Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

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  1. Paste's 100 Best French Films of All Time's icon

    Paste's 100 Best French Films of All Time

    Favs/dislikes: 7:0. French language cinema covers vast swathes of history, geography and genre. The best French movies aren’t simply the product of a French person working strictly with a French team, they represent film as entelechy—a century of directors rooting around within the source code of this particular form of storytelling, pushing it into realms equally transcendent and horrifying. For its own sake. Because it is right to do so. If there is anything unifying the films in the following list—besides the French language—it might be that there exists a current of fundamental innovation throughout the many years surveyed. Auteurist visions care of Belgium, Greece, Poland, Denmark, Taiwan, Spain, Italy, the Netherlands and Senegal course through and inform the prelapsarian innards of French cinema, transforming the country into a hub for international film. This is foundational stuff. With the following we’re trying to provide a primer on French language film from an English-speaking perspective, exploring the schools of thought and exotic taxonomies that have defined what French filmmaking has been since George Méliès first set a moon cackling like a creep in 1902, and what it can be, skin-flaying, cannibalistic Grand Guignol nightmares and all. The Nouvelle Vague—both those of the Left Bank (Agnès Varda, her husband Jacques Demy, Alain Resnais and Chris Marker) and the Cahiers du cinéma crew (Jean-Luc Godard, François Truffaut and Claude Chabrol)—the erotic French thriller, the mind-bending (and bowel-emptying) horror of the New French Extremity, the colorful musical, the social farce, the sprawling crime film, the experimental vérité, the personal and unflinching documentaries: Even as so many films on this list have irrevocably altered our ideas of what filmmaking can mean, what it can do, so do they exist on the fringes, at the limits, willing to test the boundaries of taste, logic and (in the case of Chantal Akerman) time in order to question and then pull apart the systems and expectations that stagnate art and oppress artists.
  2. Paste's 100 Best Superhero Movies of All Time's icon

    Paste's 100 Best Superhero Movies of All Time

    Favs/dislikes: 7:2. Published in January 2017 (updated June 2023) Two things quickly become evident when putting together a list of the 100 Best Superhero Movies of All Time. First, this is the Golden Age for such films, a decade where technology, long-unrequited fandom and surging popular awareness have all combined to thrill moviegoers and make Hollywood billions of dollars. Second, it’s still fair to say that most superhero films are not that good. There’s no real contradiction at play here. The niche just lacks the pedigree of its fellow movie genres. Though superhero comic books may have started to make a dint in popular culture 75 years ago (give or take), technology only crossed over from hindrance to enabling force in the last 20 years or so. As a result, while curating a 100 Best Westerns of All Time or 100 Best Documentaries of All Time list requires the exclusion of arguably good films to select the best 100—for superhero movies? The pickings get slim after 40. In fact, the real challenge for this list was choosing amongst the dreck (some of it beloved dreck!) that would fill out the bottom half. It turns out it’s much easier to argue for or against a top 10 film’s exact placement (and frankly, compelling arguments could be made for almost any of our top 5 as deserving the #1 position), than weighing the relative “merits” of Masters of the Universe, Swamp Thing and Elektra. This also means the bottom half of this list will change swiftly compared to, say, The Best B-Movies of All Time. In fact, it’s a safe assumption if there are 15 superhero movies in the next three years, at least 14 of them will knock numbers 86-99 off this list. (Our #100 is a bit of a wild card.) Finally, some criteria. To be considered for this list, a film must possess at least two of the following three qualities: 1) It must involve costumed shenanigans, 2) It must involve a superpowered protagonist and/or 3) the protagonist must exist in a world where the supernatural/extraordinary is demonstrably present. These criteria are why meta-commentary films like Kick-Ass and Super are not on this list. And it’s also why some films with pulpy characters like Zorro, Tarzan and Conan are not, while others like The Phantom are. (Zane’s costume combined with the Skulls of Touganda do the trick.) Admittedly, the lines gets blurry. Also absent from this list is any consideration of foreign superhero films. That’s not because some are not worthy—especially given the movie quality issue mentioned at the top—it’s just an area we’d rather get better versed in before pouring into this list. Next year, perhaps. The three Matrix films were counted as a single entry in the source list.
  3. Pilkipedia's Top 100 Films's icon

