Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

  1. Available online with English subtitles: Guatemala's icon

    Available online with English subtitles: Guatemala

    Favs/dislikes: 0:0.
  2. Available online without English subtitles: Sri Lanka's icon

    Available online without English subtitles: Sri Lanka

    Favs/dislikes: 0:0.
  3. Bacaterus.com Best Colossal Movies of All Time's icon

    Bacaterus.com Best Colossal Movies of All Time

    Favs/dislikes: 5:0. The best Colossal movies ever made was picked by staff bacaterus.com. Star Wars and Lord of the Rings increase this list to be 17 movies.
  4. Benelux's icon

    Benelux

    Favs/dislikes: 0:0.
  5. Best Movies 2020's icon

    Best Movies 2020

    Favs/dislikes: 0:0. Movies I enjoyed watching in 2020
  6. Best Movies 2023's icon

    Best Movies 2023

    Favs/dislikes: 0:0. Movies I enjoyed watching in 2023
  7. Best movies for a girl who's bored's icon

    Best movies for a girl who's bored

    Favs/dislikes: 1:10. Movies I like to watch when I'm bored...
  8. Best Movies of 1998's icon

    Best Movies of 1998

    Favs/dislikes: 0:0.
  9. BFI Danish and Swedish's icon

    BFI Danish and Swedish

    Favs/dislikes: 0:0.
  10. Bloody Disgusting's Best Horror Films of All Time - 1990s's icon

    Bloody Disgusting's Best Horror Films of All Time - 1990s

    Favs/dislikes: 0:0. Bloody Disgusting's Best Horror Films of All Time - 1990s
  11. Bloody Disgusting's Best Horror Films of All Time - 2000s's icon

    Bloody Disgusting's Best Horror Films of All Time - 2000s

    Favs/dislikes: 0:0. Bloody Disgusting's Best Horror Films of All Time - 2000s
  12. BullshitIST's The 17 Scariest Horror Movies of the 70s (2016)'s icon

    BullshitIST's The 17 Scariest Horror Movies of the 70s (2016)

    Favs/dislikes: 0:0. Ranked list. Compiled by Michael Gursky.
  13. Cannes Film Festival 2015: Competition's icon

    Cannes Film Festival 2015: Competition

    Favs/dislikes: 7:0. The films that will be in competition during the 2015 edition of the Cannes Film Festival
  14. Checked Noir Films's icon

    Checked Noir Films

    Favs/dislikes: 0:0. Film noir* is characterized by narrative and stylistic elements: the protagonist is lonely, sore, nihilistic; visuals, music, sound, mise-en-scène express a dirty, abandoned, violent and unforgiving world. The story builds up a limit situation of someone or something that kindles sentiment in the main character. The protagonist - half scoundrel, half anti-hero, fully broken person - leave us thinking: what is that that is left after all hope and reason to live is lost? Whatever it is has the power to make us define our existence. This list is a register of films I watched which relate to this idea. * My idea of ​​Film Noir is more open than the canon's definition, probably because I was influenced by the variety of recent Neo-Noir films and their expansive themes.
  15. Chickflick's icon

    Chickflick

    Favs/dislikes: 0:0. The best (or most predictable but still funny) chickflicks.
  16. Chinese favorites (+Taiwan, sorry Taiwan)'s icon

    Chinese favorites (+Taiwan, sorry Taiwan)

    Favs/dislikes: 0:0.
  17. Chris Evans's icon

    Chris Evans

    Favs/dislikes: 4:0.
  18. Claude Miller Filmography's icon

    Claude Miller Filmography

    Favs/dislikes: 1:0.
  19. Claustrophobic horror movies's icon

    Claustrophobic horror movies

    Favs/dislikes: 1:0.
  20. Coen Brothers Feature Filmography's icon

    Coen Brothers Feature Filmography

    Favs/dislikes: 1:0. All feature films written and directed by the Coen Brothers.
  21. Coen rankings's icon

    Coen rankings

    Favs/dislikes: 0:0.
  22. Cosmic horror's icon

    Cosmic horror

    Favs/dislikes: 4:0. Movies or tv that contain elements of cosmic horror in the spirit of H.P. Lovecraft.
  23. Criterion Collection Themes - Cannes's Big Winners's icon

    Criterion Collection Themes - Cannes's Big Winners

    Favs/dislikes: 5:0. Since its inception in 1946, cinephiles have counted on the Cannes Film Festival, the most prestigious annual film program in the world, to keep up with the medium’s most important artists and movements. Its star-studded red carpets and glorious French Riviera scenery may get as much attention as the carefully selected films in its competition showcases, but the true legacy of Cannes has always been the masterpieces that premiered there—and especially those that have emerged as winners. The festival’s top award was originally called the Grand Prix, and the trophy for it designed each year by a different artist. Then, beginning in 1955, it became the Palme d’Or, with a new trophy modeled after the city of Cannes’s coat of arms. (The festival continues to bestow a Grand Prix, although it’s a second-place honor now.) At Criterion, we’ve collected many titles that have won the festival’s highest award, hailing from many nations of the world, Russia (The Cranes Are Flying), Italy (The Leopard), Japan (Kagemusha), and the U.K. (If….) among them.
  24. Criterion Collection Themes - Heist Movies's icon

    Criterion Collection Themes - Heist Movies

    Favs/dislikes: 5:0. At Criterion, it’s clear that heist movies have stolen our hearts. What is it that makes them so compelling? The clockwork precision, the array of characters needed, the potential consequences hanging in the air, our inevitable identification with the thieves (and our frustration when they don’t get away with it)—not to mention all that shiny loot. Here are some great movies to check out in a pinch, from French (Rififi) to American (The Friends of Eddie Coyle) to Japanese (Cruel Gun Story); they’re sure to inspire your inner criminal mastermind.
  25. Dark Side Of The West: 17 Truly Grim Westerns by the A.V. Club's icon

    Dark Side Of The West: 17 Truly Grim Westerns by the A.V. Club

    Favs/dislikes: 14:0. Westerns are almost inherently grim: Traditionally, the quintessentially American genre would have us believe that the country was wrested from the wild by a few unrelentingly strong, stubborn, self-sufficient men bravely facing incredible odds and probable death. Still, Westerns tend to be about heroes, and heroes usually win. Which makes stark, morally muddy features like High Noon stand out.
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