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IMDb Top 250 (2013)
Favs/dislikes: 2:0. This is the IMDb Top 250 as of December 31st, midnight PST, 2013. Which ones have you seen? -
IMDb Top 250 (2014)
Favs/dislikes: 2:0. This is the IMDb Top 250 as of December 31st, midnight PST, 2014. Which ones have you seen? -
IMDb Top 250 (2015)
Favs/dislikes: 2:0. "This badge is awarded for rating the entire IMDb Top 250 as of December 31st, midnight PST, 2015." -
IMDb Top 250 (2016)
Favs/dislikes: 2:0. "This badge is awarded for rating the entire IMDb Top 250 as of December 31st, midnight PST, 2016." -
IMDb Top 250 (2017)
Favs/dislikes: 2:0. "This badge is awarded for rating the entire IMDb Top 250 as of December 31st, midnight PST, 2017." -
IMDb Top 250 (2018)
Favs/dislikes: 2:0. -
IMDb Top 250 TV (August 2018)
Favs/dislikes: 2:0. -
IMDb Top Rated Indian Movies
Favs/dislikes: 2:0. Top 250 Indian movies as rated by IMDb Users -
IMDB's Top 250 TV Shows (August 2015)
Favs/dislikes: 2:0. -
Imogen Poots Filmography
Favs/dislikes: 2:0. -
Improb's The 25 Best Anime Movies of All Time
Favs/dislikes: 2:0. Published in 2019. -
In Search of Darkness Part I
Favs/dislikes: 2:0. A list of all the movies mentioned in the horror documentary In Search of Darkness: A Journey Into Iconic '80s Horror. -
Incredibly Strange Films: Favorite Films Compiled by Jim Morton and Boyd Rice
Favs/dislikes: 2:0. From the book Incredibly Strange Films this selection of films represents some of the guest editor's favorite films. -
Independent Spirit Awards
Favs/dislikes: 2:0. The Independent Spirit Awards are presented by Film Independent, a non-profit organization dedicated to independent film and independent filmmakers. In 2007, the ceremony was slightly changed to Film Independent's Spirit Awards. Since 2006, winners have received a trophy depicting a bird sitting atop of a pole with the shoestrings from the previous design wrapped around the pole. -
Independent Spirit Awards: 2015 Nominees
Favs/dislikes: 2:0. Films nominated for the Independent Spirit Awards, February 21, 2015. Those with most nominations are at the top. -
Independent Spirit John Cassavetes Award
Favs/dislikes: 2:0. Since 2000, the Film Independent Spirit Awards has given an award to the creative team of a film budgeted at less than $500,000. In 2001, the Best Film Under $500,000 award was renamed the John Cassavetes Award, after the American independent film pioneer. Film Independent, a nonprofit arts organization whose Members include filmmakers, film industry leaders and film lovers, is responsible for the Film Independent Spirit Awards, dedicated to awarding independent filmmakers since 1984. Anyone can join Film Independent. Anyone passionate about the art of film can become a Member and vote for the winners of the Spirit Awards. The annual John Cassavetes Award winner, however, selected by the Spirit Awards nominating committee(s). -
Indian submissions for the Academy Award for Best Foreign Language Film
Favs/dislikes: 2:0. -
Indiewire 2012 year-end critics poll best film
Favs/dislikes: 2:0. Indiewire's top 50 of the year. as voted by 204 critics -
IndieWire’s 35 Disturbing Foreign Films to Watch
Favs/dislikes: 2:0. World cinema has given us plenty of auteurs hell-bent on creating the most disturbing experience possible, from Pier Paolo Pasolini to Catherine Breillat, Gaspar Noe, and Takashi Miike. Below, IndieWire highlights a selection of foreign-language films likely to keep you up at night terrified, or thinking, or both. Leave it to any country except the U.S. to render the worst possible horrors, psychological, physical, and otherwise, onscreen in unflinching detail. While some of these films listed below are, in fact, outright horror films, others take a more psychic or spiritual approach to peeling back on society’s, and humankind’s, worst tendencies — or while querying war, faith, or sexuality. While many of the directors highlighted here made a personal brand out of pushing the limits of extreme storytelling, consider the below just a selection (or starter kit, if you will) to prime you for further viewing. -
IndieWire's Best Animated Films of the 21st Century