    Pilkipedia's Top 100 Films

    Favs/dislikes: 3:1.
  4. Rolling Stone's 100 Maverick Movies in the Last 100 Years's icon

    Rolling Stone's 100 Maverick Movies in the Last 100 Years

    Favs/dislikes: 16:0. "Rolling Stone Magazine (in its 1999 end of the year Millenium issue) and film critic Peter Travers offered picks for the best (or essential) movies of the last 100 years that were made by mavericks who 'busted rules to follow their obsessions...in the defiant spirit of rock & roll.' "
  5. Russian Guild of Film Critics's Best Russian Films's icon

    Russian Guild of Film Critics's Best Russian Films

    Favs/dislikes: 59:4. This list is a combination of two lists: the best Russian films of [url=http://www.theauteurs.com/topics/5639]1908 to 1957[/url] and [url=http://www.theauteurs.com/topics/5642]1958 to 2000[/url]. There immediately was a grave discussion on [what films should be considered Russian and what not. The resulting list has been chosen by the Russian Guild of Film Critics.
  6. São Paulo International Film Festival Winners's icon

    São Paulo International Film Festival Winners

    Favs/dislikes: 5:0. All Awards except Special ones
  7. See2023's icon

    See2023

    Favs/dislikes: 0:0.
  8. Sky Movies' Top 100 Westerns's icon

    Sky Movies' Top 100 Westerns

    Favs/dislikes: 2:0.
  9. So You Think You Know Movies?'s icon

    So You Think You Know Movies?

    Favs/dislikes: 2:1.
  10. The 100 Greatest Films From France (Belgium and Netherlands) - Dennis Grunes's icon

    The 100 Greatest Films From France (Belgium and Netherlands) - Dennis Grunes

    Favs/dislikes: 2:0. The 100 Greatest films from France by the great and underrated film critic, Dennis Grunes; July 2009. Below you will find what I consider to be a a given moment on a given day the one hundred best films from France, Belgium, Netherlands, Switzerland. Each film is given a 295-300-word entry. The first 15, a stab at my most favorites of these films, are given in order of preference ; the remaining 85, in chronological order—and in alphabetical order where there are multiple titles for a given year. There are certain omissions. Obviously, films I haven’t seen or have forgotten seeing cannot be included. Also, films in Africa, such as those by Jean Rouch, as well as Jean-Louis Bertucelli’s Ramparts of Clay, have already been included in a previous list of mine, The 100 Greatest Films from Africa, Latin America and the Caribbean, and are not included again here, for no other reason than to give other films a chance. You should also be forewarned that nothing or no filmmaker has been included for purely historical interest or importance. Cinéaste Olivier Stockman has reasonably suggested that Georges Méliès ought to be represented because, in addition to his “personality and vitality,” “his work created a vital link between the live show and the concept of cinema going as a legitimate form of entertainment/art.” Alas, the few films of Méliès that I have seen do not strike my fancy—although the one a bit of which is shown in Heddy Honigmann’s Forever (2006), a film included in this list, absolutely amazes me, and I describe it in my entry on Honigmann’s film. So, in a way, Méliès is included in the list below. In any case, 100 is a hard number, and various inclusions and omissions are bound to disappoint. (Why is there nothing by Jacques Becker, Henri-Georges Clouzot or Albert Lamorisse?) However, I have done my best, and it is possible that a film possessing multiple nationalities is included in one of the other lists. Jon Jost’s Oui non (2002) posed a different problem, though. Officially, it is a film from Italy but was shot in Paris with everyone speaking French.
  11. The 21st Century's 100 greatest films's icon

