This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
This is a list of every film that critic Roger Ebert has called the best film of that year. The list starts in 1967 and goes to 2012.
*Special note: In 2008 and 2009 Ebert did not rank his choices. Therefore I went with whatever film he listed from that year on his best of the decade list.
A list for the die-hard western fan! This long and diverse list of great western movies is largely derived from a list found on Cinemacom.com entitled "500 & More - A Western Lover's List". However, Cinemacom's list is heavily slanted toward the traditional western and admittedly excludes all western comedies and many good spaghetti westerns. I wanted to create a more balanced list and so I cross referenced Cinemacom's list against IMDB user ratings in the western genre and made some thoughtful modifications which add some diversity. If you love westerns I hope this list will help you explore the genre.
This list contains 250 films by the 250 greatest directors of all time, according to "they shoot pictures don't they?". Each director has one entry; their most critically acclaimed film. Two directors appear more than once on the list (Michael Powell and Stanley Donen) and all together there are 5 director couples (Powell/Pressburger, Donen/Kelly, Coen Brothers, Cooper/Schoedsack and Straub/Huillet). #76 is a TV-mini-series; #81, #151, #157, #180, #190 and #202 are short features, the rest of the entries are featured films.
As some people are aware, horror is the greatest genre ever and there is literally nothing better than a good horror film. It is, however, extremely under-appreciated and that means a lot of sifting to find the awesome stuff.
So, this is my personal list of the 'best' horror films that I've seen. This mostly consists of personal favourites, but also others which I didn't LOVE, but are good examples of what I like about horror, offer something to the genre or that I just think are kinda cool (mostly the latter). I've not included anything that I don't like at all though, so there may be some glaringly obvious omissions, but it's probably on purpose.
Lately I’ve become more and more frustrated with the various “best ever” lists that have been released because they rarely feature films by women, or if they do it’s usually one or two films. I think this is more a reflection of those who are polled for these kinds of lists, as well as a compounding of history on itself. For so long films by men have made up the bulk of the film canon and I think people are afraid to add new films to these revered lists. I also think many people haven’t seen very many films by women, or if they have it’s always the same handful of films. In an attempt to create a better, more inclusive list of great films by women, I polled over 500 critics, filmmakers, bloggers, historians, professors and casual film viewers, asking them to tell me what films directed (or co-directed) by women are essential viewing. Some people only responded with as little as five votes, others submitted hundreds of films. In the end, I received over 7,000 votes for 1,100+ different films. After tallying up this data, with ties factored in, I then had a list of 103 essential films directed by women.
While this list is in no way the end all and be all of female filmmakers, it does include films from multiple countries, filmmakers of all ages, films from all kinds of genres and spans 9 decades. Also, I would like to point out that although the earliest film on this list is from 1935, there were several filmmakers from the silent era who were women (and whose films were in the initial 1,100+ list), including Alice Guy-Blaché, Lois Weber and others. This list should be looked at as a springboard, a way to get your feet wet with the most beloved films made by women. There are lots of resources to find even more great films by women. DirectedByWomen.com and TheDirectorList.com are two such invaluable places to start learning more about the thousands of women who have been making films since the beginning of cinema.
Glenn Kay's personal favourite zombie movies. The first 25 are ranked, and then some of his other favourites, unranked.
Creepshow - the segment "Father's Day"
Tales From the Crypt - the segment "Poetic Justice"
The entire list of films mentioned in his book can be found here: [url]http://www.icheckmovies.com/lists/zombie+movies+the+ultimate+guide/mightysparks/[/url]
The 50 films famous criticist Susan Sontag considered the best, as published in 1977. See also [url=http://www.openculture.com/2013/12/susan-sontags-50-favorite-films.html]this article[/url].
From Paste: Not every film can be the Citizen Kane of its day. For every high-budget “A movie” that commands significant promotion and funding from its studio, there are piles of B movies that scratch and claw their way into existence without the benefit of things like “a budget” or “a script” in some cases. To compare them with A movies in terms of resources and immersiveness isn’t a fair proposition. Instead, discerning film fans are able to simply appreciate them for what they are.
But what does “best” mean when we’re talking about films often famous for their shoddy construction? It certainly doesn’t mean “best-made.” It also doesn’t mean “worst-made,” or else films like Manos: The Hands of Fate and The Beast of Yucca Flats would make prominent appearances. They’re not on this list because the meaning of “best” here is “most entertaining,” and I defy you to be entertained by Manos without its MST3k commentary or a pound of medical-grade marijuana. If these films are painful, they’re also equally fun.
Whenever possible, I tried to keep the list to more obscure titles. Although John Carpenter’s Halloween is a great example of a superbly made “B movie” in terms of budget, any film fan has most likely seen it already. Gathered here is a collection of some of the most entertainingly cheap and endearingly bad movies ever made.
