Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

  1. IndieWire's 100 Best Movies of the '90s's icon

    IndieWire's 100 Best Movies of the '90s

    Favs/dislikes: 0:0. The result is our humble attempt at curating the best of a decade that was bursting with new ideas, fresh energy, and too many damn fine films than any top 100 list could hope to contain.
  2. Indiewire's 15 Terrifying Foreign Horror Films on Netflix to Keep You Up at Night's icon

    Indiewire's 15 Terrifying Foreign Horror Films on Netflix to Keep You Up at Night

    Favs/dislikes: 1:0.
  3. IndieWire's 25 Essential Prison Movies's icon

    IndieWire's 25 Essential Prison Movies

    Favs/dislikes: 3:0. The Playlist Staff Jul 23, 2015 2:03 pm Kyle Patrick Alvarez‘s “[url=https://www.icheckmovies.com/movies/the+stanford+prison+experiment/]The Stanford Prison Experiment[/url],” now playing in limited release, took fourteen years to get made, and finally arrived at Sundance 2015 with a stellar ensemble including Billy Crudup, Ezra Miller, Olivia Thirlby, Tye Sheridan and Michael Angarano. Perhaps unsurprisingly, given the uncompromising nature of the film, the reception was divided (our own rave is here) but even those on the more negative end of the spectrum tended to use words like “compelling,” “vivid” and “effective” in their critiques. And those are adjectives that this film (which scooped the Screenwriting award for Tim Talbott) shares with the best in the wide and variegated genre of the prison movie. The microcosmic possibilities of life on the inside have been mined many times for dramas, comedies, spoofs and thrillers that, while set in penal institutions or situations that resemble them, actually comment on human psychology or on the society outside those walls. And we got to thinking about our own favorite prison movies through the ages. Here are 25 we’d consider a great primer in the genre. Honorable Mentions If you’ve seen all the above, you’re a) really into prison movies and b) probably hankering for more, so here’s another few titles we debated including (out of the many hundreds of films that qualify): [url=https://www.icheckmovies.com/movies/the+green+mile/]The Green Mile[/url], [url=https://www.icheckmovies.com/movies/cube/]The Cube[/url], [url=https://www.icheckmovies.com/movies/caged/]Caged[/url], [url=https://www.icheckmovies.com/movies/caged+heat/]Caged Heat[/url], [url=https://www.icheckmovies.com/movies/stir+crazy/]Stir Crazy[/url], [url=https://www.icheckmovies.com/movies/the+longest+yard-1974/]The Longest Yard[/url], [url=https://www.icheckmovies.com/movies/carandiru/]Carandiru[/url], [url=https://www.icheckmovies.com/movies/scum/]Scum[/url], [url=https://www.icheckmovies.com/movies/the+escapist/]The Escapist[/url], [url=https://www.icheckmovies.com/movies/victory/]Escape to Victory[/url], [url=https://www.icheckmovies.com/movies/the+rock/]The Rock[/url], [url=https://www.icheckmovies.com/movies/on+death+row/]Death Row[/url], [url=https://www.icheckmovies.com/movies/into+the+abyss-2011/]Into the Abyss[/url], [url=https://www.icheckmovies.com/movies/the+life+and+mind+of+mark+defriest/]The Life and Mind of Mark deFriest[/url], [url=https://www.icheckmovies.com/movies/tattooed+tears/]Tattooed Tears[/url] –Jessica Kiang, Erik McClanahan, Oliver Lyttelton, Rodrigo Perez [b]Notes[/b]: - List does not appear to be ranked. - I removed most of the HM text and just included the mentioned films. See also: [url=https://www.icheckmovies.com/lists/indiewires+our+15+favorite+prison+breaks+at+the+movies/fergenaprido/]IndieWire's Our 15 Favorite Prison Breaks at the Movies[/url]
  4. IndieWire’s 35 Disturbing Foreign Films to Watch's icon

