Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

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  1. Films Watched's icon

    Films Watched

    Favs/dislikes: 0:11. Films starting from 1910 - Present.
  2. The Masterpieces of Cinema's icon

    The Masterpieces of Cinema

    Favs/dislikes: 0:3. My list of the best movies I've ever seen.
  3. Horror movies's icon

    Horror movies

    Favs/dislikes: 0:2. My classic horror list
  4. I Am Curious, Film (History of a Scandinavian Cinema)'s icon

    I Am Curious, Film (History of a Scandinavian Cinema)

    Favs/dislikes: 3:2. List of movies that was mentioned in BFI documentary project about nordic cinema
  5. The Top 300 Silent Era Films's icon

    The Top 300 Silent Era Films

    Favs/dislikes: 114:2. All the films from the Silent Era top 100, plus the 200 films that didn't make the list. [b]Note:[/b] The original list actually contains 298 movies. This iCM-list contains 304 movies because the following titles consist of multiple entries: - Die Nibelungen (2 parts) - Das indische Grabmal (2 parts) - Fantômas (5 parts)
  6. CFB's 100 Important Directors of Animated Short Films's icon

    CFB's 100 Important Directors of Animated Short Films

    Favs/dislikes: 32:1. 100 Important Directors of Animated Short Films: Background This list of 100 important directors of animated short films was assembled in late 2008 to serve as a complement to “Brief Encounters,” a proposed list of 250 great short films (both animated and live-action) which was to be developed by the folks at the They Shoot Pictures, Don’t They? website. Unfortunately, that 250-film list is in limbo, leaving our list without a home. The “100 Important Directors of Animated Short Films” list is not intended to be comprehensive. These are simply 100 directors whom we feel are important and deserving of increased recognition by film lovers. For each director, we selected three “highly recommended” movies. In addition, we included a category of “TSPDT 250 Greatest Shorts” to highlight any of these directors’ films which were tentatively slated to place on the abandoned Brief Encounters list. This project was facilitated by Lee Price (lee-109) on the IMDb Classic Film message board. Project team: Lee Price, Robert Reynolds (Illtdesq), Jorge Didaco (jdidaco), Bill Kamberger (bkamberger), and Rob Tomshany (RobT-2), with additional input from animation fans on the IMDb Classic Film message board.
  7. Classic's icon

    Classic

    Favs/dislikes: 0:1.
  8. Elia Kazan's Filmography's icon

    Elia Kazan's Filmography

    Favs/dislikes: 52:1. Feature films directed by Elia Kazan.
  9. Myrna Loy Filmography's icon

    Myrna Loy Filmography

    Favs/dislikes: 19:1. Myrna Loy (August 2, 1905 – December 14, 1993) was an American actress. Trained as a dancer, she devoted herself fully to an acting career following a few minor roles in silent films. Originally typecast in exotic roles, often as a vamp or a woman of Asian descent, her career prospects improved following her portrayal of Nora Charles in The Thin Man (1934). Her successful pairing with William Powell resulted in 14 films together, including five subsequent Thin Man films.
  10. 100 lat w kinie (History of a Polish Cinema)'s icon

    100 lat w kinie (History of a Polish Cinema)

    Favs/dislikes: 0:0. List of movies that mentioned in BFI documentary project about polish cinema
  11. 100 Years of Japanese Cinema's icon

    100 Years of Japanese Cinema

    Favs/dislikes: 13:0. List of movies that was mentioned in BFI documentary project
  12. 650 movies, that changed the world's icon

    650 movies, that changed the world

    Favs/dislikes: 19:0. Movie list from popular russian media resourse "Afisha". Choice of 16 russian critics. Based on hard book guide of the same name. The purpose of the list was not to choose "the best movies of all over the world", but to highlight the most important movies with high influence on cinematography.
  13. A Personal Essay on Cinema in Korea by Jang Sun-Woo's icon

    A Personal Essay on Cinema in Korea by Jang Sun-Woo

    Favs/dislikes: 3:0. List of movies that was mentioned in BFI documentary project about korean cinema
  14. A Personal History of British Cinema by Stephen Frears's icon

    A Personal History of British Cinema by Stephen Frears

    Favs/dislikes: 14:0. Stephen Frears and a quartet of film industry notables - representing different cinematic periods - drink tea and discuss ups and downs of British cinema.
  15. And the Show Goes on (History of Indian Cinema)'s icon

    And the Show Goes on (History of Indian Cinema)

    Favs/dislikes: 1:0. List of movies that was mentioned in BFI documentary project about indian cinema
  16. Ann Blyth Filmography's icon

    Ann Blyth Filmography

    Favs/dislikes: 3:0. Ann Marie Blyth (born August 16, 1928) is an American actress and singer, often cast in Hollywood musicals, but also successful in dramatic roles. Her performance as Veda Pierce in the 1945 film Mildred Pierce was nominated for an Academy Award for Best Supporting Actress.
  17. Astrid Lindgren's icon

