Very refreshing to see a female protagonist kicking all kinds of butt without the obvious use of wirework in a big budget Hollywood production. Theron packs a real punch and is absolutely badass!
Atomic Blonde plays as the last story of the Cold War, in the days leading up to the fall of the Berlin Wall, with a magnetic Charleze Theron in the lead role as a cold and ruthless MI-6 agent and potentially unreliable narrator due to the film's structure built around her debriefing. The film successfully recreates the character's and the era's paranoia, as well as her attention to detail (perfect set design will do that), with brutal kinetic action that why at times extreme, still feels real because its choreography is so natural and improvised, and the characters are allowed to become tired. Above all, this is a stylistic triumph, the drained acid colors and wonderfully edited 80s synth pop soundtrack evoking not one but two Berlins. And while the story is dark, it's not without fun. The style essentially smirks at the Cold War tropes and makes them fresher as a result, and the film really does know it's part of a tradition, or else it wouldn't drop Casablanca references the way it does.
Wow. After seeing sequels till I started to get si k of seeing new films, finally we get a Bond movie with a great Oscar winning actor in the lead, but this time it's a lady. Can't wait to add this to my collection.
Movie looks great, Theron is stunning. Great visuals, nice cast and soundtrack.......but found the movie all looks and no subtance. Great car chase but overall movie was rather boring actually and final twist is very strange
I was really enjoying it... until the final ten minutes, with all those needless kinda nonsensical twists, and that final scene to rub salt in the wound. Bloody Americans.
Nice environment creation and nice atmosphere throughout the movie till the end. I wonder when those gifted filmmakers stop masturbating at those movie endings!
La scena del combattimento su più piani è tutta in piano sequenza. Anche l'inseguimento successivo è un piano sequenza senza soluzione di continuità con la precedente scena, ma è evidente l'ausilio del computer. Comunque apprezzo molto queste tecniche di ripresa. Bravi.
Non c'è un scena in cui non si fumino sigarette e l'uso massiccio della musica "contemporanea" è quasi seccante.
"You know those movies where the picture just starts to slow down… and melt?
Then catch fire?
Well… that's Berlin."
What was the overall feeling after watching "Atomic Blonde"? For me it was a mixture of confusion and excitement at the same time. Confusion because of the complex story with a multitude of twists and spy related mumbo jumbo. To be honest, I always have that with this kind of movies. So you can assume that I'm not a big fan of espionage movies. Not even James Bond movies. Even though these story lines are rather straightforward and simplistic in my eyes. "Atomic Blonde" on the other hand is in a different league. At a certain point I didn't know anymore what was going on and what role the main characters played. I even forgot the main goal. The only things I still could re-imagine in the end, were the fierce action scenes and the appetizing looking curves of Charlize Terron. Should all female spies in a movie use the same wardrobe as Terron did here, I instantly would become a fervent fan of this genre. There's nothing so exciting as a blonde shrew, wearing sensual knee-length boots and sexy suspenders, who gives her male opponents a solid kick in their glockenspiel.
Guess what. I was more excited about the soundtrack used here. Perhaps this was disruptive to some but personally I thought this was pleasant addition. Well, maybe it's because I'm a hard-core fan of music from the 80's. And I'm not talking about boys-bands or disco music, but the underground and alternative kind of music. Unfortunately, they had to choose the most annoying song from the entire Neue Deutsche Welle repertoire. During that period I often wished for Nena to disappear with her 99 air balloons beyond the horizon. It would have been way better to include "Stunde des Glücks" from Fehlfarben or "Schlachtet!" From Grauzone. But besides this weak moment, I was pleasantly surprised to hear "Cities in dust" from Siouxsie & the Banshees, "Cat People" by David Bowie and "I ran" from A flock or seagulls. In terms of mood, this musical framework certainly made for a positive feeling. In retrospect, I'll remember this playlist more than the movie itself.
It's all about an ultra-secret list (hidden in a wristwatch) with names of spies who are actively working in the Soviet Union doing … uh … I suppose spy-work. The entire film is situated in dark Berlin of the 80's, where the ultimate symbol of the cold war still stands. The Berlin wall. It's in the shadow of this gray decor where this spy movie takes place. In this post-war city, Lorraine Broughton (Charlize Theron) tries to get the list back together with colleague spy David Percival (James McAvoy), who has his own agenda apparently. The fact there are other sharks in this spy-pond who are interested in getting that list, is something Lorraine experiences real soon. The entire story is displayed in flashback mode. The whole story is being told by Lorraine during a debriefing in the presence of Eric Gray (Toby Jones), some superior at MI6, and Emmett Kurzfeld (John Goodman) from the C.I.A. What follows are some bad-ass action sequences that'll thrill you. Unfortunately, these impressive, action-filled scenes are no guarantee to make it a memorable movie .