    IndieWire’s 35 Disturbing Foreign Films to Watch

    Favs/dislikes: 2:0. World cinema has given us plenty of auteurs hell-bent on creating the most disturbing experience possible, from Pier Paolo Pasolini to Catherine Breillat, Gaspar Noe, and Takashi Miike. Below, IndieWire highlights a selection of foreign-language films likely to keep you up at night terrified, or thinking, or both. Leave it to any country except the U.S. to render the worst possible horrors, psychological, physical, and otherwise, onscreen in unflinching detail. While some of these films listed below are, in fact, outright horror films, others take a more psychic or spiritual approach to peeling back on society’s, and humankind’s, worst tendencies — or while querying war, faith, or sexuality. While many of the directors highlighted here made a personal brand out of pushing the limits of extreme storytelling, consider the below just a selection (or starter kit, if you will) to prime you for further viewing.
  5. IndieWire's 38 Must-See New Movies to See This Fall Season's icon

    IndieWire's 38 Must-See New Movies to See This Fall Season

    Favs/dislikes: 1:0. From select theatrical releases to VOD and virtual cinema offerings, this season promises to be different in many ways. One thing that hasn't changed: a wide selection of the best 2020 has to offer. By Kate Erbland, Eric Kohn, Anne Thompson, Zack Sharf, Christian Blauvelt, Ryan Lattanzio, Tambay Obenson, Bill Desowitz, Jude Dry, David Ehrlich, Chris O'Falt, Chris Lindahl Aug 18, 2020 10:00 am Much like this year’s truncated summer season, the 2020 fall movie-going season is going to look a bit different than it has in years past. While plenty of films have opted to set release dates in the thick of what has traditionally been the proving ground for the year’s biggest awards contenders, others are still holding back, or opting to pursue modified releases. Some films will be in theaters, while others are going for on demand releases or even virtual cinema bows. Many festivals, usually the first home of the films that will keep us talking for months to come, will be going virtual this year. Nevertheless, there are plenty of exciting movies coming out in the months ahead. These include the latest offerings from directors as far-reaching as Christopher Nolan, Charlie Kaufman, Chloe Zhao, Miranda July, Antonio Campos, Julie Taymor, and more. While the glut of blockbusters has slowed to a trickle, a big batch of festival darlings hoping to break into the mainstream are there to take their place. Of course, it remains to be seen just how this schedule will evolve in the coming weeks, but for now, there are dozens of films on their way that are worth looking forward to seeing, in whichever fashion they roll out. This list includes only films that have currently set a firm release date, though many of IndieWire’s most-anticipated 2020 films have yet to announce release plans, including Netflix heavy-hitters (“[url=https://www.icheckmovies.com/movies/ma+raineys+black+bottom/]Ma Rainey’s Black Bottom[/url],” “[url=https://www.icheckmovies.com/movies/the+midnight+sky/]The Midnight Sky[/url],” “[url=https://www.icheckmovies.com/movies/the+white+tiger/]The White Tiger[/url]”), films gearing up for festival runs (“[url=https://www.icheckmovies.com/movies/ammonite/]Ammonite[/url]”), projects that have already screened to acclaim (“[url=https://www.icheckmovies.com/movies/zola-2020/]Zola[/url]”), and others that are shrouded in mystery (like “[url=https://www.icheckmovies.com/movies/the+green+knight/]The Green Knight[/url]”), just to name a few. Of course, everything remains in flux, and as plans continue to change, this list will be updated. Whether that includes changing release dates, the method of a film’s release, or adding in some of those anticipated titles that have locked in an official date in 2020, this preview remains particularly fluid. For now, however, these are the films we are most excited to see in the coming months. Updated on November 5.
  6. IndieWire's Best Animated Films of the 21st Century's icon

    IndieWire's Best Animated Films of the 21st Century

    Favs/dislikes: 2:0. [quote=IndieWire]Pixar and Studio Ghibli tend to spring to mind first when discussing great animation, but there’s a world beyond those two giants. Animated films have grown ever more artful and affecting as more and more folks realize that it’s never just been a medium for kids, with studios and indies alike creating stop-motion marvels, hand-drawn standouts, and CGI spectacles. The genre has grown so much since we entered the current century, in fact, that it can be easy to forget the Academy Awards didn’t even recognize animation until 2001. As few as three movies were nominated per year until 2010, but since then animation’s increased prominence has been reflected in the race’s competitiveness. Not every worthy movie could make the cut on either the awards circuit or this list, sadly, but rest assured that “How to Train Your Dragon,” “The Secret of Kells,” “The Breadwinner,” and “Loving Vincent,” to name just a few, are very honorable mentions. IndieWire first launched a shorter version of this list in November 2017. Given the extraordinary number of great animated films released since then and ongoing reappraisal of films previously released, now is the time for an update.[/quote]
  7. Indiewire's Best Films of 2018's icon