These are the films that have won more than one best picture award, usually by winning Best Picture in its country of origin, then Best Foreign Film in another. For the sake of this list, I limited the list of recognized industry bodies to those from Australia, China, France, Germany, Great Britain, Italy, India, Japan, Mexico, Russia, Spain, Sweden, and the United States. In the interest of including all continents, I have made two exceptions to the industry award rule for the Gramado & Ouagadougou Film Festivals.
I included award categories for feature-length animation, but omitted shorts and documentaries. I also included variations on Best Film and Best Foreign Film, such as BAFTA's Outstanding British Film, the Hong Kong award for Best Asian Film, and the Donatello for Best European Film.
All titles are sorted first by number of honors, then year of release. The leader (with 7) is Pedro Almodovar's "All About My Mother", which won the Goya for Best Film plus the Oscar, BAFTA, Cesar, Lola, Donatello, and Guldbagge awards for Best Foreign Film.
October 04, 2010: For movie lovers, there are few things more exciting than the discovery of a bold new filmmaker. Through cinema history, many extraordinary directors immediately made their marks on the industry with their first feature-length films.
The Online Film Critics Society celebrates the innovations and ingenuity of these extraordinary artists by presenting its selection of the 100 Best First Feature Films of All Time. Spanning the cinematic experience from the silent era to the digital age, the OFCS writers pay tribute to the most impressive filmmaking debuts of all time.
Romance blooms on a belle époque street corner. A dark-eyed girl in Montmartre runs her hand through a bag of dried beans. In the suburbs, Arabs square up to skinheads. Nicotine-stained tales of sexual misadventure unfold in beds all over the city, while gangsters commit crimes and cartoon rats cook up a storm. Paris, which boasts a higher concentration of picture houses than any other city, has been the inspiration and the backdrop for countless films. Below, we present 50 of the best, organised by era. Be they Nouvelle Vague masterpieces or populist comedies, the capital is always in the starring role...
-Time Out Paris
This list is organized chronologically.
A list created during the turn of the 100-year anniversary of Indian cinema. It was a painstaking process, and a lot of research was done to give this list an objective feel. The list is based off AFI's list of 100 Greatest American Films and Johnathan Rosenbaum's Alternative 100. Films of all Indian languages are present, from Hindi to Marathi to Tamil to Telugu, to even Assamese. Three major criteria were considered for this list, in order of priority:
1. Cultural/artistic impact on India and the world - most important
2. Critical acclaim in India and abroad - 2nd most important
3. Popularity/cult status - 3rd (and least) important
Paradise and prison, bustling metropolis and the loneliest place on earth: New York City has a cinematic identity that infuses all walks of life. Even as we write our own narratives in this most famous of locations, we walk alongside fictional characters (and sometimes real ones, too, if we’re lucky).
In selecting the 100 most essential New York movies, we kept the city’s boldness in mind. TONY Film staffers David Fear, Joshua Rothkopf and Keith Uhlich teamed up with movie experts Stephen Garrett and Alison Willmore to gather titles from all genres and eras—the widely known and the obscure—in pursuit of a complete picture of NYC on film.
Our only parameter: The movie had to be set in New York City, not Metropolis (sorry, Superman fans), Oz (ditto, you Wiz diehards), nor anywhere else. Dive in, jostle politely, find your seat or ride standing: Please tell us what we’ve missed. It’s a big town.
—Joshua Rothkopf, senior Film writer at Time Out New York
List published on July 3rd 2012
Much like its close genre cousin (nephew/niece?) the superhero film, the potential of cinematic science fiction exploded in the latter part of the 20th century thanks to technological advances that transformed special effects. Unlike superhero films, which were so stunted for so long that almost every new one makes it onto our updated 100 Best Superhero Films of All Time list, science fiction proved fertile ground for filmmakers before the likes of Industrial Light & Magic supercharged a director’s ability to exceed our imagination. Thus, this list, while filled with films from the ’80s onward, has its fair share of older films. Before we dive into it, though, let’s discuss a few things this list will not have (or at least, not have many of).
Superhero films are for the most part absent. Though so many superhero stories involve the stuff of science fiction—aliens, high-tech and strange worlds—there are plenty of great sci-fi movies to include on this list without bumping 20 of them off for DC and the MCU. (We’ve made an exception for one entry because the space opera underpinnings were too strong to ignore.) We’ve also left off, for the most part, the traditional giant monster/kaiju movie for the same reason. If you want a nice roundup of Godzilla’s greatest hits, check out our own Jim Vorel’s ranking of Godzilla’s cinematic oeuvre. (For the real kaiju rank-o-phile, Jim has also taken the measure of every Godzilla monster.) Finally, joining superheroes and kaiju on the sidelines, are the post-apocalyptic (and a few mid-apocalyptic) films. Though, again, there are a few exceptions, for the most part you will not find Mad Max here, or Eli, or even that guy who is Legend. (I see you frowning—“But will there be dystopias,” you ask? Hell yeah, we got dystopias.)