    The 21st Century's 100 greatest films

    Favs/dislikes: 19:0. We, the editors of BBC Culture, decided to commission a poll of critics to determine the 100 greatest films of the 21st Century. Last year, we asked critics to name the greatest American films of all time, and we were surprised that only six films made since 2000 made the top 100. Is there a feeling that time sanctifies a classic? Perhaps. But this time, we wanted to prove that this century has given us films that will stand the test of time, that you will continue to think about and argue about if only you give them a chance and watch them. For our poll to determine the 100 greatest American films, we surveyed 62 film critics from around the world. This time, we received responses from 177 – from every continent except Antarctica. Some are newspaper or magazine reviewers, others write primarily for websites; academics and cinema curators are well-represented too. For the purposes of this poll we have decided that a list of the greatest films of the 21st Century should include the year 2000, even though we recognise that there was no ‘Year Zero’ and that 2001 is mathematically the start of the century. Not only did we all celebrate the turn of the millennium on 31 December 1999, but the year 2000 was a landmark in global cinema, and, in particular, saw the emergence of new classics from Asia like nothing we had ever seen before. We believe that the new classics on this list are destined to become old classics. Whether or not that happens is ultimately up to you, the moviegoers. But one thing is certain: cinema isn’t dying, it’s evolving.
  12. The Bad Movie Bible's icon

    The Bad Movie Bible

    Favs/dislikes: 8:0. Based on the book by Rob Hill, it seeks to catalog the best of the worst films of all time. It's comprised of four sections: #1 - #25: Action #26 - #51: Sci-Fi/Fantasy #52 - #76: Horror #77 - #102: The Rest
  13. The BBC’s 100 Greatest Films of the 21st Century's icon

    The BBC’s 100 Greatest Films of the 21st Century

    Favs/dislikes: 11:0. In August 2016, the BBC commissioned an ample poll among 177 film critics from around the world to determine the 100 greatest films of the 21st Century so far. The results of that poll are a compelling blend of the best that the cinema of the past decade and a half has to offer.
  14. The best 100 films of the 21st century, according to 177 film critics around the world's icon

    The best 100 films of the 21st century, according to 177 film critics around the world

    Favs/dislikes: 4:0. BBC Culture surveyed film critics, academics, and curators from 36 countries across every continent (except Antarctica) to compile an international list of the top 100 films released since the year 2000.
  15. The Faculty of Horror's icon

    The Faculty of Horror

    Favs/dislikes: 1:0. Films discussed in episodes of the Faculty of Horror podcast.
  16. The Greatest Movies Ever (Kinn & Piazza)'s icon

    The Greatest Movies Ever (Kinn & Piazza)

    Favs/dislikes: 0:0.
  17. The Movies I've Seen in 2014's icon

    The Movies I've Seen in 2014

    Favs/dislikes: 0:4.
  18. The New York Times Essential Library: Children’s Movies's icon

    The New York Times Essential Library: Children’s Movies

    Favs/dislikes: 19:1. The New York Times Essential Library selected their 100 best children's movies in this 2003 publication, authored by Peter Nichols.
  19. The Telegraph's The 100 Best Films's icon

    The Telegraph's The 100 Best Films

    Favs/dislikes: 23:0. "You'll laugh, you'll cry and you may angrily demand to know why we've snubbed Meg Ryan in our highly subjective, yet infinitely debatable list of the greatest films of all time" Following order: # 1-10 Top 10 Documentary # 11-20 Top 10 World Cinema # 21-31 Top 10 Drama # 32-41 Top 10 Thriller/Action # 42-51 Top 10 Comedy # 52-62 Top 10 Horror # 63-72 Top 10 Kids # 73-82 Top 10 Musicals # 83-92 Top 10 Romance # 93-102 Top 10 Animation
  20. The Times' Top 100 Films of All Time's icon

    The Times' Top 100 Films of All Time

    Favs/dislikes: 25:0. "The point of The Times Top 100 Films of All Time is to stimulate argument, and sharpen your...why you think they deserve a place in the The Times Top 100 Films of All Time."
  21. The Top Tens Of 2010's icon

