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  1. Cinemateca Portuguesa's Top 100 European Films's icon

    Cinemateca Portuguesa's Top 100 European Films

    Favs/dislikes: 32:0. The results of a 1994 poll of dozens of distinguished film critics and historians, who each picked their top 100 European films. Part of the book "100 dias 100 filmes". We present here an extended version of that top 100, with all film selected by more than 10 voters. Among the responses Cinemateca received, we can find those of Anti Alanen (Helsinki), João Bénard da Costa (Lisboa), Paolo Bertetto (Torino), Freddy Buache (Lausanne), André Chevallier (Lausanne), José Manuel Costa (Lisboa), Robert Daudelin (Montréal), Catherine Gautier (Madrid), Chris Horak (Rochester), Mathias Knop (Wiesbaden), Alain Marchand (Paris), Bernard Martinand (Paris), David Meeker (London), Ib Monty (Kobenhavn), Anne Morra (New York, MOMA), Dominique Païni (Paris), Enno Patalas (Munchen), José Maria Prado (Madrid) and Sergio Toffetti (Torino).
  2. Mubi Forum's Favorite Balkan Films's icon

    Mubi Forum's Favorite Balkan Films

    Favs/dislikes: 14:0. This is a list of the best Balkan films, as voted by members of the Mubi Forum in 2013. See [url=http://mubi.com/topics/poll-10-favourite-balkans-films]this thread[/url] for the ballots and the list of eligible countries.
  3. Festroia - Gold Dolphin Award's icon

    Festroia - Gold Dolphin Award

    Favs/dislikes: 7:0. The Festróia Festival Internacional de Cinema de Tróia is an annual film festival that takes place in Setúbal, Portugal since 1985. The festival's competitive section is open to films from countries producing less than 30 features per year. The festival produces an award ceremony every Summer. The main award is the Golfinho de Ouro (Gold Dolphin).
  4. European Nightmares - Horror Cinema in Europe since 1945 - Filmography (2012)'s icon

    European Nightmares - Horror Cinema in Europe since 1945 - Filmography (2012)

    Favs/dislikes: 1:0. Edited by Patricia Allmer, David Huxley and Emily Brick. This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006).
  5. Eastern Bloc Movies's icon

    Eastern Bloc Movies

    Favs/dislikes: 0:0. Movies made in Stalinist countries that I've seen
  6. Europe in 25 films (Observer's critics' choice)'s icon

    Europe in 25 films (Observer's critics' choice)

    Favs/dislikes: 0:0. The must-see movies that have defined a century of European cinema, as chosen by the Observer’s film writers
  7. Italian Neorealism's icon

    Italian Neorealism

    Favs/dislikes: 0:0. The main Italian Neorealism movies
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