    Indiewire's Best Films of 2018

    Favs/dislikes: 5:0. Every year, IndieWire asks film critics from all over the world to vote in our annual Critics Poll. IndieWire published the results in every category earlier this month and can now debut the full ranking of the top 50 best films of 2018, as chosen by the 232 film critics who participated in this year’s poll.
  8. IndieWire's Bong Joon Ho’s Favorite Movies: 30 Films the Director Wants You to See's icon

    IndieWire's Bong Joon Ho’s Favorite Movies: 30 Films the Director Wants You to See

    Favs/dislikes: 4:0. The "Parasite" filmmaker's favorite movies include works from some of the best American, Japanese, and South Korean directors who ever lived. Bong Joon Ho has long been one of South Korea’s best filmmakers thanks to acclaimed movies such as “Memories of Murder,” “Mother,” and “The Host,” but it wasn’t until 2019 that Bong become a worldwide cinema superstar to the general public. With “Parasite,” Bong vaulted himself into the topmost echelon of the world’s best directors working today. “Parasite” world premiered at the 2019 Cannes Film Festival, where it made history by becoming the first South Korean film to win the prestigious Palme d’Or. The months that followed brought Bong to nearly all of awards season’s biggest festivals (Telluride, Toronto, NYFF) and ceremonies (Golden Globes, SAG Awards, DGA Awards, Critic’s Choice, etc.). Bong’s incredible journey with “Parasite” culminated in six Oscar nominations, including Best Picture and Best Director. The drama is the first South Korean film to compete for Academy Awards in the Oscars’ 92-year history. With Bong now a household name across the world, it might be of interest to watch some of the films the South Korean auteur considers to be his personal favorites. Bong is a great director, but he’s also an avid cinephile who loves talking about films and raising awareness of some of the best Asian filmmakers who came before him, including Kim Ki-young, Shohei Imamura, and Keisuke Kinoshita. Below is a list of 30 films Bong Joon Ho loves. The films are presented in alphabetical order. Zack Sharf Feb 6, 2020 11:00 am
  9. Indiewire's International Gay Cinema: 25 LGBTQ Movies to See from Around the World's icon

    Indiewire's International Gay Cinema: 25 LGBTQ Movies to See from Around the World

    Favs/dislikes: 1:0. Ryan Lattanzio Feb 27, 2021 1:00 pm American movies and TV are making major strides in LGBTQ representation, but storytellers abroad are in many ways ahead of the curve, exploring sexuality and relationships with groundbreaking technique, and in ways often coded and ahead of their time. From Rainer Werner Fassbinder to Pier Paolo Pasolini, the fluidity of human sexuality has long fascinated international filmmakers unafraid to bust taboos. More recently, a director like Céline Sciamma constructed a bracing picture of an intimate female relationship with “Portrait of a Lady on Fire,” though looking back at her career, she’s long explored the nuances of female sexuality. From the 20th Century up until just this past year with Sweden’s Best International Feature Oscar submission “And Then We Danced,” below is a sampling of some of the best international LGBTQ cinema out there — including alternative entries from popular filmmakers you may have missed. Jude Dry contributed to this story.
  10. IndieWire's Our 15 Favorite Prison Breaks at the Movies's icon