Perhaps it was the intention to make a female "John Wick" spin-off. But unlike the latter, where action scenes followed each other in a breathtaking pace, this movie only contains three (sublime choreographed) violent and action-packed scenes. First the German Polizei notices that the color of their green uniforms is replaced by the color of emerging bruises and dripping blood. And as icing on the cake you'll be presented with a damn elongated scene where KGB agents are being banged up pretty bad. Next you'll see an intense car chase across Berlin. And then you'll get a plot twist involving double agents and counterespionage shizzle. And that's where I suddenly lost the thread. To be honest, that's it in a nutshell. Even the lesbian it's-supposed-to-be-a-hot scene wasn't interesting enough to get me ecstatic. In my view, this was added just so the presence of Delphine Lasalle (Sofia Boutella) seemed functional again.
In terms of acting, it was quite all right, although Charlize Theron impressed me more as Furiosa in "Mad Max: Fury Road". James McAvoy was sublime. But then again, I thought he was more convincing as the guy with a split personality in "Split". Eddie Marsan, John Goodman and Toby Jones complete the rest of the cast and showed once again their acting skills. But despite the brilliant acting, the violent and furious action, the atmospheric images and a soundtrack which made me feel young again, I thought the story-line was incoherent, quite inconsistent and superfluous. You can't call it the counterpart of "John Wick". And for those who say this film is amazing because of the fact that it's an action movie with a female action heroine in it, I suggest to look up these movies and re-watch them : "Alien", "Terminator", "Salt" or "Kill Bill". You'll also see an action heroine with giant cajones, who's filleting the other sex (or species) without blinking an eye. But still, highly recommended.
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Comments 1 - 15 of 15
Chikatetsu
Very refreshing to see a female protagonist kicking all kinds of butt without the obvious use of wirework in a big budget Hollywood production. Theron packs a real punch and is absolutely badass!Siskoid
Atomic Blonde plays as the last story of the Cold War, in the days leading up to the fall of the Berlin Wall, with a magnetic Charleze Theron in the lead role as a cold and ruthless MI-6 agent and potentially unreliable narrator due to the film's structure built around her debriefing. The film successfully recreates the character's and the era's paranoia, as well as her attention to detail (perfect set design will do that), with brutal kinetic action that why at times extreme, still feels real because its choreography is so natural and improvised, and the characters are allowed to become tired. Above all, this is a stylistic triumph, the drained acid colors and wonderfully edited 80s synth pop soundtrack evoking not one but two Berlins. And while the story is dark, it's not without fun. The style essentially smirks at the Cold War tropes and makes them fresher as a result, and the film really does know it's part of a tradition, or else it wouldn't drop Casablanca references the way it does.aussieflickfan
Wow. After seeing sequels till I started to get si k of seeing new films, finally we get a Bond movie with a great Oscar winning actor in the lead, but this time it's a lady. Can't wait to add this to my collection.JT Chinaski
Some nice songs can’t save a crappy movie.Earring72
Movie looks great, Theron is stunning. Great visuals, nice cast and soundtrack.......but found the movie all looks and no subtance. Great car chase but overall movie was rather boring actually and final twist is very strangeschaffino
I love the soundtrack... It's a playlist itselfbadblokebob
I was really enjoying it... until the final ten minutes, with all those needless kinda nonsensical twists, and that final scene to rub salt in the wound. Bloody Americans.heat_
Nice environment creation and nice atmosphere throughout the movie till the end. I wonder when those gifted filmmakers stop masturbating at those movie endings!DaniloFreiles
La scena del combattimento su più piani è tutta in piano sequenza. Anche l'inseguimento successivo è un piano sequenza senza soluzione di continuità con la precedente scena, ma è evidente l'ausilio del computer. Comunque apprezzo molto queste tecniche di ripresa. Bravi.Non c'è un scena in cui non si fumino sigarette e l'uso massiccio della musica "contemporanea" è quasi seccante.
royalspikey77
I liked this a lot! Great action, fight scenes and very cool soundtrack.filmyjo
Very mediocre.ikkegoemikke
"You know those movies where the picture just starts to slow down… and melt?Then catch fire?
Well… that's Berlin."
