Charts: Lists
This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.
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Movies for Riot Grrrls
Favs/dislikes: 5:0. Movies that make my Riot Grrrl heart very happy. Some are not necessarily feminist nor punk but influenced me growing up. Don't love all of them, but I think they fit the list. Ongoing... -
Movies I've seen (best to worst)
Favs/dislikes: 0:0. All the films I have seen in my 23 years of living from the great (lord of the rings, eternal sunshine of the spotless mind) to the bizarre (Pink Flamingoes) to the god damn awful (soulplane, fatgirls, the starving game). -
Movies viewed [2013]
Favs/dislikes: 0:5. -
Movies Watched 2023
Favs/dislikes: 0:0. -
My 500<400
Favs/dislikes: 0:0. -
My fav
Favs/dislikes: 0:0. -
My favorite films of all time.
Favs/dislikes: 1:5. This is a list for my favorite films that I've seen. I will constantly add to it as I see more awesome films. -
NOTICINE's 100 Best Films of Ibero-American Cinema
Favs/dislikes: 22:0. The 100 best films of Ibero-American cinema according to a poll of over 500 filmmakers, critics, journalists, and members of the general republic conducted by noticine.com -
Obscure Favourites
Favs/dislikes: 3:0. -
Paste's 100 Best French Films of All Time
Favs/dislikes: 7:0. French language cinema covers vast swathes of history, geography and genre. The best French movies aren’t simply the product of a French person working strictly with a French team, they represent film as entelechy—a century of directors rooting around within the source code of this particular form of storytelling, pushing it into realms equally transcendent and horrifying. For its own sake. Because it is right to do so. If there is anything unifying the films in the following list—besides the French language—it might be that there exists a current of fundamental innovation throughout the many years surveyed. Auteurist visions care of Belgium, Greece, Poland, Denmark, Taiwan, Spain, Italy, the Netherlands and Senegal course through and inform the prelapsarian innards of French cinema, transforming the country into a hub for international film. This is foundational stuff. With the following we’re trying to provide a primer on French language film from an English-speaking perspective, exploring the schools of thought and exotic taxonomies that have defined what French filmmaking has been since George Méliès first set a moon cackling like a creep in 1902, and what it can be, skin-flaying, cannibalistic Grand Guignol nightmares and all. The Nouvelle Vague—both those of the Left Bank (Agnès Varda, her husband Jacques Demy, Alain Resnais and Chris Marker) and the Cahiers du cinéma crew (Jean-Luc Godard, François Truffaut and Claude Chabrol)—the erotic French thriller, the mind-bending (and bowel-emptying) horror of the New French Extremity, the colorful musical, the social farce, the sprawling crime film, the experimental vérité, the personal and unflinching documentaries: Even as so many films on this list have irrevocably altered our ideas of what filmmaking can mean, what it can do, so do they exist on the fringes, at the limits, willing to test the boundaries of taste, logic and (in the case of Chantal Akerman) time in order to question and then pull apart the systems and expectations that stagnate art and oppress artists. -
Paste's 100 Best Superhero Movies of All Time
Favs/dislikes: 7:2. Published in January 2017 (updated June 2023) Two things quickly become evident when putting together a list of the 100 Best Superhero Movies of All Time. First, this is the Golden Age for such films, a decade where technology, long-unrequited fandom and surging popular awareness have all combined to thrill moviegoers and make Hollywood billions of dollars. Second, it’s still fair to say that most superhero films are not that good. There’s no real contradiction at play here. The niche just lacks the pedigree of its fellow movie genres. Though superhero comic books may have started to make a dint in popular culture 75 years ago (give or take), technology only crossed over from hindrance to enabling force in the last 20 years or so. As a result, while curating a 100 Best Westerns of All Time or 100 Best Documentaries of All Time list requires the exclusion of arguably good films to select the best 100—for superhero movies? The pickings get slim after 40. In fact, the real challenge for this list was choosing amongst the dreck (some of it beloved dreck!) that would fill out the bottom half. It turns out it’s much easier to argue for or against a top 10 film’s exact placement (and frankly, compelling arguments could be made for almost any of our top 5 as deserving the #1 position), than weighing the relative “merits” of Masters of the Universe, Swamp Thing and Elektra. This also means the bottom half of this list will change swiftly compared to, say, The Best B-Movies of All Time. In fact, it’s a safe assumption if there are 15 superhero movies in the next three years, at least 14 of them will knock numbers 86-99 off this list. (Our #100 is a bit of a wild card.) Finally, some criteria. To be considered for this list, a film must possess at least two of the following three qualities: 1) It must involve costumed shenanigans, 2) It must involve a superpowered protagonist and/or 3) the protagonist must exist in a world where the supernatural/extraordinary is demonstrably present. These criteria are why meta-commentary films like Kick-Ass and Super are not on this list. And it’s also why some films with pulpy characters like Zorro, Tarzan and Conan are not, while others like The Phantom are. (Zane’s costume combined with the Skulls of Touganda do the trick.) Admittedly, the lines gets blurry. Also absent from this list is any consideration of foreign superhero films. That’s not because some are not worthy—especially given the movie quality issue mentioned at the top—it’s just an area we’d rather get better versed in before pouring into this list. Next year, perhaps. The three Matrix films were counted as a single entry in the source list. -
Pilkipedia's Top 100 Films
Favs/dislikes: 3:1. -
Rolling Stone's 100 Maverick Movies in the Last 100 Years
Favs/dislikes: 16:0. "Rolling Stone Magazine (in its 1999 end of the year Millenium issue) and film critic Peter Travers offered picks for the best (or essential) movies of the last 100 years that were made by mavericks who 'busted rules to follow their obsessions...in the defiant spirit of rock & roll.' " -
Russian Guild of Film Critics's Best Russian Films
Favs/dislikes: 59:4. This list is a combination of two lists: the best Russian films of [url=http://www.theauteurs.com/topics/5639]1908 to 1957[/url] and [url=http://www.theauteurs.com/topics/5642]1958 to 2000[/url]. There immediately was a grave discussion on [what films should be considered Russian and what not. The resulting list has been chosen by the Russian Guild of Film Critics. -
São Paulo International Film Festival Winners
Favs/dislikes: 5:0. All Awards except Special ones -
See2023
Favs/dislikes: 0:0. -
Sky Movies' Top 100 Westerns
Favs/dislikes: 2:0. -
So You Think You Know Movies?
