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Armoreska's avatar

Armoreska

0:07 - 0:10
José Val del Omar presents:

0:10 - 0:17
A brief audiovisual essay of lyrical plastic art.
0:17 - 0:20
A cinematic DEMONSTRATlON
0:20 - 0:25
of the Spanish DlAPHONlC sound, registered in 1 944.
0:25 - 0:30
MATHEMATlCS OF GOD -
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''THE ONE WHO GlVES THE MOST...
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...HAS THE MOST.''
0:41 - 0:45
WATER-MlRROR OF GRANADA
1:21 - 1:22
Blind.
1:24 - 1:26
How blind!
1:33 - 1:39
But how blind are the creatures who lean on this earth.
1:49 - 1:52
They dance without knowing why
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and they can't find any other reasons
2:21 - 2:24
than the most obvious ones.
2:34 - 2:37
From two bodies l come,
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to two bloods l go.
2:44 - 2:46
l am not.
2:53 - 2:54
My God!
2:55 - 2:58
But how blind are the creatures
2:58 - 3:05
if their understanding cannot even reach the shadows of their bodies.
4:39 - 4:46
Granada is the eternal border between night and morning.
4:47 - 4:51
The place where the water meets the stone,
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the earth in flower in Ana Zaida.
5:21 - 5:27
Christian voices of bronze drowning in the Alhambra.
6:00 - 6:02
Through the patio of waters,
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the shouts of time cheered up the water.
6:40 - 6:47
From the fountains of Granada, the reason with the day escapes.
6:57 - 6:59
And with the moon,
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the blood boils,
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the sap shrieks.
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Flowers don't have any of the value
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that your arms have.
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Love,
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love, love...
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l obey, obey, obey
8:40 - 8:45
''Wingless birds lost in the grass'',
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listen to Federico of the earth.
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Bells ringing for the blaze,
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leave heaven without a breeze,
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a ceiling of white fish
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made it into a pond.
10:09 - 10:10
Always,
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always we sink,
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a reasonable voice says.
10:18 - 10:22
ln the palace of water
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a prayer resonates.
12:04 - 12:08
Flowers the sun embroiders,
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and its overflowing joy reaches the depths of the ravine.
12:14 - 12:15
He yearns to kiss
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the well-sowed marvel that there it remained.
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The school where they teach
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without waiting for the moon, and in bright daylight,
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how to escape the gypsies
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of the wide open eyes...
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''The one who gives the most, has the most.''
13:00 - 13:03
The mathematics of God.
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The one who gives the most, has the most.
13:11 - 13:15
The one who gives the most, has the most.
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Has the most.
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ln the air,
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palpitations of joy, of heaven and earth.
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Mystery. Full mystery.
14:20 - 14:24
We live in full mystery. Mystery, full mystery.
14:25 - 14:30
We live in full mystery. Mystery, full mystery.
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Mystery is that the milk could flow in abundance.
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Mystery is that the sun could give rise the grass.
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Mystery is that the water could rise.
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Maliciousness and stars, let the water rise.
15:24 - 15:26
Let it dance!
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Let it be alone.
16:55 - 16:57
Here it is suspended.
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Suspended.
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Suspended.
17:11 - 17:13
Standing still.
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Standing still.
17:30 - 17:33
Prisoner in the sanctum of its culture.
17:48 - 17:51
Watermirror of life:
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Rise.
17:53 - 17:55
Rise and rise...
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Rise.
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Rise.
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And rise,
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till the fall,
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fall...
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return.
19:34 - 19:40
How blind are the creatures who lean on the earth!
19:40 - 19:42
God! God!
20:02 - 20:04
Love!
20:05 - 20:09
How blind, while you...
20:10 - 20:12
are so open.
20:47 - 20:50
WlTHOUT END
10 years 6 months ago
Caner_Gnc's avatar

Caner_Gnc

Here it is with English subs: https://www.youtube.com/watch?v=yPQf9hB-PSI
2 years 3 months ago
Emiam's avatar

Emiam

Working link as of 2019 05 04:
https://vimeo.com/243559117

7/10
Classic Spanish short film, a brief audiovisual essay of lyrical plastic art. Actually not boring, rather exciting, beautiful photo. "Diabolic" in its presenting.
4 years 11 months ago
monty's avatar

monty

Stunning!
12 years 1 month ago
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