Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

  1. Sight & Sound 1952 top 10 poll's icon

    Sight & Sound 1952 top 10 poll

    Favs/dislikes: 7:0. First of the 10-yearly polls
  2. Sight & Sound 1962 top 10 poll's icon

    Sight & Sound 1962 top 10 poll

    Favs/dislikes: 6:0. Second of the top ten polls
  3. Sight & Sound 1972 top 10 poll's icon

    Sight & Sound 1972 top 10 poll

    Favs/dislikes: 4:0. Third of the 10-yearly polls
  4. Sight & Sound 1982 top 10 poll's icon

    Sight & Sound 1982 top 10 poll

    Favs/dislikes: 4:0. fourth of the ten yearly polls
  5. Sight & Sound 1992 Critics' Top Ten Poll's icon

    Sight & Sound 1992 Critics' Top Ten Poll

    Favs/dislikes: 6:0. From 1992 the list was split into a directors and critics poll. This is the critics poll.
  6. Sight & Sound 1992 Directors' Top Ten Poll's icon

    Sight & Sound 1992 Directors' Top Ten Poll

    Favs/dislikes: 3:0. Directors result from this ten yearly poll
  7. Sight & Sound 2002 Critics' Top Ten Poll's icon

    Sight & Sound 2002 Critics' Top Ten Poll

    Favs/dislikes: 5:0. 2002 version of the critics poll
  8. Sight & Sound 2002 Directors' Top Ten Poll's icon

    Sight & Sound 2002 Directors' Top Ten Poll

    Favs/dislikes: 5:0. directors version of the 2002 list
  9. Sight & Sound 2014 Greatest Documentaries: Critics' Top 50's icon

    Sight & Sound 2014 Greatest Documentaries: Critics' Top 50

    Favs/dislikes: 6:0.
  10. Sight & Sound 2014 Greatest Documentaries: Filmmakers' Top 30's icon

    Sight & Sound 2014 Greatest Documentaries: Filmmakers' Top 30

    Favs/dislikes: 1:0.
  11. Sight & Sound 50 Greatest Documentaries of All Time's icon

    Sight & Sound 50 Greatest Documentaries of All Time

    Favs/dislikes: 10:0. What are the greatest documentaries ever made? We polled 340 critics, programmers and filmmakers in the search for authoritative answers.
  12. Sight & Sound: Filmmakers’ Greatest Documentaries of All Time's icon

    Sight & Sound: Filmmakers’ Greatest Documentaries of All Time

    Favs/dislikes: 2:0. The greatest documentaries ever made, as voted by 103 directors including John Akomfrah, Thom Andersen, Michael Apted, Clio Barnard, Sophie Fiennes, Amos Gitai, Paul Greengrass, José Luis Guerin, Isaac Julien, Asif Kapadia, Sergei Loznitsa, Kevin Macdonald, James Marsh, Joshua Oppenheimer, Anand Patwardhan, Pawel Pawlikowski, Nicolas Philibert, Walter Salles and James Toback… (La batalla de Chile counts for 3 entries)
  13. Sight & Sound Films of the Month's icon

    Sight & Sound Films of the Month

    Favs/dislikes: 26:0. List of films selected as Film of the Month in the reviews section of Sight & Sound. From January 1998 - August 2012, one film per month was selected. Since the September 2012 issue there are usually 3 (sometimes more) each month.
  14. Sight and Sound films of the year's icon

    Sight and Sound films of the year

    Favs/dislikes: 0:0. Since 2005 the BFI surveys film critics and curators to poll the best films of the year. It is then published in Sight and Sound and on the BFI website. The television series Twin Peaks:The Return finished second in 2017. rather than listing all 18 episodes, the first episode has been listed as a place holder for the series.
  15. Sight & Sound (Hall of Fame Method)'s icon

    Sight & Sound (Hall of Fame Method)

