This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
With 11 nominations and five wins for Hugo at the 2012 Oscars, Martin Scorsese remains one of the most influential directors in Hollywood. But what influenced him? Here’s an A-Z list of the films that mattered to Scorsese (in other words, the films you need to see to be the film expert you think you are).
Since some of the key collaborators of the AV Club Film moved on to create The Dissolve it has become one of the most important sources for online reviews (at least for me).
There is a award called "Essential" marking those films, that are the most important at the time. In addition the ranking system goes from zero to five stars. This list contains all movies reviewed for their theatre release getting four or more stars.
I added this list after I had watched my 5000th feature film, [url=http://www.icheckmovies.com/movies/house+of+games] House of Games (1987)[/url]
The idea behind it was that if I only had the opportunity to pick 10% of all the feature films I've seen in my life (i.e. 500 films) and put them all together into a personal canon, this would be the end result.
Broadly speaking, these are the 500 films I'd want to have with me on a desert island.
The criterion I've used for the inclusion of films are, for a lack of a better world, personal. For example, I haven't factored in any sense of historical importance a film might or might not have. These 500 films are not necessarily the best films I've seen (although it should be very close to it) but the films that fascinate me the most, the films I find most aesthetically pleasing, films that are important to me nostalgically, and films I basically could re-watch at any given time. In my opinion, all films included in this list possess a certain re-watch-value that films not included might lack.
Omissions, of course, are inevitable. I've made an effort to be exhaustive, and if, for instance, none or only a few films from a certain director/wave/movement/period/genre made it into this list, it's because I don't value it as much as others.
Omissions also apply to many of the films I've seen that, for some reason or another, didn't make it, as well as all (acclaimed) films I haven't yet caught up with. However, it may also be that if a certain film is absent, it's absent because I don't value it as much as those I've included.
Riefenstahl's Olympia (1938) is divided into two parts, hence why there are 501 entries instead of 500.
See also my Essential Short Film list: (coming soon).
This Essential List of 101 Great Film Score Milestones (in chronological order) from 1933-2001 was compiled by John Caps in the November-December 2003 issue of Film Comment magazine in an article titled "Soundtracks 101 – Essential Movie Music: A Listener's Guide." The article also provided a brief history of film music in the introduction and further details on each of the choices.
Facts and Commentary About the List:
•The list was created to mark the 70th anniversary of the film score in 2003.
• The list consisted of composed instrumental film scores (whether symphonic or electronic, classical or pop in style), not film musicals or song scores, from American and British films (English-language films).
•These were films from the talkie era onwards (and recognizing that silent films were never silent).
•The quality of a film often has nothing to do with the rating of its film score, e.g., Taras Bulba (1962, Waxman).
•According to the author, the list was "representative rather than exhaustive; all of the scores in the list "contribute something memorable, something personal, to their films - and communicate one step further to us as music."
•Predictably, one-fourth of the list was taken by the six giants of the Golden Age (Steiner, Waxman, Korngold, Newman, Rozsa, Herrmann). Yet the author also recognized some of the great, but seemingly forgotten, figures of the recent past: Laurence Rosenthal, Richard Rodney Bennett, Dave Grusin, David Shire, and Basil Poledouris.
This is the Amazon book description for "The A List", published in 2002:
People love movies. People love lists. So The A-List is a natural. While there are plenty of encyclopedic lists of films, this compulsively readable book of 100 essays—most written expressly for this volume-flags the best of the best as chosen by a consensus of the National Society of Film Critics. The Society is a world-renowned, marquee—name organization embracing some of America's most distinguished critics: more than forty writers who have national followings as well as devoted local constituencies in such major cities as New York, Chicago, Los Angeles, Boston, Philadelphia, Atlanta, and Minneapolis. But make no mistake about it: This isn't a collection of esoteric "critic's choice" movies. The Society has made its selections based on a film's intrinsic merits, its role in the development of the motion-picture art, and its impact on culture and society. Some of the choices are controversial. So are some of the omissions. It will be a jumping-off point for discussions for years to come. And since the volume spans all international films from the very beginning, it will act as a balance to recent guides dominated by films of the last two decades (hardly film's golden age). Here is a book that is definitely ready for its close-up.
The Spectator magazine's official 50 essential films as chosen by Peter Hoskin and Matthew D'Ancona
(NOTE: The original list groups "Parts 1 & 2" of the Godfather, hence 51 titles where there should be 50)
I've devised the 'A Year of Essential Cinema' list as direct response to 'A Story of Film: An Odyssey' back in 2012 as a way of catching up with the recognised film canon. Since 2012 my knowledge of film and the breath of cinema I have consumed has magnified ten fold and I can't thank Mark Cousins enough for encouraging me to delve deeper.
I devised a 2nd part some time ago and I kept to the same formula, tackling films chronologically and from a wide source of film movements, countries and directors.
This list is a guide only and a dedicated viewer could easily watch them all within the year allocated. For me this list is become an enjoyable experience that guides rather than dictates my viewing, I love the breath that cinema offers and without taking in all it offers I feel one will never truly understand the full wonder of the medium,