Very difficult to enjoy. So dark (literally), so gritty, so grimey.
However, one of the bits I loved was the juxtaposition of the first scene, Harvey taking his sons to school, and one of the final scenes, Harvey driving off with the two arrested rapists. Abel Ferrara employs the same camera angles, has the boys and rapists sat in the exact same positions, Keitel’s relationship with the characters comes across exactly the same.
Whereby in the first scene Keitel scolds his sons for not sticking up to their aunt and exerting their masculinity (“are you men or mice?!”), in the latter he is irate at the two young men for their crime, for raping a nun, and moreover their utter lack of respect for her femininity.
And the seemingly peculiar conclusion to the film — whereby Keitel lets the two rapists walk free and gives them $30,000 to boot — makes a ton more sense with this juxtaposition in mind. In this moment Keitel’s character realises his hypocrisy, and realises that the two rapists are the men he is raising his sons to be.
Full review: https://medium.com/@davidchauvin/spike-lee-s-essential-films-slef-episode-7-bad-lieutenant-1992-56f962d781d3#.b7z821kkf
2 years 7 months ago
This film is so full of blasphemy, in a great way... 3 years ago
Thank the copyright pricks for that.
6 years 7 months agoquote:"Signifying Rapper" was out for five years, and there wasn't a problem. Then the film had already been out for two years and they start bitching about it. [...] It cost Schoolly like $50,000. It was a nightmare. And meanwhile, "Signifying Rapper" is 50 million times better than "Kashmir" ever thought of being. [...] Why sue? You should be happy that somebody is paying homage to your work.
FriendsLogin to see which of your friends have seen this movie!
In 4 official lists
This movie ranks #1 in Spike Lee's Essential Film List
This movie ranks #68 in The Guardian's 1000 Films to See Before You Die
This movie ranks #253 in Cahiers du cinéma - Yearly top 10s
This movie ranks #684 in TSPDT 1000 Noir Films