Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

  1. Avant-Garde Film - Motion Studies's icon

    Avant-Garde Film - Motion Studies

    Favs/dislikes: 21:0. In this book, Scott MacDonald examines 15 of the most suggestive and useful avant-garde films. Through in-depth readings of these works, MacDonald takes viewers on a critical circumnavigation of the conventions of moviegoing as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyze the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film, which communicates the author's pleasure in exploring "impenetrable" works with students and public audiences. The book is divided into three sections ("From Stern to Film", "Psychic Excursions" and "Premonitions of a Global Cinema") with five films in each section. ISBN: 978-0-521-38821-4
  2. Michael Snow Filmography's icon

    Michael Snow Filmography

    Favs/dislikes: 14:0. All films directed by experimental filmmaker Michael Snow + "Hapax Legomena I: Nostalgia" in which Snow is the narrator.
  3. Christoph Schlingensief's icon

    Christoph Schlingensief

    Favs/dislikes: 1:0. All of the movies and short films by this extraordinary german director
  4. By Brakhage: An Anthology, Volumes One and Two (Criterion Collection)'s icon

    By Brakhage: An Anthology, Volumes One and Two (Criterion Collection)

    Favs/dislikes: 0:0. Working outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were created without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching. With these two volumes, we present the definitive Brakhage collection—fifty-six of his works, from across his career, in high-definition digital transfers.
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