Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

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  1. Sight & Sound (Hall of Fame Method)'s icon

    Sight & Sound (Hall of Fame Method)

    Favs/dislikes: 14:0. Inspired by scholar Kristin Thompson, I've decided to follow her advice by recreating Sight & Sound's 7 famous polls from the past 60 years by using the "Hall of Fame" method. This method only allows a film to reach the top 10 once; once the film hits the top 10, it can no longer be voted on, as its status in the "Hall of Fame" has been cemented. 1952 1. Bicycle Thieves (1948, De Sica) 2 = City Lights (1930, Chaplin) 2 = The Gold Rush (1925, Chaplin) 4. Battleship Potmekin (1925, Eisenstein) 5 = Intolerance (1916, Griffith) 5 = Louisiana Story (1949, Flaherty) 7 = Greed (1925, Stroheim) 7 = Le Jour se Leve (1939, Carne) 7 = Passion of Joan of Arc (1928, Dreyer) 8 = Brief Encounter (1946, Lean) 8 = Le Million (1931, Clair) 8 = La Regle du Jeu (1939, Renoir) 1962 1. Citizen Kane (1941, Welles) 2. L’Avventura (1961, Antonioni) 3. Ugetsu Monogatari (1953, Mizoguchi) 4. Ivan the Terrible (1944 - 1958, Eisenstein) 5. La Terra Trema (1948, Visconti) 6. L’Atalante (1934, Vigo) 7 = Hiroshima Mon Amour (1959, Resnais) 7 = Pather Panchali (1955, Ray) 7 = Zero de Conduite (1932, Vigo) 10. The Childhood of Maxim Gorky (1938, Donskoy) 1972 1. 8 ½ (1963, Fellini) 2. Persona (1967, Bergman) 3 = The General (1927, Keaton and Bruckman) 3 = The Magnificent Ambersons (1942, Welles) 5. Wild Strawberries (1957, Bergman) 6 = Ikiru (1952, Kurosawa) 6 = Pierrot le fou (1965, Godard) 6 = Vertigo (1958, Hitchcock) 9 = La Grande Illusion (1937, Renoir) 9 = Mouchette (1967, Bresson) 9 = The Searchers (1956, Ford) 9 = Sunrise: A Song of Two Humans (1927, Murnau) 9 = 2001: A Space Odyssey (1968, Kubrick) 9 = Viridiana (1961, Bunuel) 1982 1 = Singin’ in the Rain (1952, Donen & Kelly) 1 = Seven Samurai (1954, Kurosawa) 3. Andrei Roublev (1966, Tarkovsky) 4 = The Third Man (1949, Reed) 4 = Jules and Jim (1962, Truffaut) 6. The Godfather (1972, Coppola) 7 = Touch of Evil (1958, Welles) 7 = Tokyo Story (1953, Ozu) 9 = The Discreet Charm of the Bourgeoisie (1972, Buñuel) 9 = Children of Paradise (1945, Carne) 9 = The Earrings of Madame de… (1953, Ophüls) 9 = Contempt (1963, Godard) 9 = Modern Times (1936, Chaplin) *1992 1. Raging Bull (1980, Scorsese) 2 = The Godfather Part II (1974, Coppola) 2 = Rashomon (1950, Kurosawa) 2 = La Strada (1954, Fellini) 5 = Breathless (1960, Godard) 5 = Letter From an Unknown Woman (1948, Ophuls) 5 = Paisan (1946, Rossellini) 8 = La Dolce Vita (1960, Fellini) 8 = Lawrence of Arabia (1962, Lean) 8 = Rear Window (1954, Hitchcock) 8 = Some Like It Hot (1959, Wilder) 8 =The Wizard of Oz (1939, Fleming) *2002 1. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, Kubrick) 2 = Psycho (1960, Hitchcock) 2 = Sunset Blvd. (1950, Wilder) 4 = Fanny and Alexander (1982, Bergman) 4 = Mirror (1975, Tarkovsky) 6 = The Apartment (1960, Wilder) 6 = Apocalypse Now (1979, Coppola) 6 = Au hazard Balthazar (1966, Bresson) 6 = The Seventh Seal (1957, Bergman) 6 = Taxi Driver (1976, Scorsese) *2012 1. Man with a Movie Camera (1929, Vertov) 2. Ordet (1955, Dreyer) 3. The 400 Blows (1959, Truffaut) 4. Late Spring (1949, Ozu) 5. Stalker (1979, Tarkovsky) 6. In the Mood for Love (2000, Wong) 7. Shoah (1985, Lanzmann) 8. Mulholland Dr. (2001, Lynch) 9. The Battle of Algiers (1966, Pontecorvo) 10. Barry Lyndon (1975, Kubrick) * = Combines both Critics and Directors' votes
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