    Favs/dislikes: 14:0. Inspired by scholar Kristin Thompson, I've decided to follow her advice by recreating Sight & Sound's 7 famous polls from the past 60 years by using the "Hall of Fame" method. This method only allows a film to reach the top 10 once; once the film hits the top 10, it can no longer be voted on, as its status in the "Hall of Fame" has been cemented. 1952 1. Bicycle Thieves (1948, De Sica) 2 = City Lights (1930, Chaplin) 2 = The Gold Rush (1925, Chaplin) 4. Battleship Potmekin (1925, Eisenstein) 5 = Intolerance (1916, Griffith) 5 = Louisiana Story (1949, Flaherty) 7 = Greed (1925, Stroheim) 7 = Le Jour se Leve (1939, Carne) 7 = Passion of Joan of Arc (1928, Dreyer) 8 = Brief Encounter (1946, Lean) 8 = Le Million (1931, Clair) 8 = La Regle du Jeu (1939, Renoir) 1962 1. Citizen Kane (1941, Welles) 2. L’Avventura (1961, Antonioni) 3. Ugetsu Monogatari (1953, Mizoguchi) 4. Ivan the Terrible (1944 - 1958, Eisenstein) 5. La Terra Trema (1948, Visconti) 6. L’Atalante (1934, Vigo) 7 = Hiroshima Mon Amour (1959, Resnais) 7 = Pather Panchali (1955, Ray) 7 = Zero de Conduite (1932, Vigo) 10. The Childhood of Maxim Gorky (1938, Donskoy) 1972 1. 8 ½ (1963, Fellini) 2. Persona (1967, Bergman) 3 = The General (1927, Keaton and Bruckman) 3 = The Magnificent Ambersons (1942, Welles) 5. Wild Strawberries (1957, Bergman) 6 = Ikiru (1952, Kurosawa) 6 = Pierrot le fou (1965, Godard) 6 = Vertigo (1958, Hitchcock) 9 = La Grande Illusion (1937, Renoir) 9 = Mouchette (1967, Bresson) 9 = The Searchers (1956, Ford) 9 = Sunrise: A Song of Two Humans (1927, Murnau) 9 = 2001: A Space Odyssey (1968, Kubrick) 9 = Viridiana (1961, Bunuel) 1982 1 = Singin’ in the Rain (1952, Donen & Kelly) 1 = Seven Samurai (1954, Kurosawa) 3. Andrei Roublev (1966, Tarkovsky) 4 = The Third Man (1949, Reed) 4 = Jules and Jim (1962, Truffaut) 6. The Godfather (1972, Coppola) 7 = Touch of Evil (1958, Welles) 7 = Tokyo Story (1953, Ozu) 9 = The Discreet Charm of the Bourgeoisie (1972, Buñuel) 9 = Children of Paradise (1945, Carne) 9 = The Earrings of Madame de… (1953, Ophüls) 9 = Contempt (1963, Godard) 9 = Modern Times (1936, Chaplin) *1992 1. Raging Bull (1980, Scorsese) 2 = The Godfather Part II (1974, Coppola) 2 = Rashomon (1950, Kurosawa) 2 = La Strada (1954, Fellini) 5 = Breathless (1960, Godard) 5 = Letter From an Unknown Woman (1948, Ophuls) 5 = Paisan (1946, Rossellini) 8 = La Dolce Vita (1960, Fellini) 8 = Lawrence of Arabia (1962, Lean) 8 = Rear Window (1954, Hitchcock) 8 = Some Like It Hot (1959, Wilder) 8 =The Wizard of Oz (1939, Fleming) *2002 1. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, Kubrick) 2 = Psycho (1960, Hitchcock) 2 = Sunset Blvd. (1950, Wilder) 4 = Fanny and Alexander (1982, Bergman) 4 = Mirror (1975, Tarkovsky) 6 = The Apartment (1960, Wilder) 6 = Apocalypse Now (1979, Coppola) 6 = Au hazard Balthazar (1966, Bresson) 6 = The Seventh Seal (1957, Bergman) 6 = Taxi Driver (1976, Scorsese) *2012 1. Man with a Movie Camera (1929, Vertov) 2. Ordet (1955, Dreyer) 3. The 400 Blows (1959, Truffaut) 4. Late Spring (1949, Ozu) 5. Stalker (1979, Tarkovsky) 6. In the Mood for Love (2000, Wong) 7. Shoah (1985, Lanzmann) 8. Mulholland Dr. (2001, Lynch) 9. The Battle of Algiers (1966, Pontecorvo) 10. Barry Lyndon (1975, Kubrick) * = Combines both Critics and Directors' votes
  16. Sight & Sound Polls's icon

    Sight & Sound Polls

    Favs/dislikes: 26:0. Every film to appear on the BFI Sight & Sound Poll Top 10. The magazine conducts the poll every 10 years, starting in 1952. In 1992, the poll was split into Critics' and Directors' lists. I have included both.
  17. Sight & Sound Top 50's icon

    Sight & Sound Top 50

    Favs/dislikes: 21:0. The 2012 Top 50 from the Sight & Sound Critics Poll.
  18. Sight & Sound's Films of the 2000s's icon

    Sight & Sound's Films of the 2000s

    Favs/dislikes: 6:0. Published in the February 2010 issue, as stated in the article this list represents "not a 'top 30', but the films that in our opinion best represent the decade's most distinctive oeuvres and movements". The full article introducing the list can be read at the source link.
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