What was the overall feeling after watching "Atomic Blonde"? For me it was a mixture of confusion and excitement at the same time. Confusion because of the complex story with a multitude of twists and spy related mumbo jumbo. To be honest, I always have that with this kind of movies. So you can assume that I'm not a big fan of espionage movies. Not even James Bond movies. Even though these story lines are rather straightforward and simplistic in my eyes. "Atomic Blonde" on the other hand is in a different league. At a certain point I didn't know anymore what was going on and what role the main characters played. I even forgot the main goal. The only things I still could re-imagine in the end, were the fierce action scenes and the appetizing looking curves of Charlize Terron. Should all female spies in a movie use the same wardrobe as Terron did here, I instantly would become a fervent fan of this genre. There's nothing so exciting as a blonde shrew, wearing sensual knee-length boots and sexy suspenders, who gives her male opponents a solid kick in their glockenspiel.
Guess what. I was more excited about the soundtrack used here. Perhaps this was disruptive to some but personally I thought this was pleasant addition. Well, maybe it's because I'm a hard-core fan of music from the 80's. And I'm not talking about boys-bands or disco music, but the underground and alternative kind of music. Unfortunately, they had to choose the most annoying song from the entire Neue Deutsche Welle repertoire. During that period I often wished for Nena to disappear with her 99 air balloons beyond the horizon. It would have been way better to include "Stunde des Glücks" from Fehlfarben or "Schlachtet!" From Grauzone. But besides this weak moment, I was pleasantly surprised to hear "Cities in dust" from Siouxsie & the Banshees, "Cat People" by David Bowie and "I ran" from A flock or seagulls. In terms of mood, this musical framework certainly made for a positive feeling. In retrospect, I'll remember this playlist more than the movie itself.
It's all about an ultra-secret list (hidden in a wristwatch) with names of spies who are actively working in the Soviet Union doing … uh … I suppose spy-work. The entire film is situated in dark Berlin of the 80's, where the ultimate symbol of the cold war still stands. The Berlin wall. It's in the shadow of this gray decor where this spy movie takes place. In this post-war city, Lorraine Broughton (Charlize Theron) tries to get the list back together with colleague spy David Percival (James McAvoy), who has his own agenda apparently. The fact there are other sharks in this spy-pond who are interested in getting that list, is something Lorraine experiences real soon. The entire story is displayed in flashback mode. The whole story is being told by Lorraine during a debriefing in the presence of Eric Gray (Toby Jones), some superior at MI6, and Emmett Kurzfeld (John Goodman) from the C.I.A. What follows are some bad-ass action sequences that'll thrill you. Unfortunately, these impressive, action-filled scenes are no guarantee to make it a memorable movie .
Perhaps it was the intention to make a female "John Wick" spin-off. But unlike the latter, where action scenes followed each other in a breathtaking pace, this movie only contains three (sublime choreographed) violent and action-packed scenes. First the German Polizei notices that the color of their green uniforms is replaced by the color of emerging bruises and dripping blood. And as icing on the cake you'll be presented with a damn elongated scene where KGB agents are being banged up pretty bad. Next you'll see an intense car chase across Berlin. And then you'll get a plot twist involving double agents and counterespionage shizzle. And that's where I suddenly lost the thread. To be honest, that's it in a nutshell. Even the lesbian it's-supposed-to-be-a-hot scene wasn't interesting enough to get me ecstatic. In my view, this was added just so the presence of Delphine Lasalle (Sofia Boutella) seemed functional again.
In terms of acting, it was quite all right, although Charlize Theron impressed me more as Furiosa in "Mad Max: Fury Road". James McAvoy was sublime. But then again, I thought he was more convincing as the guy with a split personality in "Split". Eddie Marsan, John Goodman and Toby Jones complete the rest of the cast and showed once again their acting skills. But despite the brilliant acting, the violent and furious action, the atmospheric images and a soundtrack which made me feel young again, I thought the story-line was incoherent, quite inconsistent and superfluous. You can't call it the counterpart of "John Wick". And for those who say this film is amazing because of the fact that it's an action movie with a female action heroine in it, I suggest to look up these movies and re-watch them : "Alien", "Terminator", "Salt" or "Kill Bill". You'll also see an action heroine with giant cajones, who's filleting the other sex (or species) without blinking an eye. But still, highly recommended.
More reviews here
Sammael
Kicks the ever-loving shit out of John Wick. Brilliant action movie.bionysos
Acting was good but am I the only one who found the Soundtrack weak and the graphic Design horrible?Adamov10
unintresting peice of shit, tries to be art. The most predictable soundtrack ever. hated it