Charts: Lists

This page shows you the list charts. By default, the movies are ordered by how many times they have been marked as a favorite. However, you can also sort by other information, such as the total number of times it has been marked as a dislike.

  1. Anime-Planet's Best Noir Anime's icon

    Anime-Planet's Best Noir Anime

    Favs/dislikes: 2:0. "Noir is a genre from the 40s and 50s that features hardboiled cynical heroes, femme fatale, and bleak, sleazy settings. These anime either take place in 40s and 50s, or are considered Neo-Noir: titles that combine elements of Noir in a modern or futuristic setting."
  2. Animeland's Top 100 Japanese Anime Movies's icon

    Animeland's Top 100 Japanese Anime Movies

    Favs/dislikes: 2:0. AnimeLand is the first magazine, both historically and in circulation, specializing in the field of manga and animation in France. First a fanzine, made by fans for fans, AnimeLand has become in 25 years a magazine sold throughout France and in French-speaking countries. He is today the reference in terms of treatment of manga and animation news thanks to his freedom of tone and his expert analysis. This collection brings together the 100 Japanese animated films that have made history by specifying its qualities and numerous production anecdotes. Written by a team of experts, in partnership with AnimeLand, this ideal animathèque is as essential for the novice who will be able to discover films according to his tastes as for the die-hard fan who will hasten to take up the challenge of watching the 100 films of the selection.
  3. Anna Neagle Filmography's icon

    Anna Neagle Filmography

    Favs/dislikes: 2:0.
  4. Anna Paquin Filmography's icon

    Anna Paquin Filmography

    Favs/dislikes: 2:0.
  5. Anne Billson's Top 100's icon

    Anne Billson's Top 100

    Favs/dislikes: 2:0. Anne Billson is a film critic and writer (https://en.wikipedia.org/wiki/Anne_Billson) It's 101 films because Three Musketeers + Four Musketeers are one entry. The Spirits of the Dead entry is specifically for Toby Dammit, the Fellini one.
  6. Anne Revere Filmography's icon

    Anne Revere Filmography

    Favs/dislikes: 2:0.
  7. Another Canon's icon

    Another Canon

    Favs/dislikes: 2:1. What if we're all just wrong about what makes a great movie?
  8. Another World Entertainent's icon

    Another World Entertainent

    Favs/dislikes: 2:0. The catalogue of the great Scandanavic movie distribution company. In order of the releases / catalogue number.
  9. Anthology films (with multiple directors)'s icon

    Anthology films (with multiple directors)

    Favs/dislikes: 2:0. A list of anthology films with separate segments directed by separate filmmakers. If you'd rather use the term "omnibus" or "portmanteau," be my guest.
  10. Anthony Asquith filmography's icon

    Anthony Asquith filmography

    Favs/dislikes: 2:0.
  11. Anthony Mann's Westerns's icon

    Anthony Mann's Westerns

    Favs/dislikes: 2:0.
  12. Anthony Minghella Filmography's icon

    Anthony Minghella Filmography

    Favs/dislikes: 2:0.
  13. Aoi Miyazaki's Filmography's icon

    Aoi Miyazaki's Filmography

    Favs/dislikes: 2:0.
  14. April 2022 90's Challenge's icon

    April 2022 90's Challenge

    Favs/dislikes: 2:0. 1990's films to watch in April 2022 for the Forum Sci-Fi Challenge
  15. Arcadia's Best 30 Latin American Films (2017)'s icon

    Arcadia's Best 30 Latin American Films (2017)

    Favs/dislikes: 2:0. "In the framework of the 51 Festival de Cine de Cartagena, in 2011, we made a a list with the best Latin American films, with the help of 80 experts. This year we've updated it with the hottest films from the past 5 years."
  16. Architecture Documentary's to Watch 's icon

    Architecture Documentary's to Watch

    Favs/dislikes: 2:0. A list of Architecture Documentary's that anyone interested in design should watch.
  17. Archive außer sich's icon

