Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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1995 Film Awards
Favs/dislikes: 0:0. -
1995 Top 10 Movies
Favs/dislikes: 0:0. -
1996
Favs/dislikes: 0:0. -
1996 Film Awards
Favs/dislikes: 0:0. -
1996 Top 10 Movies
Favs/dislikes: 0:0. -
1997 Film Awards
Favs/dislikes: 0:0. -
1997 Top 10 Movies
Favs/dislikes: 0:0. -
1997s IMDb's top 250
Favs/dislikes: 1:0. -
1998 Film Awards
Favs/dislikes: 0:0. -
1998 Top 10 Movies
Favs/dislikes: 0:0. -
1999 Film Awards
Favs/dislikes: 0:0. -
1999 Top 10 Movies
Favs/dislikes: 0:0. -
19èmes Rencontres des Cinémas d'Europe, Aubenas (2017)
Favs/dislikes: 0:0. Manque : 68, MON PERE ET LES CLOUS de Samuel Bigiaoui > Précédé de LE SAINT DES VOYOUS de Maÿlis Audouze > FRANCE > Invité >En partenariat avec Ardèche Image (Premières œuvres) LA FIANCEE DE L’ISHAM d’Oleg Frelikh > OUZBEKISTAN LE SERMENT d’Aleksandr Usol’tsev-Garf > OUZBEKISTAN LE VENT DANS LES ROSEAUX de Arnaud Demuyink > FRANCE WALLACE ET GROMIT : CŒUR A MODELER de Nick Park > GRANDE-BRETAGNE -
19th Academy Awards (1947)
Favs/dislikes: 2:0. -
1>500<400 Nominees
Favs/dislikes: 7:0. -
1SO's < 400 Checks
Favs/dislikes: 1:0. -
1SO's Essentials
Favs/dislikes: 4:0. Favourites list from [url]https://www.icheckmovies.com/profiles/1so/[/url] -
1st Academy Awards (1929)
Favs/dislikes: 1:0. -
1st Golden Globe Awards (1944)
Favs/dislikes: 0:0. -
2
Favs/dislikes: 0:0. -
2
Favs/dislikes: 0:0. -
2 heures de perdues
Favs/dislikes: 0:0. Films traités dans le podcast "2 Heures de Perdues" -
2 x 50 Years of French Cinema
Favs/dislikes: 4:0. List of movies that was mentioned in BFI documentary project about french cinema -
20 Aliens
Favs/dislikes: 0:0. -
20 Amazing Slow-Paced Movies You Shouldn’t Miss
Favs/dislikes: 5:0. Some of the best, and most obvious, advice to give anyone trying to get into cinema is to just be patient, and pay attention at all times. It is axiomatic for sure, but this advice is even more prevalent when considering slow, meandering cinema. It can be tempting to wander off and lose focus, but remaining diligent is what is going to provide the best understanding and enjoyment of the content over anything else. The history of slow cinema runs the gauntlet of auteur legends such as Carl Theodor Dreyer, Ingmar Bergman, Chantal Akerman, Yasujiro Ozu, and Michelangelo Antonioni. Since the infamous boos and jeers directed towards the groundbreaking L’Avventura at Cannes, slow film has always seemed to have an uphill struggle to find a proper home. Now many filmmakers are applauded for such “relentless” pacing. In fact, from an academic and historical point-of-view, slow film is entirely antithetical to classical style filmmaking. Old (and new) films are dominated by successive cutting, varying of shots/angles, and utilizing the Kuleshov effect to its fullest for easier plotting. Usually classic Hollywood films did this so the editor could cover up any mistakes or discrepancies. Now it seems as if newer, mainstream films are vying for audience attention with as much visual stimuli as possible. However, many slow films like to have the mise-en-scène at such a minimum to where it seems as if nothing is happening. Some directors have a preference for keeping the camera at a long or medium-long shot to maintain verisimilitude, letting the scene play out in sequence. There are many fantastic slow films, but these 20 films are emblematic of what the style/technique has to offer.
Showing items 4251 – 4275 of 23420