Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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The Official ToastRaptor.com Epic Movie + TV Recommendation List!
Favs/dislikes: 1:0. -
The Open Window (Greek cinema)
Favs/dislikes: 1:0. This list is from the book [url=http://www.biblionet.gr/book/95419/Ταρνανάς,_Ανδρέας/Το_ανοιχτό_παράθυρο]The Open Window[/url] (2005) about Greek Cinema. Missing from IMDb: "Ανάθεμα" του Ζοζέφ Χεπ "Η μικρασιατική καταστροφή" του Δημήτρη Γαζιάδη Τα ντοκιμαντέρ του Γαβριήλ Λόγγου "Τα πάθη του Χριστού", αγνώστου (ημιτελής και απρόβλητη) -
The Outsider's Guide to the Galaxy
Favs/dislikes: 1:16. I’ve always had an affinity for those who weren’t in perfect harmony with their surroundings. A mindset that is outside the societal norm often creates a new reality, and way to experience the world. Here are some of the great examples of that in film. -
The people ive slept with
Favs/dislikes: 1:1. -
The Random Movie List
Favs/dislikes: 1:3. A list of random films i've always wanted to watch. -
The Reporter Ethiopia's Top 10
Favs/dislikes: 1:0. Wondimagegn Lema September 9, 2023 Filmmaker’s top 10 picks of Ethiopian cinematic greats The coming Ethiopian New Year is the perfect time to catch up on some of Ethiopia’s best films that didn’t receive as wide an audience as they deserved upon release. While these thoughtful, nuanced movies have stood the test of time, revealing new layers with each viewing, they remained relatively unseen by Ethiopian moviegoers at the time. However, the films’ scripts, production quality, ideas, and acting were exceptional, far beyond typical Ethiopian cinema. Titles like Yenegen alweldime, Lomi Shita, and Yetsehay Mewcha lijoch in particular deserve bigger platforms, as they have yet to be uploaded to YouTube for wider audiences to discover. As you plan your Ethiopian New Year film marathon, be sure to include overlooked gems that are sure to provide perspective and spark discussion for years to come. Enjoy exploring Ethiopia’s rich cinematic history from the comfort of your own home this holiday season. -
The RKO Story
Favs/dislikes: 1:0. All films featured in the documentary from 1987, hosted by Ed Asner, about the history of RKO. -
The "Saw" Films
Favs/dislikes: 1:0. -
The Sound of Movie Musicals with Neil Brand
Favs/dislikes: 1:0. Broadcaster and musician Neil Brand produced a three-part series on movie musicals which was originally broadcast on BBC 4 in December 2018. These are all the films referenced in the series. If any are missing make a note in the comments. -
The Spaghetti Western Database
Favs/dislikes: 1:0. The complete list (last update January 2015): http://forum.spaghetti-western.net/index.php/topic,190.msg172383.html#msg172383 -
The Spierig Brothers Filmography
Favs/dislikes: 1:0. -
The Stacker: 100 Best Mystery Movies of All Time
Favs/dislikes: 1:0. "ciding on the best mystery movies of all time may be a mystery unto itself. Devotees of suspense, thrillers, whodunits, and horror films will no doubt have their own solutions to such a puzzle. Stacker compiled data on all mystery movies to come up with a Stacker score—a weighted index split evenly between IMDb and Metacritic scores. To qualify, the film had to be listed as a mystery on IMDb, have a Metascore, and have at least 2,500 votes. Ties were broken by Metascore, and further ties were broken by IMDb user rating. Every movie on the list has been considered according to the history and development of mystery films." -
The Story of Film: A New Generation
Favs/dislikes: 1:0. A decade after The Story of Film: An Odyssey, an expansive and influential inquiry into the state of moviemaking in the 20th century, filmmaker Mark Cousins returns with an epic and hopeful tale of cinematic innovation from around the globe. In The Story of Film: A New Generation, Cousins turns his sharp, meticulously honed gaze on world cinema from 2010 to 2021, using a surprising range of works — including Joker, Frozen and Cemetery of Splendor — as launchpads to explore recurring themes and emerging motifs, from the evolution of film language, to technology’s role in moviemaking today, to shifting identities in 21st-century world cinema. Touching on everything from Parasite and The Farewell to Black Panther and Lover’s Rock, Cousins shows that under-represented communities are where some of the most innovative filmmaking is taking place, with a particular emphasis on Asian and Middle Eastern works, as well as boundary-pushing documentaries and films that see gender in new ways. And as the recent pandemic recedes, Cousins ponders what comes next in the streaming age: how have we changed as cinephiles, and how will moviegoing continue to transform in the digital century, to our collective joy and wonder. -
The Telegraph: 20 Great Scottish Films
Favs/dislikes: 1:0. -
The Telegraph: The Films That Defined The Noughties
Favs/dislikes: 1:0. This decade has brought some extraordinary shifts in the way films are made, and the way we watch them. But it’s not always easy to pinpoint exactly when those changes began – or where they will end. Many of the best films on this list – long-gestating triumphs such as In the Mood for Love or Spirited Away – were in development in the Nineties; others, now in production, will only see the light of day in a few years time. More than that, some of the key trends of the past 10 years – the DVD boom, faster broadband, YouTube – mean that today’s film fans have been watching, legally or illegally, movies from a bygone age. A fragmented, pick’n’mix cinematic culture, represented on this list by highly referential films such as Kill Bill, Moulin Rouge! and Far from Heaven, is increasingly the norm, not the exception. Big studios have continued to focus on blockbusters and franchise-fare to boost their profits. This hasn’t always been bad – the Bourne and Lord of the Rings trilogies are terrific fun – but it’s striking that artistically successful, award-winning features such as There Will Be Blood and Milk have under-performed at the box office: how sombre they must seem to audiences weaned on Pirates of the Caribbean and Spider-Man. How CGI-depleted! How zombie-less! Documentaries – intimate (Être et Avoir), epic (the nine-hour West of the Tracks) and idiosyncratic (The Gleaners and I) – have flourished, in part because of cheap digital technology, but also because that genre is given increasingly short-shrift on television. Animation – from the reliable Pixar stable to the Israeli Waltz with Bashir – has moved mainstream. The independent sector has become more international with the rise of Mexican drama, Korean horror, Romanian social realism. The succès d’estime of Steve McQueen’s Hunger and Apichatpong Weerasethakul’s Tropical Malady bodes well for the future of art film. Cinema, claimed by many to be moribund at the end of the Nineties, is still hungry, furious and vital. -
