Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

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  1. The International Antalya Golden Orange Film Festival's icon

    The International Antalya Golden Orange Film Festival

    Favs/dislikes: 18:0. The Antalya Golden Orange Film Festival (Turkish: Antalya Altın Portakal Film Festivali) is a film festival, held annually since 1963 in Antalya, is the most important national film festival in Turkey. http://www.altinportakal.org.tr/en/index.html Uluslararası Antalya Altın Portakal Film Festivali, 1964 yılından bu yana Antalya'da düzenlenen Türkiye'nin en önemli film festivallerinden biridir. http://www.altinportakal.org.tr/tr/index.html
  2. The A List - National Society of Film Critics' 100 Essential Films's icon

    The A List - National Society of Film Critics' 100 Essential Films

    Favs/dislikes: 7:0. This is the Amazon book description for "The A List", published in 2002: People love movies. People love lists. So The A-List is a natural. While there are plenty of encyclopedic lists of films, this compulsively readable book of 100 essays—most written expressly for this volume-flags the best of the best as chosen by a consensus of the National Society of Film Critics. The Society is a world-renowned, marquee—name organization embracing some of America's most distinguished critics: more than forty writers who have national followings as well as devoted local constituencies in such major cities as New York, Chicago, Los Angeles, Boston, Philadelphia, Atlanta, and Minneapolis. But make no mistake about it: This isn't a collection of esoteric "critic's choice" movies. The Society has made its selections based on a film's intrinsic merits, its role in the development of the motion-picture art, and its impact on culture and society. Some of the choices are controversial. So are some of the omissions. It will be a jumping-off point for discussions for years to come. And since the volume spans all international films from the very beginning, it will act as a balance to recent guides dominated by films of the last two decades (hardly film's golden age). Here is a book that is definitely ready for its close-up.
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