The Criterion Channel (part 2)

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DIRECTORS L-Z

In two parts, this list includes all featured films streamable through the Criterion Channel. Not counting some films that lack IMDb pages (but I'm adding them where I can):

The Lonedale Operator (Michael Almereyda, 2018, 15m)
Two Sons and a River of Blood (Amber Bemak/Angelo Madsen Minax, 2021, 11m)
Black Journal: Alice Coltrane (St. Clair Bourne, 1970, 13m)
Keeping Secrets Will Destroy You (Ryan Daly/Will Oldham, 2023, 47m)
Omega Rising Women of Rastafari (D. Elmina Davis, 1988, 52m)
Invoking Justice (Deepa Dhanraj, 1991, 86m)
Maman Brigitte (Ayanna Dozier, 2022, 3m)
I Held the Truth in My Hands (Anaïs Duplan, 2020, 3m)
Africa, the Jungle, Drums and Revolution (Suliman Mohamed Ibrahim Elnour, 1979, 11m)
Trial Period (Kiernan Francis, 2023, 14m)
Nadine Nortier (Gillian Garcia, 2022, 13m)
Regarding Soon (Hal Hartley, 2004, 10m)
Lunar New Year (S*an D. Henry-Smith, 2021, 20m)
Pirated! (Nguyen Tan Hoang, 2000, 11m)
Nou Voix (Maxime Jean-Baptiste, 2018, 14m)
Keeping Time (Darol Olu Kae, 2023, 32m)
operculum (Tran T. Kim-Trang, 1993, 14m)
kore (Tran T. Kim-Trang, 1994, 16m)
ocularis (Tran T. Kim-Trang, 1997, 21m)
ekleipsis (Tran T. Kim-Trang, 1998, 23m)
alexia (Tran T. Kim-Trang, 2000, 9m)
amaurosis (Tran T. Kim-Trang, 2002, 29m)
Epilogue: The Palpable Invisibility of Life (Tran T. Kim-Trang, 2006, 14m)
Lush: A Far from Home Movie (Phil King, 2024, 35m)
"untitled video" (Sujin Lee, 2002, 5m)
Antoine/Milena (Sharon Lockhart, 2015, 5m)
MOSQUITO: The Movie (LYZZA/Enantios Dromos, 2022, 9m)
Nonstop (Zac Manuel/Marta Rodriguez Maleck, 2021, 12m)
Aquí (Carlos Mario, 2020, 10m)
Heron 1954–2002 (Alexis McCrimmon, 2022, 4m)
Exhibitionist—Purpose Maker Mix (Jeff Mills, 2004, 45m)
Prisoner’s Cinema (Beatrice Santiago Muñez, 2013, 31m)
my favorite software is being here (Alison Nguyen, 2021, 20m)
We Were Lost in Our Country (Tuan Andrew Nguyen, 2019, 38m)
Hyperfate (Christelle Oyiri, 2022, 14m)
Three Songs Without Z. (Karthik Pandian/Andros Zins-Browne, 2022, 36m)
Odds and Ends (Michelle Parkerson, 1993, 28m)
Cal State Long Beach, CA, January 2020 (Kelly Reichardt, 2021, 10m)
Bronx, New York, November 2019 (Kelly Reichardt, 2021, 9m)
Convergences and Re-Encounters (Lina Rodriguez, 2008, 6m)
Einschnitte (Lina Rodriguez, 2010, 3m)
Protocol (Lina Rodriguez, 2011, 1m)
Cinépistolaire: Episode 2 (Lina Rodriguez, 2022, 42m)
Remembrance of József Romvári (Sophy Romvari, 2020, 8m)
Fox Film (Isabella Rossellini, 2020, 3m)
Darwin, What? What? (Isabella Rossellini/Paul Magid, 2020, 8m)
...After He Left (Athi-Patra Ruga, 2008, 11m)
Public Service Announcement (Athi-Patra Ruga, 2014, 19m)
Strangers (Rajee Samarasinghe, 2022, 11m)
La Llorona (Stephanie Saint Sanchez, 2003, 9m)
L'escale (Paul Shemisi/Nizar Saleh/Rob Jacobs/Anne Reijniers, 2022, 14m)
Launch (Leah Shore, 2021, 3m)
The Foundation (P. Staff, 2015, 29m)
For the Time Being (Deborah Stratman, 2021, 7m)
Pak Bueng on Fire (Supachai Surongsain, 1987, 25m)
Pivot (Tarona, 2020, 12m)
Exterior Turbulence (Sofia Theodore-Pierce, 2023, 11m)
Queenie (Cai Thomas, 2020, 19m)
My Mother Resents Me (Victoria Linares Villegas, 2019, 7m)
The Face of AIDS (Matt Wolf, 2016, 11m)
Promised Lands (Emma Wolukau-Wanambwa, 2018, 20m)
a still place (Christopher Makoto Yogi, 2020, 66m)

In addition, there are several segments extracted from anthology films, where the enclosing film has an IMDb page but not the segment:

First Day Out (Josephine Decker segment from "Collective: Unconscious," 2016, 10m)
En passant (Atom Egoyan segment from "Montréal Vu Par...," 1991, 19m)
Artaud Double Bill (Atom Egoyan segment from "To Each His Own Cinema," 2007, 3m)
India (Mira Nair segment from "11'09"01 - September 11," 2002, 12m)
How Can It Be? (Mira Nair segment from "8," 2008, 10m)
The Rose of Manila (Alex Westfall segment from "Who Will Start Another Fire," 2021, 12m)
Beemus, It'll End in Tears (Lauren Wolkstein segment from "Collective: Unconscious," 2016, 12m)

The films are essentially alphabetized by director, though there are a few glitches due to the Criterion site's own quirks. Like with the ordering of multiple director credits for a single film.

The Criterion Channel (part 1)