Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.


  1. Skype Crew watch potentially bad movies together's icon

    Skype Crew watch potentially bad movies together

    Favs/dislikes: 5:7. Here's a bunch of potentially shitty flicks we'll see together at the Skype Crew. If you know of a crappy movie, that's also an official check, and is not on this list, recommend away! Wanna watch a movie with the Skype Crew? Send me a PM, then. :) The list can also be found at IMDb, with our ranking for each movie:
  2. Malcolm in the Middle episodes's icon

    Malcolm in the Middle episodes

    Favs/dislikes: 0:4. All episodes in malcolm in the middle
  3. A MUST SEEN's icon


    Favs/dislikes: 0:3. I decide to create this list so new members can go straight to the top 10 movies of all time
  4. Jennifer Lawrence's Filmography's icon

    Jennifer Lawrence's Filmography

    Favs/dislikes: 29:3. The entire Academy Awards winner actress' filmography. Oldest to newest. Does not include TV appearances.
  5. 100 Must-See Movies 's icon

    100 Must-See Movies

    Favs/dislikes: 1:1. It is always a challenge to produce a definitive list of “must- see” movies, because value judgments are, by definition, extremely subjective. However, the 100 handpicked films in this section have delighted, moved or educated audiences of all ages, all over the world. Over the last nine decades, these films have changed our perceptions of cinema, and most have left an indelible mark on film history.
  6. 2012's icon


    Favs/dislikes: 0:1.
  7. Best Movie of 2012's icon

    Best Movie of 2012

    Favs/dislikes: 1:1. Personal List
  8. Empire's The Greatest Superhero Movies Of All Time's icon

    Empire's The Greatest Superhero Movies Of All Time

    Favs/dislikes: 6:1. Empire readers pick their 30 top super flicks.