    Astrid Lindgren

    Favs/dislikes: 2:0. A list of movies produced/written by Astrid Lindgren.
  18. Best of 1970s Sci-Fi's icon

    Best of 1970s Sci-Fi

    Favs/dislikes: 4:0. A look at some of the great and some of the more overlooked Sci-Fi classics from the greatest period of movie making.
  19. Bette Davis' Filmography's icon

    Bette Davis' Filmography

    Favs/dislikes: 65:0. Excluding TV shows and appearances, shorts, and uncredited work.
  20. Blind3r's Classic Action List's icon

    Blind3r's Classic Action List

    Favs/dislikes: 0:0. Lista de filmes de ação clássica (Stallone, Schwarzenegger etc). A list of some classic action movies.
  21. Capitolfest 13's icon

    Capitolfest 13

    Favs/dislikes: 1:0. Capitolfest is Central New York's premier summer Cinephile film festival—a place to see rarely-shown and newly-discovered films of the silent and early talkie era, held at the historic 1,788-seat movie palace, the Capitol Theatre, in Rome, New York, which opened in December, 1928 as a movie house. Set in the small upstate New York city of Rome (population c.33,000) and regarded by attendees from the U.S., Canada, and Europe as the movie lover’s dream vacation, the weekend festival starts late Friday morning and ends early on Sunday evening. Screenings are arranged by session, with each session essentially comprised of a double feature plus short subjects. Each session contains intermissions and there are generous breaks between sessions (allowing for meals) as well. The philosophy of Capitolfest is that there should be time to savor the films, thus our slogan, “A vacation, not a marathon.”
  22. CINEVENT 47 Classic Film Convention 2015's icon

    CINEVENT 47 Classic Film Convention 2015

    Favs/dislikes: 1:0. The 2015 version of CINEVENT (47th annual) is a gathering of fans of silent and early sound films, and of collectors of motion pictures and related items. Movie screenings are available from Friday morning through Monday afternoon (with a few hours off to sleep!) each Memorial Day Weekend. Dealers fill over a hundred tables full of film, video, sound recordings, posters, stills, lobby cards, books, autographs...everything imaginable associated with film.
  23. EXCEPTIONALLY STRANGE HORROR CULT CLASSICS by Zachar_Laskewicz on IMDB's icon

    EXCEPTIONALLY STRANGE HORROR CULT CLASSICS by Zachar_Laskewicz on IMDB

    Favs/dislikes: 3:0. A simplistic definition of the horror genre assumes that it has to contain monsters and to follow a strict set of genre rules. I believe, however, that horror has the potential to work on a number of different levels, both metaphorical, existential and purely visceral. By its very nature it creates possibilities for expression of pretty complex questions about the nature of existence; more importantly it allows questioning film-makers to completely shatter any pre-existing ideas about what can be defined as normal. Here it is used to explore and criticise society in ways no other genre can, primarily because it is much maligned and misunderstood; film-makers have the freedom to create metaphysical spaces that would be otherwise impossible. In this list I'm interested in looking at those aspects of particular films which make them stand out from the others, which make fans of those of us who are attuned to what horror sometimes tries to communicate (and alienates as many). Horror is also an ambiguous zone of possibility that allows experimentation with forms of representation not allowable in anything outside the avant-garde. These days it's hard to find a horror film that really touches you deeply in the nightmarish kind of way true horror really should. The more recent Hollywood spectacles may look good but lack true depth, often providing a humanistic outlook frosted with a prudishly moral acceptance of empty concepts. In short, I rarely see anthing that more than skirts the edges of true horror. Sometimes you have to look really hard, both into the past and to films that aren't produced by the formulaic cemetery for cinema which calls itself an industry. The idea is to include some of them here. I'm going to try to suggest in short some of the reasons why I've added them to the list (with as few spoilers as possible); the ultimate plan is to include at my website more detailed analyses and descriptions which you can find here: http://www.nachtschimmen.eu/places/projects/ESHCC. My other lists contains films that follow the rules set by Hollywood and are not necessarily awful, but should in any case be avoided by anyone who expects something cogent from the genre. Any suggestions for this or my other list are welcome; I'd love to be made aware of more truly weird and exceptional horror films that may be worthy of this list. I'd also like to thank Frank Edelamn who is the sole creator of his astoudingly complete exploration of low-budget, exploitation and anti-Hollywood cinematic offerings in his extensive website, both well written and well-researched. He calls it, aptly, 'Critical Condition' and can be found at the following URL: http://www.critcononline.com. His site and advice helped me add many of the titles to this list.
  24. Golden Age of Horror's icon

    Golden Age of Horror

    Favs/dislikes: 0:0. Universal Studios Golden Age of Horror films (1940s)
  25. Hollywood Classics/Musicals's icon

    Hollywood Classics/Musicals

    Favs/dislikes: 0:0.
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