Favs/dislikes: 2:0. [quote=IndieWire]Pixar and Studio Ghibli tend to spring to mind first when discussing great animation, but there’s a world beyond those two giants. Animated films have grown ever more artful and affecting as more and more folks realize that it’s never just been a medium for kids, with studios and indies alike creating stop-motion marvels, hand-drawn standouts, and CGI spectacles. The genre has grown so much since we entered the current century, in fact, that it can be easy to forget the Academy Awards didn’t even recognize animation until 2001. As few as three movies were nominated per year until 2010, but since then animation’s increased prominence has been reflected in the race’s competitiveness. Not every worthy movie could make the cut on either the awards circuit or this list, sadly, but rest assured that “How to Train Your Dragon,” “The Secret of Kells,” “The Breadwinner,” and “Loving Vincent,” to name just a few, are very honorable mentions. IndieWire first launched a shorter version of this list in November 2017. Given the extraordinary number of great animated films released since then and ongoing reappraisal of films previously released, now is the time for an update.[/quote] -
IndieWire's Our 15 Favorite Prison Breaks at the Movies
Favs/dislikes: 2:0. The Playlist Staff Oct 15, 2013 2:01 pm “You’ll like it, it’s about a prison break” says Andy Dufresne in “The Shawshank Redemption” about the book they’re shelving, Alexander Dumas’ “The Count of Monte Cristo.” “We oughta file that under ‘educational’ too, oughtn’t we?” quips Red in reply, and indeed, with the sheer number of prison escape books and movies that exist, you’d imagine that all a really dedicated inmate has to do is watch or read enough of them before they’d stumble across a plot that could be adapted for their own situation. (Note: The Playlist does not condone real-life attempts at fleeing prison unless you’re totally innocent, a prisoner of war or you have a really cool plan that involves disguises and dummies and stuff.) This week a movie in a similar vein is released and we highly doubt it will be accused of having any educational content whatsoever: “[url=https://www.icheckmovies.com/movies/escape+plan/]Escape Plan[/url].” Starring brawny side of aged beef Sylvester Stallone and tanned leather pommel horse Arnold Schwarzenegger, the film puts “the world’s foremost authority on structural security” (that’s a thing?) into the “world’s most top-secret escape-proof prison” (also a thing?) and has him team up with his cellmate to devise an exit strategy while also finding out who framed him and why. While this film (previously titled “The Tomb”) may look dumber than a bucket of hair, and has been strangely un-buzzy despite its starry cast (Jim Caviezel, 50 Cent, Vincent D’Onofrio, Vinnie Jones and Amy Ryan also appear), we’re fully prepared to accept that it’s could be a lot of fun in a brainless, unreconstructed way, mainly because as often-visited as the territory may be, we have kind of a weakness for prison break films, even when they’re ever so silly. Perhaps it’s something metaphorical about anti-authoritarianism and sticking it to the man or perhaps we’ve killed a bunch of people (watch those critical comments guys!) and realize it’s just a matter of time before we’re caught and incarcerated ourselves. Whatever the truth is here’s a jolly good sampler of 15 of our arbitrarily chosen favorite movie prison breaks, and what we might be able to learn from them. Be warned, though, since we’re talking about the success or failure of the schemes, here be *SPOILERS* throughout. There are a gazillion prison break films, of course, ranging from all-out comedies (“[url=https://www.icheckmovies.com/movies/the+parole+officer/]The Parole Officer[/url],” “[url=https://www.icheckmovies.com/movies/lucky+break/]Lucky Break[/url],” “[url=https://www.icheckmovies.com/movies/stir+crazy/]Stir Crazy[/url]” “[url=https://www.icheckmovies.com/movies/o+brother+where+art+thouquestion/]O Brother Where Art Thou?[/url]” among others) to gritty dramas (“[url=https://www.icheckmovies.com/movies/papillon/]Papillon[/url],” “[url=https://www.icheckmovies.com/movies/midnight+express/]Midnight Express[/url],” “[url=https://www.icheckmovies.com/movies/brute+force/]Brute Force[/url],” “[url=https://www.icheckmovies.com/movies/runaway+train/]Runaway Train[/url]” “[url=https://www.icheckmovies.com/movies/the+defiant+ones/]The Defiant Ones[/url],” “[url=https://www.icheckmovies.com/movies/lonely+are+the+brave/]Lonely are the Brave[/url]” to name just a few) and hitting all points in between. And no doubt you’ll have your favorites that we missed out so feel free to shout them out in the comments below especially if there’s one that you feel boasts a particularly ingenious and/or foolproof plan. You never know, right? Note: List does not appear to be ranked. See also: [url=https://www.icheckmovies.com/lists/indiewires+25+essential+prison+movies/fergenaprido/]IndieWire's 25 Essential Prison Movies[/url] -