The Telegraph's 25 Greatest Rock Documentaries of All Time
Favs/dislikes: 1:0. On 15 June 2017, John H. Green discussed what he considers the most gripping, revelatory and exciting music documentaries ever made. -
The Top 10 Screenplays of All Time by CineFix, new version
Favs/dislikes: 1:0. If you want to make a good movie, the first thing you have to do is WRITE a good movie. The case for the screenplay being the most important part of filmmaking isn’t the most difficult one to make. It sets the tone for character, action, theme and pace, which inform all the other most vital storytelling devices in cinema’s arsenal. It’s a strangely daunting task to pick 10 and one that, frankly, we’ve been trying to avoid, but today we’re testing our mettle! Here are our picks for the top 10 screenplays of all time. From the crackling back and forth of classic old hollywood fare like His Girl Friday to the hipster swagger of Juno and hyper-specific cadence of Quentin Tarantnio in Pulp Fiction, the most obvious thing to look at is dialogue. But screenplays are also filled with action description, from a boulder chasing Indiana Jones in Raiders of the Lost Ark, to the way the “camera” swoops out of Jack’s brain at the beginning of Fight Club. There’s world building to do, like the vastness of Lord of the Rings, there’s exposition to deliver, like Rian Johnson methodically reverse engineering a mystery in Knives Out, and there is tone to set, like the violent intensity of PT Anderson and There Will Be Blood. Screenplays have a lot to accomplish, and so do we! So enjoy the next twenty minutes or so! -
The Top 100 Films That Ive Seen (In No Particular Order!)
Favs/dislikes: 1:3. Basically as it's name say's, my personal favourite 100 movies. I can't decide enough to put them in order, maybe i will edit it at a later date though ;-) N.B. Would also like to add that the films '9' and 'IT' were in my original 100 but the site would not let me include them for some strange reason... I'd also like to point out this list took around 7 or 8 attempts of searching 100 movies 1 by 1 and adding them for it not to save afterwards, very annoying and time consuming, this will be my only list until a new way of making them is added, sort it out ICM ?!? :-/ -
The Top 20 Horror Science-Fiction Films of All Time!
Favs/dislikes: 1:0. What happens when you combine horror and science-fiction - those two vaunted pillars of genre entertainment? You wind up with some of the most fascinating, challenging, and downright kick-ass pieces of cinematic gold ever created. The key to great horror/sci-fi is maintaining that balance between the horrific and the…well, science-fictiony elements, and we think that the 20 flicks included in this list represent the very best examples of just that. We hope you enjoy, and let’s keep the rowdiness to a minimum - people are trying to sleep around here! -
The Top 21 Movies of the 21st Century……So Far!
Favs/dislikes: 1:0. It’s one thing to come up with a list of the best movies in any given year, but the best movies of a century that’s just in its 16th year? We Are Movie Geeks polled a group of 30 carefully-selected (and mostly St. Louis-based) movie critics, movie bloggers, movie academics, movie promoters, and just plain old movie fans and asked for a list, in order of preference, of their Top Ten Favorite Films so far this century. Somewhere among the endless superhero blockbusters, franchise reboots, and sequels, some really great movies have come out in the last 16 years. And some of them were indeed superhero blockbusters, franchise reboots, and sequels! The 21st century has another 84 years to go, and there’s no doubt that these choices will change as the years go by, but since it’s doubtful any of those polled will be around when the century ends (unless Stephen Tronicek – born in 1999 – makes it to 101), we might as well do this now. To come up with our top 21, a super-scientific algorithm was generated….just kidding! We simply scored each movie based on its rank in any given list. If a movie was #1 on any list, it received 10 points, #2 received 9 points, and so on (a movie ranked #10 received 1 point – get it?). Of course, all of these lists are highly subjective and some favorite titles will be omitted, so prepare to argue with the selections of these 30 film buffs. -
The Top 77 of Nilkes
Favs/dislikes: 1:2. A ranked list of 77 of my favourite films. -
The Top Two Hundred and Fifty
Favs/dislikes: 1:3. -
The Vampire Diaries
Favs/dislikes: 1:2. The teenage girl Elena is torn between the two vampire brothers Stefan and Damon. -
The Vietnam War (2017) Complete Episode List
Favs/dislikes: 1:0. Complete episode list of The Vietnam War in episode order. -
The Vulture's The 30 Best Superhero Movies Since Blade
Favs/dislikes: 1:0. The 30 best superhero movies since Blade kicked off their modern renaissance. Criteria for what constitutes a superhero movie were as follows: It must (a) be about a do-gooder or group of do-gooders who have superhuman abilities or are more skilled at crime-fighting than any human possibly could be (Batman and the Punisher being examples of the latter); (b) be set primarily on Earth, which excludes sci-fi fantasias like Star Wars and Guardians of the Galaxy, as both are set in galaxies where superhuman abilities are commonplace; and (c) have been released theatrically. There’s also a certain amount of Potter Stewart–esque logic here: You know a superhero when you see one.
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