    IndieWire's Our 15 Favorite Prison Breaks at the Movies

    Favs/dislikes: 2:0. The Playlist Staff Oct 15, 2013 2:01 pm “You’ll like it, it’s about a prison break” says Andy Dufresne in “The Shawshank Redemption” about the book they’re shelving, Alexander Dumas’ “The Count of Monte Cristo.” “We oughta file that under ‘educational’ too, oughtn’t we?” quips Red in reply, and indeed, with the sheer number of prison escape books and movies that exist, you’d imagine that all a really dedicated inmate has to do is watch or read enough of them before they’d stumble across a plot that could be adapted for their own situation. (Note: The Playlist does not condone real-life attempts at fleeing prison unless you’re totally innocent, a prisoner of war or you have a really cool plan that involves disguises and dummies and stuff.) This week a movie in a similar vein is released and we highly doubt it will be accused of having any educational content whatsoever: “[url=https://www.icheckmovies.com/movies/escape+plan/]Escape Plan[/url].” Starring brawny side of aged beef Sylvester Stallone and tanned leather pommel horse Arnold Schwarzenegger, the film puts “the world’s foremost authority on structural security” (that’s a thing?) into the “world’s most top-secret escape-proof prison” (also a thing?) and has him team up with his cellmate to devise an exit strategy while also finding out who framed him and why. While this film (previously titled “The Tomb”) may look dumber than a bucket of hair, and has been strangely un-buzzy despite its starry cast (Jim Caviezel, 50 Cent, Vincent D’Onofrio, Vinnie Jones and Amy Ryan also appear), we’re fully prepared to accept that it’s could be a lot of fun in a brainless, unreconstructed way, mainly because as often-visited as the territory may be, we have kind of a weakness for prison break films, even when they’re ever so silly. Perhaps it’s something metaphorical about anti-authoritarianism and sticking it to the man or perhaps we’ve killed a bunch of people (watch those critical comments guys!) and realize it’s just a matter of time before we’re caught and incarcerated ourselves. Whatever the truth is here’s a jolly good sampler of 15 of our arbitrarily chosen favorite movie prison breaks, and what we might be able to learn from them. Be warned, though, since we’re talking about the success or failure of the schemes, here be *SPOILERS* throughout. There are a gazillion prison break films, of course, ranging from all-out comedies (“[url=https://www.icheckmovies.com/movies/the+parole+officer/]The Parole Officer[/url],” “[url=https://www.icheckmovies.com/movies/lucky+break/]Lucky Break[/url],” “[url=https://www.icheckmovies.com/movies/stir+crazy/]Stir Crazy[/url]” “[url=https://www.icheckmovies.com/movies/o+brother+where+art+thouquestion/]O Brother Where Art Thou?[/url]” among others) to gritty dramas (“[url=https://www.icheckmovies.com/movies/papillon/]Papillon[/url],” “[url=https://www.icheckmovies.com/movies/midnight+express/]Midnight Express[/url],” “[url=https://www.icheckmovies.com/movies/brute+force/]Brute Force[/url],” “[url=https://www.icheckmovies.com/movies/runaway+train/]Runaway Train[/url]” “[url=https://www.icheckmovies.com/movies/the+defiant+ones/]The Defiant Ones[/url],” “[url=https://www.icheckmovies.com/movies/lonely+are+the+brave/]Lonely are the Brave[/url]” to name just a few) and hitting all points in between. And no doubt you’ll have your favorites that we missed out so feel free to shout them out in the comments below especially if there’s one that you feel boasts a particularly ingenious and/or foolproof plan. You never know, right? Note: List does not appear to be ranked. See also: [url=https://www.icheckmovies.com/lists/indiewires+25+essential+prison+movies/fergenaprido/]IndieWire's 25 Essential Prison Movies[/url]
  11. Indiewire's The 100 All-Time Greatest Films Directed by Women's icon

    Indiewire's The 100 All-Time Greatest Films Directed by Women

    Favs/dislikes: 54:0.
  12. Indiewire's The 100 best movies of the 2010s's icon

    Indiewire's The 100 best movies of the 2010s

    Favs/dislikes: 4:0. Top 100 movies of the 2010's as chosen by Indiewire's critics. At number 4 "The act of Killing" and "The look of silence" were put as one entry, so this list has 101 movies.
  13. IndieWire's The 100 Best Movies of the '90s's icon

    IndieWire's The 100 Best Movies of the '90s

    Favs/dislikes: 1:0.
  14. Indiewire's The 100 Greatest Horror Movies of All-Time's icon

    Indiewire's The 100 Greatest Horror Movies of All-Time

    Favs/dislikes: 6:0. From underseen Laird Cregar vehicles to a Russian chiller based on a Nikolai Gogol story, from J-Horror to the Mexican gem "Alucarda," these are the best horror movies the genre has to offer. By Christian Blauvelt, Kate Erbland, Eric Kohn, Anne Thompson, David Ehrlich, Jamie Righetti, Michael Nordine, Chris O'Falt, Tambay Obenson, Steve Greene originally published Oct 23, 2018
  15. Indiewire's The 25 Best Movies of 2023's icon