Favs/dislikes: 2:1. -
The 100 Greatest Films From France (Belgium and Netherlands) - Dennis Grunes
Favs/dislikes: 2:0. The 100 Greatest films from France by the great and underrated film critic, Dennis Grunes; July 2009. Below you will find what I consider to be a a given moment on a given day the one hundred best films from France, Belgium, Netherlands, Switzerland. Each film is given a 295-300-word entry. The first 15, a stab at my most favorites of these films, are given in order of preference ; the remaining 85, in chronological order—and in alphabetical order where there are multiple titles for a given year. There are certain omissions. Obviously, films I haven’t seen or have forgotten seeing cannot be included. Also, films in Africa, such as those by Jean Rouch, as well as Jean-Louis Bertucelli’s Ramparts of Clay, have already been included in a previous list of mine, The 100 Greatest Films from Africa, Latin America and the Caribbean, and are not included again here, for no other reason than to give other films a chance. You should also be forewarned that nothing or no filmmaker has been included for purely historical interest or importance. Cinéaste Olivier Stockman has reasonably suggested that Georges Méliès ought to be represented because, in addition to his “personality and vitality,” “his work created a vital link between the live show and the concept of cinema going as a legitimate form of entertainment/art.” Alas, the few films of Méliès that I have seen do not strike my fancy—although the one a bit of which is shown in Heddy Honigmann’s Forever (2006), a film included in this list, absolutely amazes me, and I describe it in my entry on Honigmann’s film. So, in a way, Méliès is included in the list below. In any case, 100 is a hard number, and various inclusions and omissions are bound to disappoint. (Why is there nothing by Jacques Becker, Henri-Georges Clouzot or Albert Lamorisse?) However, I have done my best, and it is possible that a film possessing multiple nationalities is included in one of the other lists. Jon Jost’s Oui non (2002) posed a different problem, though. Officially, it is a film from Italy but was shot in Paris with everyone speaking French. -
The 21st Century's 100 greatest films
Favs/dislikes: 19:0. We, the editors of BBC Culture, decided to commission a poll of critics to determine the 100 greatest films of the 21st Century. Last year, we asked critics to name the greatest American films of all time, and we were surprised that only six films made since 2000 made the top 100. Is there a feeling that time sanctifies a classic? Perhaps. But this time, we wanted to prove that this century has given us films that will stand the test of time, that you will continue to think about and argue about if only you give them a chance and watch them. For our poll to determine the 100 greatest American films, we surveyed 62 film critics from around the world. This time, we received responses from 177 – from every continent except Antarctica. Some are newspaper or magazine reviewers, others write primarily for websites; academics and cinema curators are well-represented too. For the purposes of this poll we have decided that a list of the greatest films of the 21st Century should include the year 2000, even though we recognise that there was no ‘Year Zero’ and that 2001 is mathematically the start of the century. Not only did we all celebrate the turn of the millennium on 31 December 1999, but the year 2000 was a landmark in global cinema, and, in particular, saw the emergence of new classics from Asia like nothing we had ever seen before. We believe that the new classics on this list are destined to become old classics. Whether or not that happens is ultimately up to you, the moviegoers. But one thing is certain: cinema isn’t dying, it’s evolving. -
The Bad Movie Bible
Favs/dislikes: 8:0. Based on the book by Rob Hill, it seeks to catalog the best of the worst films of all time. It's comprised of four sections: #1 - #25: Action #26 - #51: Sci-Fi/Fantasy #52 - #76: Horror #77 - #102: The Rest -
The BBC’s 100 Greatest Films of the 21st Century
Favs/dislikes: 11:0. In August 2016, the BBC commissioned an ample poll among 177 film critics from around the world to determine the 100 greatest films of the 21st Century so far. The results of that poll are a compelling blend of the best that the cinema of the past decade and a half has to offer. -
The best 100 films of the 21st century, according to 177 film critics around the world
Favs/dislikes: 4:0. BBC Culture surveyed film critics, academics, and curators from 36 countries across every continent (except Antarctica) to compile an international list of the top 100 films released since the year 2000. -
The Faculty of Horror
Favs/dislikes: 1:0. Films discussed in episodes of the Faculty of Horror podcast. -
The Greatest Movies Ever (Kinn & Piazza)
Favs/dislikes: 0:0.
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