    Archive außer sich

    Favs/dislikes: 2:0. The four-year project of the Arsenal – Institute for Film and Video Art is a series of interdisciplinary research, presentation, and exhibition projects dealing with film cultural heritage and its archives. What is cultural heritage, what communities and narratives, what addressees and mediation formats can be derived from it and how durable are they? Or: what still unknown archives can the present produce? The basis of this is formed by the idea of the Living Archive: research, digitization, and/or restoration of archival holdings are part of an artistic and curatorial practice of the present understood as participation. The archive is a site of production. Out of the diversity of the starting materials–complete films, films that are damaged or can no longer be reconstructed, ephemeral films, working materials, marginal notes, and objects–as well as the specific localities of the partners–archives, cinemas, festivals, art spaces, universities, public television stations, databanks, a former crematorium–arises a question: What is a film archive today? What claims does the public make on archives and what present and future can be proposed, even speculatively, from archival constellations and new forms of navigation? The archives involved become laboratories for critically reflecting on the category of film heritage, but also “heritage” in general, for instance in relation to colonial or migration history or to the history of political and aesthetic movements. Alongside its value for film history and theory, the project will also contribute to developing new perspectives on the politics of film culture. The term film heritage will be positioned in relation to other classification categories such as “transnational cinema” or “world cinema.” From political, aesthetic, or even chance connections, elective affinities will emerge from the present, contributing to devising new concepts of temporality. Participating institutions: International Short Film Festival Oberhausen, Film Feld Forschung gGmbH, Harun Farocki Institut, SAVVY Contemporary, pong film GmbH and the masters program “Film Culture: Archiving, Programming, Presentation” at the Goethe University Frankfurt. “Archive außer sich” is a project of Arsenal – Institute for Film and Video Art, in the frame of the cooperation “The Whole Life: An Archive Project” together with Haus der Kulturen der Welt, Pina Bausch Foundation and Staatliche Kunstsammlungen Dresden. It is part of HKW’s project “The New Alphabet,” supported by the Federal Government Commissioner for Culture and the Media due to a ruling of the German Bundestag.
  18. Ari Aster Filmography's icon

    Ari Aster Filmography

    Favs/dislikes: 2:0.
  19. Ariana Grande's Favorite Films's icon

    Ariana Grande's Favorite Films

    Favs/dislikes: 2:1. All films that have mentioned by Ariana Grande as her favorite.
  20. Ariel Película Iberoamericana's icon

    Ariel Película Iberoamericana

    Favs/dislikes: 2:0. The First appearance of the prize is for the XLII edition of the Ariel Awards. Since the prize is given to the director, the XLII and the XVLVII winners, O Primeiro Dia (Brazil) and Whisky (Uruguay), had two awards, one for each director. In the 53rd edition, there was a tie between José Martí: El ojo del canario (Cuba) and También la lluvia (España). In the 59th edition, there was another tie between El ciudadano ilustre (Argentina) and The Second Mother (Brazil). P.S. The winning year of a movie doesn't always correlate to the year it was made. The date used by the Academy is the year shown in Mexico.
  21. Ariel Película Iberoamericana Nominees's icon

    Ariel Película Iberoamericana Nominees

    Favs/dislikes: 2:0. The First appearance of the prize is for the XLII edition of the Ariel Awards. Since the prize is given to the director, the XLII and the XVLVII winners, O Primeiro Dia (Brazil) and Whisky (Uruguay), had two awards, one for each director. In the 53rd edition, there was a tie between José Martí: El ojo del canario (Cuba) and También la lluvia (España). P.S. The winning year of a movie doesn't always correlate to the year it was made. The date used by the Academy is the year shown in Mexico.
  22. Armando Iannucci Filmography's icon

    Armando Iannucci Filmography

    Favs/dislikes: 2:0.
  23. Armo's 400 8 and up's icon

    Armo's 400 8 and up

    Favs/dislikes: 2:0.
  24. Arne Skouen filmography's icon

    Arne Skouen filmography

    Favs/dislikes: 2:0. A list of all feature films by Norwegian director Arne Skouen (1913-2003).
  25. Arno74's top 100 of Spanish Films's icon

    Arno74's top 100 of Spanish Films

    Favs/dislikes: 2:0. This is Arno74's personal toplist of Spanish films, made for a toplist-forum on [url=http://www.moviemeter.nl/forum/18/14492/990]moviemeter.nl[/url]
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