: 0:0. Chosen from all movies that had their Dutch premiere from 1980 until 1989. -
100 best russian films by Afisha
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100 Best TV Episodes of the 21st Century (The Ringer)
Favs/dislikes: 0:0. limited to one per series =( 103-119 additional mentions -
100 Bible Films
Favs/dislikes: 0:0. 100 Bible Films - from the BFI book by Matt Page
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