This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
This is a list of films released theatrically under the Walt Disney Pictures banner (known as that since 1983, with Never Cry Wolf as its first release) and films released before that under the former name of the parent company, Walt Disney Productions (1929-1983).
This list is organized by year of release date (US release) and includes live action feature films, animated feature films (including films developed and produced by Walt Disney Animation Studios and Pixar Animation Studios), and documentary films (including titles from the True-Life Adventures series and films produced by the Disneynature label).
However, this list does not include films released by other existing, defunct or divested labels or subsidiaries owned by The Walt Disney Studios (i.e. Marvel StudiosMVL, Touchstone Pictures, Hollywood Pictures, Miramax Films, Dimension Films, ESPN Films etc.), foreign produced films released in the United States under the Walt Disney Pictures name that are solely produced by a third-party studio (e.g. Studio Ghibli) nor any direct-to-video releases, TV films, theatrical re-releases, or films originally released by other non-Disney studios.
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures during the 1940s which conformed to a melodramatic style. There is some dispute about which Gainsborough productions are among the melodrama canon. Also, other British melodramas of the era (such as The Seventh Veil) are sometimes associated with the Gainsborough melodramas.
"United Productions of America, better known as UPA, was an American animation studio of the 1940s through present day, beginning with industrial films and World War II training films.
UPA Pictures' legacy in the history of animation has largely been overshadowed by the commercial success of the vast cartoon libraries of Warner Brothers and Disney. Nonetheless, UPA had a significant impact on animation style, content, and technique, and its innovations were recognized and adopted by the other major animation studios and independent filmmakers all over the world. UPA pioneered the technique of limited animation, and though this style of animation came to be widely abused during the 1960s and 1970s as a cost-cutting measure, it was originally intended as a stylistic alternative to the growing trend (particularly at Disney) of recreating cinematic realism in animated films."
The following is the complete filmography of Full Moon and Charles Band. The source comes from their filmography list in their catalog as well as new titles announced on their site.
The Ealing Comedies were a series of film comedies produced by Ealing Studios during the period 1947 to 1957. Hue and Cry (1947) is generally considered to be the earliest of the cycle, and Barnacle Bill (1957) the last, although some sources list Davy (1958) as the final Ealing Comedy. Despite their synonymous association with Ealing Studios the films constituted up only a tenth of the films produced by the company.
Art Theatre Guild (ATG) was a film production company in Japan that started in 1961 and ran through to the mid-1980s, releasing mostly Japanese New Wave films. ATG began as an independent agency which distributed foreign films in Japan. With the decline of the major Japanese film studios in the 1960s, an "art house" cinema group formed around ATG and the company moved into distributing Japanese works rejected by the major studios. By 1967 ATG was assisting with production costs for a number of new Japanese films. ([url=http://en.wikipedia.org/wiki/Art_Theatre_Guild]Wikipedia)[/url]
Associated filmmakers: [url=https://www.icheckmovies.com/movies/?tags=director:susumu+hani]Susumu Hani[/url], [url=https://www.icheckmovies.com/movies/?tags=director:akio+jissoji]Akio Jissoji[/url], [url=https://www.icheckmovies.com/movies/?tags=director:kazuo+kuroki]Kazuo Kuroki[/url], [url=https://www.icheckmovies.com/movies/?tags=director:toshio+matsumoto]Toshio Matsumoto[/url], [url=https://www.icheckmovies.com/movies/?tags=director:nagisa+oshima]Nagisa Oshima[/url], [url=https://www.icheckmovies.com/movies/?tags=director:masahiro +shinoda]Masahiro Shinoda[/url], [url=https://www.icheckmovies.com/movies/?tags=director:shuji+terayama]Shuji Terayama[/url]
See also: [url=http://www.icheckmovies.com/lists/japanese+new+wave/zeppo/]Japanese New Wave[/url]
100 Essential Favorite Movies chosen by
Alamo Drafthouse Cinema
"Asking an Alamo programmer to name his or her favorite movie is like asking a mother to name her favorite child. Wait, no, that makes it sound too easy.
Asking an Alamo programmer to name his or her favorite movie is like asking a mother to name her favorite child, knowing that the rest of her kids will be taken away. Nope, that still makes it sound too easy.
Asking an Alamo programmer to name his or her favorite movie is like asking a mother to name her favorite child, knowing that the rest of her kids will be killed. Okay yes, that's exactly how it feels.
And that, ladies and gentleman, is why we are presenting the Alamo 100, and not the Alamo 10 or the Alamo 50.
When we first had the idea of compiling a list of our most cherished films, we spent a considerable amount of time discussing the criteria, and not just because we wanted to put off this Sophie's Choice for a while longer. There are plenty of lists, based on everything from cinematic achievement to popularity, floating around the celluloid landscape, and we wished to avoid redundancy in adding our own voice to the pile.
In the end, it all boiled down to the fact that we just love the hell out of movies. And so this list is defined, not by filmmaking genius or cultural impact, but by the space reserved in our hearts. The Alamo 100 encompasses the movies that we wore out on VHS, the films our friends are sick of hearing us rave about, the cinematic gems that feel like living, breathing members of our family. This is a list that reminds us why we fell in love with cinema in the first place, and why the magic of that romance will never fade.
A quick glance at the Alamo 100 reveals the incredible diversity of taste on the national programming team, which consists of Tim League, RJ LaForce, Greg MacLennan, Tommy Swenson, Joe Ziemba and myself. We're incredibly proud of the fact that our passions encompass 1960s French films and modern day rom coms, Kubrick masterpieces and epic action flicks, obscure trash-horror and feel-good classics. There is simply no classification that can contain our devotion to the silver screen.
In order to generate the Alamo 100, each programmer first created his or her own list of 100 favorites, a Herculean task that caused a fair amount of heartache in the office. These titles were then compiled and ranked based on two factors: 1. their rank on each programmer's list 2. the number of times the title appeared on more than one list. The results are an eclectic mix of shoe-ins and surprises, and we hope that this wildly divergent collection leads to many conversations within the Alamo community. You can explore the full list at Alamo100.com, where you can see which titles drew the most votes and also check out each programmer's individual favorites to find out with whom your tastes most align.
In January, we're launching the Alamo 100 in all of our theaters with seven titles that capture the spirit of this list, and throughout the year, we'll be screening many more. Because we can't live without these movies, and we can't let you live without seeing them."
(Note: the list counts The Lord of the Rings Trilogy as one entry.)