Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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Herbert Marshall Filmography
Favs/dislikes: 2:0. Herbert Marshall had trained to become a certified accountant, but his interest turned to the stage. He lost a leg while serving in World War I, he was rehabilitated with a wooden leg. This did not stop him from making good his decision to make the stage as his vocation. He used a very deliberate square-shouldered and guided walk - largely unnoticeable - to cover up his disability. He spent 20 years in distinguished stage work in London before films. He almost made the transition from stage directly to sound movies except for one silent film, Mumsie (1927), produced in Great Britain. His wonderful mellow, baritone British accent rolled out with a minimum of mouth movement and a nonchalant ease that stood out as unique. His rather blasé demeanor could take on various nuances - without overt emotion - to fit any role he played, whether sophisticated comedy or drama - and the accent fit just as well. He filled the range from romantic lead, with several sympathetic strangers thrown in, to dignified military officer to doctor to various degrees of villainy - his unemotional delivery meshing with the cold, impassive criminal character. He was almost 40 when he appeared in his first picture in Hollywood, The Letter (1929), a worthwhile comparison (but for the primitive sound recording) with the more famous second version (The Letter (1940)) with Bette Davis. Marshall is the murder victim in 1929 and the betrayed husband in 1940. He was heavily in demand in the 1930s, sometimes in five or six pictures a year. Perhaps his best suave comedic role was in Trouble in Paradise (1932), the first non-musical sound comedy by producer/director Ernst Lubitsch - to some, Lubitsch's greatest film. That same year, Marshall did one of his most warmly human, romantic roles in the marvelously erotic Blonde Venus (1932), with the captivating Marlene Dietrich. Through the 40s, his roles were of a more character variety but substantial. He was deviously subtle as the pre-World War II peace leader actually working against peace for a veiled foreign power (Germany) in Foreign Correspondent (1940). The film was one of Alfred Hitchcock 's earliest Hollywood films and, definitely, an under-rated adventure/thriller. Who could forget Marshall's small but standout performance as "Scott Chavez", who at the beginning of Duel in the Sun (1946) - with typical Marshall nonchalance - calmly shoots his cantina entertainer/Indian wife for her cheating ways? By the 50s, Marshall was doing fewer movies, but still a variety. His voice was perfect to lend credence to some early sci-fi classics like Riders to the Stars (1954) and Gog (1954) and the The Fly (1958). But he was also busy honing his considerable talent with various early-TV playhouse programs. He also fit comfortably into episodic TV including a rare five-episode run as a priest on 77 Sunset Strip (1958). All told, Herbert Marshall graced nearly 100 movie and TV roles with an aplomb that remains a rich legacy. -
Heroes Episodes
Favs/dislikes: 2:0. A list of all Heroes episodes. The tv series started in 2006 and was discontinued in 2010. Notes • The 'Unaired Premiere Episode' listed on IMDb is not included on this list. • The season 4 premiere is listed on IMDb (and therefore this list) as two seperate episodes ('Orientation' and 'Jump, Push, Fall'). -
Het boek 1001 films
Favs/dislikes: 2:0. -
Hidden Biographic Gems
Favs/dislikes: 2:0. Biographies are not my favorite genre but there are some gems out there! -
Hidden Drama Gems
Favs/dislikes: 2:0. Sub-great films that are worth a watch -
Hidden Family Gems
Favs/dislikes: 2:0. -
Hidden Horror Gems
Favs/dislikes: 2:0. -
Hidden Intoxicating Gems
Favs/dislikes: 2:0. If you like the 60's and 70's anti-drug PSAs sprinkled throughout this list, you'll appreciate the parody ad [url=https://www.youtube.com/watch?v=8C-YWFkuoZY]The Blunt Truth[/url]. I wish more commercials were on IMDB, because then these (surprisingly non-parody) commercials could be included in the list: [list] [*][url=https://www.youtube.com/watch?v=ifW9LIGabQM]I Learned it from Watching You![/url] [*][url=https://www.youtube.com/watch?v=fordPXp06h4]I'm Always Chasing Rainbows[/url] [*]The catchy [url=https://www.youtube.com/watch?v=MN46Foe-DHA]Users are Losers[/url] song from [url=https://www.youtube.com/watch?v=JmlvY5Z_HZk]McGruff the Crime Dog[/url] [*][url=https://www.youtube.com/watch?v=giGkt5oAhT0]When I Grow Up[/url] [*]The National Clearinghouse for Drug Abuse Information's "Why Do You Think They Call It Dope?" campaign from the 70's: the [url=https://www.youtube.com/watch?v=ai3RvxSoCdk]original[/url], and the more well-known [url=https://www.youtube.com/watch?v=E9_33Y_hlsI]playground magician[/url] follow-up [*]The Partnership for a Drug-Free America's "This is Your Brain On Drugs" campaign: the [url=https://www.youtube.com/watch?v=GOnENVylxPI]1987 original[/url], the [url=https://www.youtube.com/watch?v=dAHoxaphbEs]1997 Rachael Leigh Cook edgelord version[/url], and the [url=https://www.youtube.com/watch?v=AKXN6Vdr3g0]subversive 2017 Rachael Leigh Cook anti-drug-war version[/url] [/list] -
Hidden Musical Gems
Favs/dislikes: 2:0. -
Hidden Relationship Gems
Favs/dislikes: 2:0. -
High On Films' 50 Best Japanese Films of the 21st Century