    Indiewire's The 25 Best Movies of 2023

    Favs/dislikes: 2:0. BY DAVID EHRLICH, KATE ERBLAND. In hindsight, it shouldn’t be surprising that the cinema of 2023 was so preoccupied with the unknown, as the first proper year after the start of the pandemic was always going to find the movie industry plunging into a brave new world. Some of the most pressing questions we had at the start of January were answered with resounding force. Would the studios — some of which had fatally diluted their brands with streaming options in a desperate bid to appease the stock market — find that once-reliable franchises had lust their luster? Yes. Would audiences — so eager for a different breed of “event film” that they had already started to redefine the term themselves — actually follow through on the “Barbenheimer” meme that first spread across social media in late 2022? Yes. Would titans like Martin Scorsese, Christopher Nolan, and Wes Anderson make good on the breathless chatter that surrounded their latest projects and predictably inspire some of the most illuminating and demented takes in the history of human opinion along the way? Absolutely. On the other hand, some of the year’s most pressing questions were harder to see coming in advance, although several of those have also been resolved as well to one degree or another. Would the strikes ever end? Good news! Would documentaries start to feel depressingly irrelevant in the face of a streaming ecosystem that’s made it all but impossible to market anything besides celebrity profiles and concert films? Kind of! (Festival highlights like “Milisuthando” are still awaiting distribution, while other major efforts like “Kokomo City,” “Four Daughters,” and the fittingly titled “A Still Small Voice” have struggled to be heard amid the ever-loudening din of movie discourse). Did David Zaslav learn a valuable lesson from the whole “Batgirl” disaster last summer? Not so much! And yet it was how the films themselves confronted the unknown that proved most notable about the year in cinema, as several of 2023’s defining movies found their characters and creators looking beyond the limits of their lived experience — or, in the case of “The Zone of Interest” and its timeless moral compartmentalizations, resisting the urge to do so at any cost. This, more than the happy coincidences of their shared release date, is what bonded “Barbie” and “Oppenheimer” together; where one film saw heartfelt wonder, the other discovered unholy dread. That fascination with the unknown is the connective tissue between the mysteries of “Asteroid City” and “The Boy and the Heron,” between the real or imagined multi-verses of “Spider-Man” and “Past Lives,” and between Scorsese’s defeated humility at the end of “The Killers of the Flower Moon” and the barrister’s grinning arrogance throughout the courtroom scenes in “Anatomy of a Fall.” This was a year in which many of the most resonant movies tried to capture the past in hopelessly cracked vessels and/or embraced total disorder in a bid to reconcile the tensions of the present. Sure, there was comfort food par excellance courtesy of Frederick Wiseman and Tran Anh Hung, but even their films served as tasty reminders that great cinema always takes us just a little further into the future — or into ourselves — than we can dare to imagine without it. Here are IndieWire’s picks for the 25 best movies of 2023. This article includes contributions from Carlos Aguilar, Christian Blauvelt, Jude Dry, Sophie Monks Kaufman, and Ryan Lattanzio.
  16. IndieWire's The 40 Best Fantasy Movies of All Time's icon

    IndieWire's The 40 Best Fantasy Movies of All Time

    Favs/dislikes: 4:0. From Studio Ghibli classics to the two entries of the "Lord of the Rings" saga most deserving of inclusion, these movies took us to new worlds. IndieWire Staff Jul 2, 2020 9:00 am “Home is behind; the world ahead.” J.R.R. Tolkien’s motto in “The Lord of the Rings” also captures one of the things that’s so powerful and intoxicating about the art of movies itself: that feeling of leaping through the screen, leaving your life behind, and being immersed in something totally new. Escapism is often used as a dismissive term, even by those who use it endearingly. But the cinema has a capacity for escape unlike any other medium — shouldn’t that be embraced? The best fantasy filmmakers — Jean Cocteau, Guillermo del Toro, and Hayao Miyazaki, among so many others — understand the psychological power of escapism. Sometimes you need to step outside of yourself to look back in. The best escapist entertainments ultimately bring us back to ourselves. These 40 fantasy films open up new worlds and new paths of understanding and empathy. Space-borne fantasy — “Star Wars” and its ilk, a rich enough world to inspire its own list — is excluded here, as are films in which fantasy is expressed primarily as simply daydreams. These are triumphs of imagination and world-building that seem incapable of losing their power to enchant.
  17. IndieWire's The 50 Best Movie Musicals of All Time, Ranked's icon

