Erosu purasu gyakusatsu (1969)
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Yoshishige Yoshida - "The fundamental theme is: how to change the world, and what is it that needs to be changed? Reflecting on the present situation through the medium of an era already past, I came to believe that Osugi’s problems continue to be ours. Osugi is very well known in Japan – one could say almost legendary: he is someone who spoke of free love. He was assassinated in 1923 by an official of the state, massacred by the power of the state. This is what all Japanese historians believe; but this historical estimation only enlightens the past, and not the future. In making this film, I wanted to transform the legend of Osugi by means of the imaginary. Sure enough, Osugi was oppressed by the power of the state in his political activities. But most of all, he spoke of free love, which has the power to destroy the monogamous structure, then the family, and finally the state. And it was this very escalation that the state could not allow. It was because of this crime of the imaginary (or “imaginary crime”) that the state massacred Osugi. Osugi was someone who envisioned a future."
too much eros, not enough massacre.
Has anyone else noticed that this suddenly jumped from ~300 votes to more than 1,000 (leading to its inclusion in the 1960s list)?
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In 3 official lists
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This movie ranks #33 in ICM Forum's 500<400
This movie ranks #140 in Tom Vick's Asian Cinema: A Field Guide
This movie ranks #421 in Doubling the Canon