Favs/dislikes: 2:0. It is a general idea that the Japanese cinema’s downfall started in the 1980s, and the 90s economic stagnation knocked the film industry down until its revival through J-horror (in the late 1990s). But since cinema history is often written from a Western perspective, we need to deeply examine such one-dimensional outlook directed against any home-grown national cinema. It’s true that the spread of television reduced the number of theater-going audience in Japan in the 1970s and 1980s. At the same time, the Hollywood movies garnered more popularity than the Japanese ones. Moreover, the biggest Japanese film studios like Shochiku, Toho and Nikkatsu were in deep financial trouble from the start of 1970s and they hardly made the kind of films that found an international audience. Finally, we should take in the fact that around the 1980s & 1990s, Mainland Chinese, Hong Kong and Taiwanese cinema became the face of Asian cinema in the European and American markets. But it doesn’t mean there was dearth of new talents in the post-new wave generation Japanese cinema. From Kazhuhiko Hasegawa’s The Man Who Stole the Sun (1979), Kohei Oguri’s Muddy River (1981), Yoshimitsu Morita’s The Family Game (1983) to Juzo Itami’s The Funeral (1984) & Tampopo (1985), and Mitsuo Yanagimachi’s Fire Festival (1985), we are gradually discovering the gems of Japanese cinema from this era. One of the great Japanese auteurs, Nobuhiko Obayashi made some of his best works in the 1980s. And who can forget the rise of anime and the domination of Studio Ghibli in the 1980s & 1990s? Then there was Takeshi Kitano, Shinya Tsukamoto, Kiyoshi Kurosawa, Hirokazu Koreeda, Naomi Kawase, and so on. Even the veteran Japanese filmmakers like Nagisa Oshima, Shohei Imamura, Kaneto Shindo, Masahiro Shinoda, Seijun Suzuki, and Koji Wakamatsu were making movies in the 80s, 90s, and some even in the 2000s. The point is that – despite the limited output of the massive Japanese film industry in the decades following the 1960s or the alleged lack of creative flourish – Japanese cinema always continues to be one of the greatest cinemas around the globe. The masters of 21st century Japanese cinema are also engaged in the process of comforting the disturbed and disturbing the comforted. Maybe, our myopic tendencies might have kept some of the gems of modern Japanese cinema hidden. It’s akin to what the Nigerian author Adichie says about ‘the danger of a single story’. A phrase she uses in her TED speech to emphasize how false perceptions and overly simplistic beliefs can restrict our ideas about a person or a group or a country. In that way, movie lists are efficient to overcome the simplistic notions about a national cinema. A movie list, of course is strictly subjective, and hence it’s not definitive even though the title makes it sounds like that. In fact, making a movie list is not an act of educating movie-lovers. But it’s an act of learning and sharing. So join us in this process and let’s look at some of the best films of Japanese cinema from the ongoing 21st century: -
Highest Rated Animation TV Series With At Least 1000 Votes
Favs/dislikes: 2:0. IMDb list: http://imdb.to/1Iv5rRe -
Hipster Movies
Favs/dislikes: 2:0. Movies that hipsters will love! -
History of Russian Cinema in 50 Films
Favs/dislikes: 2:0. -
Hollywood: A Celebration of the American Silent Film
Favs/dislikes: 2:0. Movies referenced in the 1980 documentary "Hollywood", in order of appearance in the series. All specifically referenced film clips are included, but there are a number of movies shown, mostly briefly, without being named - anyone who recognizes any of the newsreel clips or segments from a montage, please let me know and I will add. I am not including movies from the series where only their posters or lobby cards are shown, or currently lost films. #1-#23: Episode 1 #24-#37: Episode 2 #38-#52: Episode 3 #53-#62: Episode 4 #63-#72: Episode 5 #73-#91: Episode 6 #92-#102: Episode 7 #103-#117: Episode 8 #118-#130: Episode 9 #131-#137: Episode 10 #138-#154: Episode 11 #155-#170: Episode 12 #171-#199: Episode 13 -
Hollywood.com’s Top 10 Movies of the Decade
Favs/dislikes: 2:0. Narrowing an entire decade’s worth of films into a single top ten list is no easy feat, but after a month of debate more contentious than a session of Korean parliament, our staff finally reached something of a consensus. The choices below reflect not just the divergent tastes of our editorial staff but also the remarkable variety of quality films released between 2000 and 2009, a decade in which independent films found mainstream success, comic book flicks earned critical acclaim and animated movies approached high art. Behold, the Top 10 Movies of the Decade! -
Honey's Anime's Top 10 Best Horror Anime Movies
Favs/dislikes: 2:0. "Horror in the arts and entertainment, has existed for as long as stories have been told. Sharing these scary tales attempts to draw out one’s worst fears, nightmares and terrors of the supernatural and the unknown. Elevated senses and searching for something or someone to hide behind, horror literature and films are a thrilling adventure that may sometimes leave an imprint for a few days after. Most importantly, these tales influence our imagination, questioning whether or not the elements may hold some truth. So in this article, the following titles hold a strong emphasis in the horror genre. Moreover, some of the choices are stand-alone original pieces, while a few have a foundation in manga and TV series. So without further ado, as we are gathered around the fire, here is our list of top 10 horror anime movies! Dare to be scared!" RANKED -
Hong Sang-soo Filmography
Favs/dislikes: 2:0. -
Hong-jin Na Filmography
Favs/dislikes: 2:0. Hong-jin Na's feature filmography. No shortfilms. -
Horror Likes
Favs/dislikes: 2:2. My favorites. -
Horror Movie List
Favs/dislikes: 2:2. -
Horror movies
Favs/dislikes: 2:0. In no particular order. -
Horror Movies I've Seen
Favs/dislikes: 2:10. Any horror movies that i've seen. from horrifying to hilarious, this list will have them all. -
Horror movies i`ve watched
Favs/dislikes: 2:2. -
Horror that gives you an story
Favs/dislikes: 2:0. In an genre full of splatter, low budget and cheap tricks, its hard to find an watchable story. These are my favorites.
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