    The Top Tens Of 2010

    Favs/dislikes: 0:0.
  22. Time Out's Readers' Top 100's icon

    Time Out's Readers' Top 100

    Favs/dislikes: 12:0. Time Out's Readers' Top One Hundred was compiled in 1998 from readers who submitted their all-time Top Ten film lists.
  23. Time Out's The 100 Best British Films's icon

    Time Out's The 100 Best British Films

    Favs/dislikes: 210:2. Other than location and accent, what signatures mark British cinema? Honestly, it’s hard to peg, if only because the UK movies industry hardly seems limited in the stories it tells and the cinematic experiences it puts onscreen. Want a sweeping, heart-swelling epic? Explore the films of David Lean or Powell and Pressburger. Prefer a smaller scale, more intimate drama? Try Joanna Hogg or Shane Meadows. Thrillers? Romantic period pieces? Sci-fi? Drug movies? You can find them, all with a specific, if sometimes intangible, English slant. To put together this list of the best British movies of all-time, we polled over 150 actors, directors, writers, producers, critics and industry heavyweights, from the likes of Wes Anderson, Mike Leigh, Ken Loach, Sam Mendes and Terence Davies, David Morrissey, Sally Hawkins and Thandie Newton. The results are as diverse as the country itself. Here are the 100 greatest British films ever made. Written by Dave Calhoun, Tom Huddleston, David Jenkins, Derek Adams, Geoff Andrew, Adam Lee Davies, Paul Fairclough, Wally Hammond, Alim Kheraj, Matthew Singer & Phil de Semlyen Last Updated: April 14, 2022 [url=https://www.timeout.com/london/film/100-best-british-films]Source[/url]
  24. Time Out's The 100 Best Hong Kong Movies's icon

    Time Out's The 100 Best Hong Kong Movies

    Favs/dislikes: 3:0. From Bruce Lee kung-fu flicks to Wong Kar-wai’s tales of romance Written by Time Out Hong Kong Saturday 12 March 2022 Hong Kong was once the Hollywood of the East. At its peak, around the early 90s, the local movie industry was the first in the world – in terms of per capita production and the second-largest exporter of films – second only to the US. The influence of Hong Kong cinema can be seen far and wide. Bruce Lee remains a global icon and his martial arts movies are classics. The groundbreaking action of The Matrix would never have come about if not for John Woo films and the action choreography of Yuen Woo-ping. Quentin Tarantino ripped off Ringo Lam’s City on Fire for his debut, 1992’s Reservoir Dogs. Moonlight owes much to the style of Wong Kar-wai films and the auteur was an influence acknowledged by Sofia Coppola when she collected the Oscar for Best Original Screenplay for Lost in Translation. So with such a massive cultural legacy, what are the best Hong Kong movies of all time? We present to you this definitive ranking of the best films made in Hong Kong dating as far back as the 1930s. #19 (A Chinese Odyssey) & #71 (The Blue and the Black) both have two films in each entry.
  25. Time Out's The 101 Best Action Movies Ever Made's icon

    Time Out's The 101 Best Action Movies Ever Made

    Favs/dislikes: 39:0. "They get a bad rap from snobs, but don’t mess with action movies—they’re pumped up, loaded with ammo and in your face like Arnold Schwarzenegger on a bad day. Truth be told, no one can live solely on Woody Allen movies or animation alone. We need explosions periodically. Big ones. Preferably accompanied by catchphrases and squealing electric guitars. With crucial contributions from Hong Kong and France, the genre has a global richness that sneaks up on you like a swarthy henchman with a knife clenched between his teeth. And when we arrived at action’s ’80s movies heyday, when Hollywood stars ruled the roost, our research was euphoric. We’ve polled over 50 experts in the field, from essential directors like Die Hard’s John McTiernan to the actual folks in the line of fire, such as Machete himself, Danny Trejo. Critics and experts have weighed in, too." The list has 102 titles because Kill Bill was counted as one entry. List was last updated August 14 2020 Modnote about list order: When Timeout changed the web formatting of the list from its previous pagination the ordering of each group of 10 got reversed. The list here is in it's original correct ordering. [url=https://www.timeout.com/film/the-101-best-action-movies-ever-made]Source[/url]
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