Indiewire's The 25 Best Movies of 2023
Favs/dislikes: 2:0. BY DAVID EHRLICH, KATE ERBLAND. In hindsight, it shouldn’t be surprising that the cinema of 2023 was so preoccupied with the unknown, as the first proper year after the start of the pandemic was always going to find the movie industry plunging into a brave new world. Some of the most pressing questions we had at the start of January were answered with resounding force. Would the studios — some of which had fatally diluted their brands with streaming options in a desperate bid to appease the stock market — find that once-reliable franchises had lust their luster? Yes. Would audiences — so eager for a different breed of “event film” that they had already started to redefine the term themselves — actually follow through on the “Barbenheimer” meme that first spread across social media in late 2022? Yes. Would titans like Martin Scorsese, Christopher Nolan, and Wes Anderson make good on the breathless chatter that surrounded their latest projects and predictably inspire some of the most illuminating and demented takes in the history of human opinion along the way? Absolutely. On the other hand, some of the year’s most pressing questions were harder to see coming in advance, although several of those have also been resolved as well to one degree or another. Would the strikes ever end? Good news! Would documentaries start to feel depressingly irrelevant in the face of a streaming ecosystem that’s made it all but impossible to market anything besides celebrity profiles and concert films? Kind of! (Festival highlights like “Milisuthando” are still awaiting distribution, while other major efforts like “Kokomo City,” “Four Daughters,” and the fittingly titled “A Still Small Voice” have struggled to be heard amid the ever-loudening din of movie discourse). Did David Zaslav learn a valuable lesson from the whole “Batgirl” disaster last summer? Not so much! And yet it was how the films themselves confronted the unknown that proved most notable about the year in cinema, as several of 2023’s defining movies found their characters and creators looking beyond the limits of their lived experience — or, in the case of “The Zone of Interest” and its timeless moral compartmentalizations, resisting the urge to do so at any cost. This, more than the happy coincidences of their shared release date, is what bonded “Barbie” and “Oppenheimer” together; where one film saw heartfelt wonder, the other discovered unholy dread. That fascination with the unknown is the connective tissue between the mysteries of “Asteroid City” and “The Boy and the Heron,” between the real or imagined multi-verses of “Spider-Man” and “Past Lives,” and between Scorsese’s defeated humility at the end of “The Killers of the Flower Moon” and the barrister’s grinning arrogance throughout the courtroom scenes in “Anatomy of a Fall.” This was a year in which many of the most resonant movies tried to capture the past in hopelessly cracked vessels and/or embraced total disorder in a bid to reconcile the tensions of the present. Sure, there was comfort food par excellance courtesy of Frederick Wiseman and Tran Anh Hung, but even their films served as tasty reminders that great cinema always takes us just a little further into the future — or into ourselves — than we can dare to imagine without it. Here are IndieWire’s picks for the 25 best movies of 2023. This article includes contributions from Carlos Aguilar, Christian Blauvelt, Jude Dry, Sophie Monks Kaufman, and Ryan Lattanzio. -
IndieWire's The 50 Best Movie Musicals of All Time, Ranked
Favs/dislikes: 2:0. From “Swing Time" to "In the Heights" and everywhere in between, these films represent the height and the incredible range of the genre. By David Ehrlich, Christian Blauvelt, Kate Erbland Jun 13, 2021 11:00 am The musical often feels like a relic of a long-dead Hollywood studio system, but it remains a genre that captures movies’ ability to create story worlds that move freely between reality and fantasy. The worst examples come from filmmakers who give license to music, color, and movement run amok; the best musicals transcend artifice and integrate songs that become expressions of pure character emotion. It offers endless possibilities, but success demands a complete mastery of the medium. Very few current stars could learn the choreography of Busby Berkeley, Jerome Robbins, or Bob Fosse, and adapting a medium developed and most suited for the stage requires innovative direction. In translating the joy of a live musical to the magic of cinema, some things are easily lost in the shuffle From “Swing Time” to “In the Heights” and everywhere in between, here are 50 musicals that represent the height and the incredible range of the genre. Eric Kohn, Anne Thompson, Ryan Lattanzio, Jude Dry, Kristen Lopez, Jenna Marotta, Jamie Righetti, Michael Nordine, and Siddhant Adlakha contributed to this list. -
