Pssst, want to check out Le passé in our new look?
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Right now, as I’m writing this, there is a little boy running around on the floor above me. I think he is playing baseball and I think he has hit for a cycle. Part of me wants to go up there and knock on the door which will ultimately start a fight with the parents. Part of me just wants to deal with it because I’m going to ruin the fun that kid is having. I’m ultimately choosing to let the kid have his fun. It’s a small action that could have avoided some serious stress in that kids life by seeing his parents argue with a much younger snobby asshole like myself. I mention this little tidbit of information because kids today have it rough. I’m not talking about the kids who are given X-Boxes because they asked for one of the ones whose parents pay for their college tuition that they will ultimately lose because they got drunk every day and failed out of their classes. What I’m talking about are the kid who grow up in broken homes…the kids who have to bear(this word usage seems funny but I looked it up. It’s correct) witness to their parents fighting and splitting up. Parents usually think about the kids, but they usually just think of where to store them like they’re boxes of hats that won’t fit in the closet. “The Past” explores these stresses of living in a stressful home but also explores the stress and guilt of being an adult and deciding to have/leave relationships. It ended up being a fantastic film which is now to be expected from a present day master of drama like Asghar Farhadi.
When I saw “A Separation” two years ago, I immediately ordered the blu ray. I haven’t given it a second viewing yet, but I am meaning to considering how much I loved the tension in that film. “The Past” is a lot of like “A Separation” in terms of theme. Both deal heavily with the relationship/ships of a married couple and the effect it has on the surrounding parties, usually the kids. The area in which the two differ is in the amazing portrayals of the characters by the cast. Both movies, which seem alike, couldn’t be more different when you look at the performances in each film. I’m not saying one film is better than the other but rather saying that both films have unique and unforgettable characters. It’s the driving force of the films besides the dramatic and very bleak subject matter.
First off, I didn’t even recognize Bérénice Bejo until I saw her name at the end. This might have to do with her hair being long instead of short like it was in “The Artist” but it just caught me by surprise. It also took me some time to realize that Tahar Rahim was starring in the role as it has been some time since I saw the crime masterpiece that is “A Prophet”. This just happened to give me a slight edge in being completely surprised and impressed with the acting. Bejo plays Marie, a mother of two who has recently began seeing Samir, quietly played by Rahim. Samir is still married but his wife has been in a coma for eight months. If that wasn’t scandalous enough, Marie’s “es husband” Ahmad, played by Ali Mosaffa, is in town to sign the final divorce papers and Marie has invited him to stay at their home. Doesn’t that just sound like the worst fucking episode of “General Hospital” ever? Honestly, the details of the film pushed me away for a while. It came off a little to soap opera for me but when I saw the reviews and of course who directed it, I couldn’t resist any longer. My roommate even mentioned, after reading the disc sleeve, that he hoped I enjoyed my soap opera for the next two hours. Luckily for me, the film was much more than that.
Dealing with a complex plot, the film took it’s time with letting everything play out. I’m glad they did this otherwise it would have lost many of its viewers. In doing so however, the film dragged. I’ve been a self proclaimed lover of slow burns but there were two instances in the film where I had to pause and stretch my legs. The film though, never let my attention slip. I was certainly embedded in the story that was unfolding. I cared about the characters and the choices they made. It was just a long haul. This is really the only “negative” aspect of the film and honestly it isn’t really a negative.
The film deals heavily with the theme of suffering and guilt. Everybody is going through serious shit in this film. The kids are miserable at times due to the fact that they see stress filled screaming matches and passive aggressive smoking sessions in the same hour. The oldest daughter can’t stand being at home because of teh situation, which only makes her mother angrier, making the situation worse. Ahmad comes into the picture to sign the divorce and becomes sort of middle man between the daughter and mother, mopping up what has been spilled all over the floor. Farhadi uses symbolism outstandingly in the film as there is literally at one point, a can of paint spilled all over the floor which Ahmad steps in to clean up, even though he really has no reason to considering it isn’t his house. Another scene has Ahmad fixing a sink pipe for no reason other than to fix it. I love little direction details like that. It’s the first sign of a well written film. Farhadi also implements a character that is literally never on screen (except for one brief second), which is Samir’s wife who is in a coma. In essence, she is the most important character in the film considering all of the fighting and sadness revolves around her situation. It’s a clever way to construct a story around when we never see the reason why all these fights are happening. We get to see the drama from different points of view, but never from the point of view of the subject. “The Descendants” did a similar thing which is what made the ending of that film so powerful, even though I believe “The Past” has an even better ending.
Overall the film was a heavy experience on what it is like trying to live in the present when you haven’t cleaned up your past yet. Decisions that are made carry through until they are resolved. In one point in the film Samir tells Marie that “When two people see each other after 4 years and still fight together, it shows that there is something unsolved between them.” It’s a wonderful line that beautifully describes many of the themes that are going on during the duration of the film. The ending of the film just goes to show that even if two people are the furthest away that they can be, their past can be the only thing that brings them back together. It was one of the most touching and poetic endings I’ve seen in a long time. I actually went back and watched it four times because of how beautiful it is. It was a cherry on top of an excellent film by Asghar Farhadi as he continues to sit on his throne as the master of family drama.
Great natural-feeling movie - no frills drama. A film that commands much respect.
Great drama. Like the previous movie from this director it involves a tragic plot than gets sadder and more convulsed as the movie goes along. Berenice Bejo is incredibly good-looking and she should be in way more movies. It probably shouldn't be listed as a mystery.
to see which of your friends have seen this movie!