Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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Slant Magazine's The 25 Best Films of 2013
Favs/dislikes: 4:0. -
Slant Magazine's The 100 Best Westerns of All Time
Favs/dislikes: 6:0. -
Slant Magazine's The 100 Best Films of the 1990s
Favs/dislikes: 14:0. The further one sifts through the decade's offerings, the more surprising its highlights seem. This is, after all, the decade during which Terrence Malick broke his two-decade-long sabbatical from filmmaking, a fugue only Stanley Kubrick came close to rivaling, both creating masterworks well worth the wait. The decade when all sorts of Eastern cinema broke through, from sensual Hong Kong mixtapes to cerebral Iranian puzzle boxes. The decade where Robert Altman, Brian De Palma, Martin Scorsese, Woody Allen, David Cronenberg, Steven Spielberg, and others who made their names during the American New Wave of the '70s all broadened their horizons and confirmed their artistry, even with next-generation filmmakers like Gus Van Sant, David Fincher, Todd Haynes, and Quentin Tarantino all nipping at their heels. The decade where a commercial tie-in to a hit TV show could also be perhaps the strangest, most confounding wide-release film of its era (which should've surprised no one, given David Lynch's involvement). The decade that saw a talking pig (Babe) competing against another one (Mel Gibson) for the Best Picture Oscar. The '90s were all that and still found room for Aleksandr Sokurov holding a landscape shot for 40 minutes, James Cameron breaking the $100-million-budget ceiling, Chantal Akerman people-watching, and at least two anarchic, if not downright Marxist, sequels to hit children's movies. Dated? This decade is daft punk. -
Slant Magazine's Best of the Aughts
Favs/dislikes: 16:0. To tidily summarize a decade in world cinema is to attempt the impossible, yet if there's one overriding theme of Slant's Top 100 of the aughts, it's that despite a mainstream movie culture dedicated to increasingly expensive, techno-enabled infantilism, auteurist artistry and genre craftsmanship remain vital filmmaking avenues. -
Slant Magazine's 100 Greatest Horror Films of All Time
Favs/dislikes: 17:0. Well, it's a top 200 now bitches. -
Slant Magazine's 100 Essential Films
Favs/dislikes: 39:0. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it's understood that Hitchcock, Dreyer, Ford and Ozu created masterpieces besides film-school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk's Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven's Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list