IndieWire's The 50 Greatest Romantic Comedies of All Time
Favs/dislikes: 2:0. There’s something uniquely cinematic about romantic comedies — something that makes them a natural fit for the movies, and vice-versa. There’s a special alchemy that allows us to believe in the magic of meet-cutes, happily ever afters, and all of the agonizing contrivances that tend to pop up between the two; that gives storytellers permission to transpose the stuff of operas and fables into the fabric of real life. On paper, a film like “Pretty Woman” might be a retrograde fairy tale about a hooker with a heart of gold and the rich businessman who can afford it, but the chemistry between Julia Roberts and Richard Gere is so explosive that you surrender to the sentiment of it all. It’s hard to imagine how the mismatched couple in “Something Wild” might possibly sustain a lasting relationship after the credits roll, but where that movie leaves you — and the journey it takes to get there — is so thrilling and alive that you can’t help but trust it. Literally nothing in “Love Actually” makes sense if you stop and think about it for even a few seconds, but love, actually, always seems to add up in the moment. Richard Curtis’ magnum opus was a British production (in case you couldn’t tell), but even some of its many storylines find something naggingly American about the aspirational nature of the rom-com genre. No other country is populated by such radically different strangers, nor so enriched by the unexpected collisions between them; from “Bringing Up Baby” to “Forgetting Sarah Marshall,” Hollywood has always been eager to sell the idea that we’re all just one chance encounter away from happiness. That might help to explain — if only in part — why the rom-com canon is as white and heteronormative as the history of the American film business, and why that canon is ripe for re-evaluation now that Hollywood doesn’t see the same value in the genre that it once did. Of course, the romantic comedy is also something of a universal language, and other film industries (Bollywood most of all) have been churning these stories out for local audiences faster than we can hope to keep up. Fingers crossed that we find a way to disentangle “foreign cinema” from the arthouse, because there are so many mainstream hits from around the world that never make it to American screens. In that light, IndieWire’s list of the 50 Best Romantic Comedies of All Time is more of a start than a final statement; it’s a living document that we’ll change up and add to as time goes by. One thing that will stay the same, however, is that rom-coms have a recognizable grammar all their own; meet-cutes, montages, banter, a weird preponderance of journalists, sex scenes that always indicate a dark turn at the end of the second act… these aren’t just love stories that happen to be funny, they’re a sacred art unto themselves. And these are 50 of the masterpieces that prove it. By David Ehrlich, Eric Kohn, Kate Erbland, Anne Thompson, Chris O'Falt, Zack Sharf, Jude Dry, Ryan Lattanzio, Tambay Obenson, Tom Brueggemann Feb 14, 2020 10:00 am -
IndieWire's The Best French Movies of the 21st Century
Favs/dislikes: 2:0. By Eric Kohn and David Ehrlich Jun 30, 2017 10:27 am Cinema was one of the truly international phenomenons of the last millennium, but France — more so than any other nation — has always been one of the medium’s most essential guiding lights. From the pioneer era of the Lumiere brothers, to the revolutionary New Wave that expanded our understanding of film’s potential, to the country’s recent defense of the theatrical experience, France has always pushed the movies forward while reminding us what we love about them in the first place. No country did more to help propel cinema into the 20th Century, and no country has done more to help sustain its integrity and its potential in the 21st. From sultry thrillers to mind-blowing 3D experiments and one of the most heartbreakingly honest love stories ever told, these are the 25 best French films of the 21st Century. Note: To qualify for our list, a film had to be predominately French-language and at least partially French-funded. With one exception, all of the films on this list are also set in France, as well.
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