    IndieWire's The 50 Best Movie Musicals of All Time, Ranked

    Favs/dislikes: 2:0. From “Swing Time" to "In the Heights" and everywhere in between, these films represent the height and the incredible range of the genre. By David Ehrlich, Christian Blauvelt, Kate Erbland Jun 13, 2021 11:00 am The musical often feels like a relic of a long-dead Hollywood studio system, but it remains a genre that captures movies’ ability to create story worlds that move freely between reality and fantasy. The worst examples come from filmmakers who give license to music, color, and movement run amok; the best musicals transcend artifice and integrate songs that become expressions of pure character emotion. It offers endless possibilities, but success demands a complete mastery of the medium. Very few current stars could learn the choreography of Busby Berkeley, Jerome Robbins, or Bob Fosse, and adapting a medium developed and most suited for the stage requires innovative direction. In translating the joy of a live musical to the magic of cinema, some things are easily lost in the shuffle From “Swing Time” to “In the Heights” and everywhere in between, here are 50 musicals that represent the height and the incredible range of the genre. Eric Kohn, Anne Thompson, Ryan Lattanzio, Jude Dry, Kristen Lopez, Jenna Marotta, Jamie Righetti, Michael Nordine, and Siddhant Adlakha contributed to this list.
  18. IndieWire's The 50 Greatest Romantic Comedies of All Time's icon

    IndieWire's The 50 Greatest Romantic Comedies of All Time

    Favs/dislikes: 2:0. There’s something uniquely cinematic about romantic comedies — something that makes them a natural fit for the movies, and vice-versa. There’s a special alchemy that allows us to believe in the magic of meet-cutes, happily ever afters, and all of the agonizing contrivances that tend to pop up between the two; that gives storytellers permission to transpose the stuff of operas and fables into the fabric of real life. On paper, a film like “Pretty Woman” might be a retrograde fairy tale about a hooker with a heart of gold and the rich businessman who can afford it, but the chemistry between Julia Roberts and Richard Gere is so explosive that you surrender to the sentiment of it all. It’s hard to imagine how the mismatched couple in “Something Wild” might possibly sustain a lasting relationship after the credits roll, but where that movie leaves you — and the journey it takes to get there — is so thrilling and alive that you can’t help but trust it. Literally nothing in “Love Actually” makes sense if you stop and think about it for even a few seconds, but love, actually, always seems to add up in the moment. Richard Curtis’ magnum opus was a British production (in case you couldn’t tell), but even some of its many storylines find something naggingly American about the aspirational nature of the rom-com genre. No other country is populated by such radically different strangers, nor so enriched by the unexpected collisions between them; from “Bringing Up Baby” to “Forgetting Sarah Marshall,” Hollywood has always been eager to sell the idea that we’re all just one chance encounter away from happiness. That might help to explain — if only in part — why the rom-com canon is as white and heteronormative as the history of the American film business, and why that canon is ripe for re-evaluation now that Hollywood doesn’t see the same value in the genre that it once did. Of course, the romantic comedy is also something of a universal language, and other film industries (Bollywood most of all) have been churning these stories out for local audiences faster than we can hope to keep up. Fingers crossed that we find a way to disentangle “foreign cinema” from the arthouse, because there are so many mainstream hits from around the world that never make it to American screens. In that light, IndieWire’s list of the 50 Best Romantic Comedies of All Time is more of a start than a final statement; it’s a living document that we’ll change up and add to as time goes by. One thing that will stay the same, however, is that rom-coms have a recognizable grammar all their own; meet-cutes, montages, banter, a weird preponderance of journalists, sex scenes that always indicate a dark turn at the end of the second act… these aren’t just love stories that happen to be funny, they’re a sacred art unto themselves. And these are 50 of the masterpieces that prove it. By David Ehrlich, Eric Kohn, Kate Erbland, Anne Thompson, Chris O'Falt, Zack Sharf, Jude Dry, Ryan Lattanzio, Tambay Obenson, Tom Brueggemann Feb 14, 2020 10:00 am
  19. IndieWire's The 85 Best Comedies of the 21st Century's icon