    Favs/dislikes: 0:1. The lesson of this weekend’s box office is two-fold. First of all, we have another shining example of why ranking is relatively irrelevant. Disney’s Thor: The Dark World is the top film of the weekend with 38 million (-55 [smiley] , but it is not the top story of the weekend. Universal’s The Best Man Holiday, Malcolm D. Lee’s sequel to The Best Man fourteen years after the original, debuted with a genuinely strong 30.6 million. Said number is an unquestionable triumph for the 17m comedy whether it ends up in first place or ends up in ninth place. . . CLICK HERE TO WATCH FULL MOVIE———->>>>>> . . CLICK HERE TO WATCH FULL MOVIE———->>>>>> . . The second lesson of the weekend is yet another one that should have been learned by now: Yes, black people go to the movies. We all like to act surprised over and over when Tyler Perry scores again and again or when Kevin Hart’s Laugh At My Pain or Let Me Explain break out in limited release. It’s well-past time we noticed that black audiences like seeing themselves onscreen. More importantly, and this is arguably the key, they really like seeing black characters onscreen in starring roles in films that don’t necessarily revolve around racially-based adversity. When Hollywood bothers to make films like that, African-American audiences generally show up in relatively solid numbers, with periodic blockbuster debuts like this one. Tim Story’s Think Like A Man, loosely based on Steve Harvey’s dating self-help book, was a breath of fresh air last April. We all acted stunned when it debuted with 33 million the weekend before summer, but in retrospect it shouldn’t have been all that surprising. It was a genuine ensemble romantic comedy that happened to be filled with black movie stars without the Tyler Perry package. It was something we hadn’t seen much of since the early 2000?s. If Think Like A Man was a (new) trendsetter like The Ring, Malcolm D. Lee’s The Best Man Holiday is The Grudge, the first major movie to capitalize on what Hollywood hopes may be a genuine fad. It doesn’t hurt that several cast members of The Best Man have become bigger stars in the last fourteen years. Taye Diggs, Morris Chestnut, Regina Hall, Terrence Howard, Sanaa Lathan, Nia Long, and Harold Perrinea are all “names” in the African American community. The Best Man Holiday not only operated as a nostalgic sequel for audiences pining for a time (1997-2004) when films like The Best Man weren’t an aberration, but also happened to be primed to capitalize on being the first big ensemble romantic comedy to open after the (we hope) trend-setter that is Think Like A Man. The film played 75% female, 63% 35-and-older, and 87% black. The debut is slightly less than Think Like A Man and higher than every Tyler Perry debut save Madea Goes To Jail (40m). Presuming it has a weekend-to-final multiplier closer to Think Like A Man (2.72x) than the usual Tyler Perry film (an average of around 2.25x), it’ll end its domestic run with 83m. That’s a huge win and should make Sony , which has Think Like A Man Too set for June, very happy. There really isn’t much news of note this weekend. Charlie Countryman, Shia LaBeouf’s bid at indie respect, grossed just 8,579 on fifteen screens. Alexander Payne’s Nebraska debuted from Paramount Vantage on four screens this weekend, for 140,000 and a 35,000 per-screen average. This one is gunning for an Oscar nom for Bruce Dern, but this strong debut means little one way or another for the black-and-white dramedy as it copes with a strong Oscar season. Of note, I would hope that Paramount releases this somewhat wide, as it takes place in and is arguably about the kind of “flyover” country that Hollywood often ignores but is ripe for the picking. There is a reason that Bernie, which was a skewed love letter to Texas hospitality, played all summer back in 2012. Paramount is at least expanding to ten markets next Friday. Thor: The Dark World is doing fine, with a solid 38.5m weekend. That’s a drop of 55%, which is a larger drop than Iron Man (-48 [smiley] , Thor (-47 [smiley] , and The Avengers (-50 [smiley] but slightly smaller than the likes of Iron Man 2 (-59 [smiley] , Iron Man 3 (58 [smiley] , The Incredible Hulk (-60 [smiley] , and Captain America (-60 [smiley] . I could argue that perhaps a smaller drop might have been in order due to little demographic competition and a November release date, but that’s beside the point. Thor: The Dark World has a ten-day domestic cume of 147 million, with its worldwide total now at 479m, well above the entire S449m total of the first Thor. It may not be leggy, but it has big enough numbers, and it’s doing well enough as a kid-centric entertainment (see that 3.6x second weekend multiplier), that it doesn’t need legs. Warner Bros.’ Gravity is nearing the end of its initial theatrical run (I’m expecting an Oscar-centric IMAX rerelease in early 2014), and it crossed S240 million domestic today with a S6.2m (-26 [smiley] weekend gross. It’s the fifth-biggest domestic grosser of 2013, having passed Fast & Furious 6 (S235m) and its racing towards S500m worldwide. Free Birds earned another S8.3m (-25 [smiley] for a new total of S42.2m. The good news is that Free Birds is holding quite well. The bad news is that Free Birds has just one more weekend before its goose gets cooked by Disney’s Frozen. Lionsgate’s Ender’s Game held up okay, dropping 40% in weekend three for a S6.2m frame. But having barely crossed S50m after 17 days (S53m), it’s another dead would-be franchise. Not that it matters that much with The Hunger Games: Catching Fire dropping next Friday. Richard Curtis’s About Time has now earned S11m domestic but S53m worldwide, while Rush has S26m domestic. Matthew McConaughy’s Oscar-bait drama Dallas Buyers Club is hanging in there, having earned S1.7m on 184 screens in its third weekend. Its cume is S3m. Paramount’s Jackass Presents: Bad Grandpa earned an estimated S7.6 million (-32 [smiley] in its fourth frame. It’s shown remarkable legs, ending the weekend with S90m, and it will cross S100m around Thankgiving. CBS CBS +0.36% Films’ Last Vegas held steady with a S8.87m third weekend (-20 [smiley] . It’s at S46.9m total and, once it surpasses the S54m gross of The Woman In Black, will become CBS Films’ biggest domestic earner ever. Oscar bait Captain Phillips won’t quite make it to S100m by the end of the this weekend (about S97m cume), but it should happen sometime over the next week, while presumptive front runner 12 Years A Slave is slowly chugging along as it retains its position as Best Picture “one to beat”, and it should be just over/under S25m by the end of today. That’s it for this weekend. Join us for the debut of Lionsgate’s The Hunger Games: Catching Fire (review Tuesday or Wednesday), the single-screen debut of Disney’s Frozen (review Monday or Tuesday), and the wide debut of Disney’s Vince Vaughn vehicle Delivery Man. . . .
  10. The Complete Arnold Schwarzenegger Filmography's icon

    The Complete Arnold Schwarzenegger Filmography

    Favs/dislikes: 5:1. The Complete Arnold Schwarzenegger Filmography
  11. The top 250 directors and their best film according to TSPDT/DtC (2012)'s icon

    The top 250 directors and their best film according to TSPDT/DtC (2012)

    Favs/dislikes: 43:1. This list contains 250 films by the 250 greatest directors of all time, according to "they shoot pictures don't they?". Each director has one entry; their most critically acclaimed film. Two directors appear more than once on the list (Michael Powell and Stanley Donen) and all together there are 5 director couples (Powell/Pressburger, Donen/Kelly, Coen Brothers, Cooper/Schoedsack and Straub/Huillet). #76 is a TV-mini-series; #81, #151, #157, #180, #190 and #202 are short features, the rest of the entries are featured films.
  12. The Ultimate 50 Horror Movies's icon

    The Ultimate 50 Horror Movies

    Favs/dislikes: 21:1. As voted for by followers of
  13. Zombie's icon


    Favs/dislikes: 1:1.
  14. [@@Video@@]~The Age of Adaline ONLINE MOVIE 2015's icon

    [@@Video@@]~The Age of Adaline ONLINE MOVIE 2015

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  15. Classic Universal Monster's icon

    Classic Universal Monster

    Favs/dislikes: 37:0. Classic Universal Monster/Horror/Sci-fi/Thriller from 20s-60s
  16. Condemned by the Legion of Decency's icon