    IndieWire's The 85 Best Comedies of the 21st Century

    Favs/dislikes: 4:0.
  20. IndieWire's The Best French Movies of the 21st Century's icon

    IndieWire's The Best French Movies of the 21st Century

    Favs/dislikes: 2:0. By Eric Kohn and David Ehrlich Jun 30, 2017 10:27 am Cinema was one of the truly international phenomenons of the last millennium, but France — more so than any other nation — has always been one of the medium’s most essential guiding lights. From the pioneer era of the Lumiere brothers, to the revolutionary New Wave that expanded our understanding of film’s potential, to the country’s recent defense of the theatrical experience, France has always pushed the movies forward while reminding us what we love about them in the first place. No country did more to help propel cinema into the 20th Century, and no country has done more to help sustain its integrity and its potential in the 21st. From sultry thrillers to mind-blowing 3D experiments and one of the most heartbreakingly honest love stories ever told, these are the 25 best French films of the 21st Century. Note: To qualify for our list, a film had to be predominately French-language and at least partially French-funded. With one exception, all of the films on this list are also set in France, as well.
  21. IndieWire's The Best Movie Musicals of All Time's icon

    IndieWire's The Best Movie Musicals of All Time

    Favs/dislikes: 4:0. From “Swing Time" to "In the Heights" and everywhere in between, these films represent the height and the incredible range of the genre.
  22. Indigenous narratives's icon

    Indigenous narratives

    Favs/dislikes: 11:0. The list deals with films in which the indigenous perspective is at the forefront. It does not include films in which indigenous cultures or people are primarily presented through a majority perspective. Additionally, films in which the primary focus is on non-natives and how they somehow get educated/enlightened by encountering indigenous people are excluded. Here "indigenous people" is defined as "a people with their own language and distinctive cultural traditions still practiced, the original inhabitants of a geographical territory but now a minority relative to the dominant culture of their country." Shorts & Features: 1-28: Indigenous peoples in Latin America 29-49: Aboriginal Australians 50-70: The Maori 71 -111: North American Indians 112-145: The Inuits 146-147: The Sami 148-151: Various Documentaries: 152-155: Papua New Guinea 156-163: Aboriginal Australians 164-167: The Maori 168-238: North American Indians 239-281: The Inuits 282-284: The Sami 285-287: Indigenous peoples in Latin America
  23. Indisputably the Most Miraculous Films of All Time's icon

    Indisputably the Most Miraculous Films of All Time

    Favs/dislikes: 1:0. in my opinion
  24. Indo Members's icon

    Indo Members

    Favs/dislikes: 0:0. For indonesian members only
  25. Indonesian Film Festival - Best Feature Film - winners and nominees's icon

    Indonesian Film Festival - Best Feature Film - winners and nominees

    Favs/dislikes: 0:0. All the films that won or were nominated to the Best Feature Film (Film Cerita Panjang Terbaik) at Festival Film Indonesia since 1955 Winners - 1-36 Nominees - 37-.. (in progress, -1990 nominees missing) Missing from IMDb: Perkawinan (1972) - https://id.wikipedia.org/wiki/Perkawinan_(film) Senyum di Pagi Bulan Desember (1975) - https://id.wikipedia.org/wiki/Senyum_di_Pagi_Bulan_Desember Cinta (1975) - https://id.wikipedia.org/wiki/Cinta_(film) Sebelum Pagi Terulang Kembali (2014) Langit Kembali Biru (1990) -https://id.wikipedia.org/wiki/Langit_Kembali_Biru Potret (1991) - https://id.wikipedia.org/wiki/Potret_(film) Cas Cis Cus (1989) -https://id.wikipedia.org/wiki/Cas_Cis_Cus_(film) Sesaat Dalam Pelukan (1989) - https://id.wikipedia.org/wiki/Sesaat_Dalam_Pelukan
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