    Condemned by the Legion of Decency

    Favs/dislikes: 19:0. This is a list of films condemned by the Legion of Decency, a United States Catholic organization, and its successor (from 1965), the National Catholic Office for Motion Pictures. The condemned (or C) rating was issued from the time of the Legion's formation in 1933 until 1978, when the C rating and the B rating were merged into the new O ("morally offensive") rating. In 1980, the NCOMP film office was shut down, along with the biweekly Review, which had published ratings on 16,251 feature films. The Legion's ratings were applied to movies made in the United States (which were subject to the Production Code until 1967) as well as those imported from other countries. Beginning in 1968, the ratings were applied in addition to any rating assigned by the MPAA film rating system. Legion-organized boycotts made a C rating harmful to a film's distribution and profitability. Accordingly, for the majority of years that the rating was applied, most condemned films were made outside of the United States, where their producers didn't have as much to fear from the condemnation. Of the 53 movies the Legion had placed on its condemned list by 1943, only Howard Hughes' The Outlaw came from a major US studio, and it had not been approved by the Production Code or distributed widely. Despite rumors to the contrary, Elia Kazan's A Streetcar Named Desire and Billy Wilder's The Seven Year Itch did not receive C ratings. Rather, Kazan's film was cut by 4 minutes to avoid condemnation, while Wilder's film had to cut scenes from the original play to be approved by Legion of Decency. [wikipedia]
  17. Films that SHOULD have won Best Picture's icon

    Films that SHOULD have won Best Picture

    Favs/dislikes: 0:0. This is my own personal list of films that, in my opinion, should have won the Academy Award for Best Picture. It is in no way an official list, and it reflects my opinion, and my opinion only. Enjoy!
  18. From the Depths of Obscurity - A Film General List's icon

    From the Depths of Obscurity - A Film General List

    Favs/dislikes: 37:0. Original version (May 2012) For the highest rated films that received 3-7 votes, and therefore did not meet the minimum requirement of 8 votes needed in order to be included in the FG Top 1000. In descending order, beginning with the highest average rating (9.667). Credit for this list should go to Gloede / Crinderman (organizer), The Magician (script), Serriform (spreadsheet), and the FGers who did all the voting.
  19. Marcel Ophüls Filmography's icon

    Marcel Ophüls Filmography

    Favs/dislikes: 7:0. All films directed by Marcel Ophüls
  20. Marsellus' Briefcase: Best by the Decades: 1930-2000's icon

    Marsellus' Briefcase: Best by the Decades: 1930-2000

    Favs/dislikes: 0:0. A list of the best films of each decade from the 1930s onward as chosen by the writers at Marsellus' Briefcase.
  21. Michel Hazanavicius filmography's icon

    Michel Hazanavicius filmography

    Favs/dislikes: 2:0. Features films directed by Michel Hazanavicius
  22. Movie & Series's icon

    Movie & Series

    Favs/dislikes: 0:0.
  23. My 100 (6.2015)'s icon

    My 100 (6.2015)

    Favs/dislikes: 0:0. my100favoritesmoviesfrom2015
  24. Outside the Cinema's icon

    Outside the Cinema

    Favs/dislikes: 6:0. Movies reviewed on the Outside the Cinema podcast including movies watched or reviewed during special live shows and the top 6 list from ep. 100. End of the year roundtables and tv-shows (Firefly, Buffy) are not included so far. Comments, questions, remarks? Feel free to leave a comment! Movies covered with Ryan are 1-99 Movies covered during ep. 100: 195-236 Kickstarter movies: 557-568, 571-588, 591-619, 2008 - 01-87 2009 - 88-236 2010 - 237-341 2011 - 342-437 2012 - 438-533 2013 - 534-623 2014 - 624- Missing because movie is not in IMDB: The eye of the condor, episode 320.
  25. Paste Magazine: The 50 Best Movies of the Decade (2000-2009)'s icon

    Paste Magazine: The 50 Best Movies of the Decade (2000-2009)

    Favs/dislikes: 3:0. If comparing music from Gillian Welch and Outkast in our 50 Best Albums of the Decade is like apples and oranges, ranking films like Amélie, The Dark Knight and Mulholland Drive is more like apples, ice cream and foie gras. But despite the wild variety among our 50 Best Movies from 2000-2009, each is an exquisitely made, exceptionally satisfying piece of cinema that we believe will endure well after the decade has ended. There are masters like Martin Scorcese and Lars Von Trier, and relative newcomers like Fernando Meirelles and Anna Boden. There are documentaries, comedies and dramas, as well as animated films and even a super-hero flick. Mirroring a decade of globalism, the filmmakers are from the United States, New Zealand, Taiwan, Germany, Ireland, France, Japan, Canada, Mexico, Denmark, Romania, Thailand, Brazil, and nearly every part of the U.K. Let these be our recommendations for your Netflix queue. Personally, after reading the loving descriptions in these pages, I’ve already got films I missed the first time around—like Syndromes and a Century and Beau Travail—on the way. —Josh Jackson, Paste editor-in-chief
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